Recently, J.C. Hutchins asked across various social networks for people to sum up their 2011 in one word, and then sum up their hopes for 2012 in another. I responded with three.

Yes, I’m a rebel. Screw the rules, ‘cause that’s how I roll.

Man, I really need to make “avoid talking street” a New Year’s Resolution. Now where was I? Oh yeah, Hutch’s “Sum Up Your 2011” question…

I responded with “The Small Step” because I’ve started looking ahead already to 2012. Planning for appearances. Pre-production for a book trailer. Considering a posting schedule for Volume Two of Tales from the Archives.  And, of course, the release of The Janus Affair. It just feels like everything is piling on already, and I’ve still not put away Christmas decorations.

Not sure what it was about this week — maybe the storm front breaking, maybe the sunrise, maybe the unusually smooth commute to work, who knows? — I started to look back. 2011 has been one astounding year. A year of change. A year of direction. Some of these items may some across as a touch trivial, but they defined the year for me, and are helping me work through tough spots and dark times. I stopped to think of those high points and put them out there on this blog, my intent being that you might find five things to be thankful for at this time.

5.  Getting My Game Back. This is P.C. Haring’s fault; and while I might have sounded disgruntled about it on The Shared Desk, it’s been something that I’ve missed. Terribly. The story goes that P.C. was paying a visit and, on hearing we had picked up an XBox for Sonic Boom, he took it upon himself to bring a few games for the grown-up’s. Both Paul and Pip have seen me shout and swear and blame the controller (which, when it’s a Kinect game, is kind of embarrassing); but I find myself constantly drawn back to the challenges of Aperture Laboratories or the overrun Arkham Asylum. (Batman: Arkham City is in the wings. I just need to complete Asylum’s basic story, and then I’m in.) I had forgotten how much I loved to game when I was a kid (ColecoVision reprah-ZENT!), and now I find it a nice stress relief. (Stop laughing at me, Pip!) When I feel stuck creatively or survive a less-than-satisfying day at the office, I find inverted takedowns when hanging from a gargoyle most satisfying.

And there is, of course, the workout aspect of the Kinect. I pwn The Humpty Dance!

4.  Investing in the Home. Last year, between one incredible day where friends and family helped me get the place in order, to Pip helping me sort and organize the details, I have found my house to be an ongoing challenge. That was when I regarded it as a house. My original plan was to hold on to it for a few years and then move. This was before I discovered what was in plain sight: an incredible community of people who I now refer to as friends. When Pip arrived for a more permanent stay, I saw myself caring less about the house and more about my home.

Our home.

Additions arrived. Changes were made. It’s no longer a place where my stuff is. We’ve got a home now. It feels great.

3. Sonic Boom: The Next Chapter. Being a parent is not easy. It wasn’t easy when she was born. It wasn’t easy when it was just the two of us. Presently, it’s no different from Arkham Asylum — each subsequent level is harder than the previous one. (Admittedly, there are far fewer sociopaths and super villains involved when parenting Sonic Boom, although there are some days the Boom could give Harley Quinn a run for the money in the diva department.) In this year, with Pip at her side, I’ve seen her take strides developmentally that have me in awe. I’ve watched her go from dropping to the ground and throwing fits to “calmly” working out problems, working through them, and not giving up. In Taekwondo, I’ve watched her rise to challenges that I thought was far out of her reach and conquer them. She’s not perfect (neither are her parents); but considering everything that’s been thrown at her, she’s continuing to take strides forward. I’m really, really proud of her.

2. The Launch of Phoenix Rising. Yeah, the game changer. At the end of the April, this steampunk novel joined many other urban fantasy, science fiction, and epic fantasy novels on bookshelves. Did it take the world by storm? Well, no. While Pip had the well-received Geist under her belt already and we both had nearly ten years of fiction, podcasting, and non-fiction under our belts, we were still regarded as “newcomers.” But much like Geist, Phoenix Rising has been enjoying what can be best described as a slow burn. The title was honored as one of Goodread’s Top Ten Science Fiction Titles of 2011 and the winner of the 2011 Airship Awards for Best Steampunk Literature. Pip and I were invited to be speakers at ComicCon New York. And we have been introduced to a generous, creative community of people who have made time for our book and have been enjoying our initial offering. It’s been a wild and wacky eight months; and with The Janus Affair slated for a May release, we have more amazing adventures ahead of us.

1. Getting Married. Yeah, this may sound very newlywed or “If you don’t make this #1 for 2011, Pip is so gonna pwn you!” but it’s the truth. The ceremony really did bring together a lot of things that made 2011 such a fantastic year. Pip looked amazing. The neighbors turned out and decorated the new patio with lights, banners, and flowers. And then there were the neighbors themselves — once total strangers to me, now some of the best people in my life. These same neighbors became fast friends with Pip and a support crew for Sonic Boom. All those emotions, hopes, and anticipations reached critical mass on that Saturday morning when a “simple paperwork ceremony” became an incredibly special day for the three of us. We — Pip, Sonic Boom, and I — became a family. We were blessed by God with fantastic weather for October, and also blessed with a Justice of the Peace who had a sense of humor. At the end of the vows, she read to those assembled “I now pronounce you husband and wife, you may now go and update your Facebook status.”

Priceless.

Nothing’s really changed between us, and yet everything feels different. I don’t make claims of being perfect in our relationship, and I work to make sure Pip is okay, that our communication is rock solid, and that we’re making time for each other as well as the family. Maybe it’s easier with only the three of us, but then again there’s nothing really “easy” about a marriage. It is work, but I play as hard as I work, and I can only hope Pip and the Boom are having as much fun in this family as I am.

So there it is — another year gone, but what a year it has been. Now 2012 is just a few days away, and there is that feeling of expectation. Right now, I feel like I’m on the edge of something big, something wonderful; and I am ready for the new year to begin and set off on this new adventure. But before doing so, it never hurts to look back, consider the lessons learned, and be thankful for friends old and new who have enjoyed the ride with me.

Thanks, everyone. See you all on the other side.

Chevron 9. Locked.

Just a quick bit of news before the holidays — the 99¢ sale of Phoenix Rising: A Ministry of Peculiar Occurrences Novel is now officially on! And here’s where you can find it…

Kindle — http://amzn.to/o31YFI
Nook — http://bit.ly/rBBrT7
Kobo — http://bit.ly/ulBPet
iTunes — http://bit.ly/uuQ0XS

That’s right, Harper Voyager has lowered the eBook price of Phoenix Rising down to 99¢ for a limited time, and this isn’t just for Kindle, but all ebook readers out there. We’re getting the word out today, so if you’ve been curious about steampunk, or how I write in novel-length with Pip Ballantine, or just in the need for something new to read, here is the 2011 Airship winner for 99¢. Feel free to leave us a review and tell a friend!

Something tells me this is hint of things to come. Pip and I are working on a new trailer, bigger and badder than the last one. We have a Christmas Special in the works for both The Shared Desk and Tales from the Archives. And we’re looking ahead to 2012. All this before Christmas.

I need a vacation.

This month, on Twitter, Facebook, on the podcast, and even at the official website of the Ministry, we’ve been talking up the recent accolade from the book readers’ social network, Goodreads. The first round was comprised of selections from Goodreads, based on activity and reviews. The second round included write-in nominations. Both were voted on by members of the Goodreads network.

Today, it’s official — Phoenix Rising is a Finalist for Best Science Fiction of 2011.

Goodreads and its community of readers have spoken and here is (by author, in alphabetical order) their Top Ten Best Science Fiction of 2011:

• Ann Aguirre, Aftermath
• Ilona Andrews, Silver Shark
• Pip Ballantine & Tee Morris, Phoenix Rising
• Earnest Cline, Ready Player One
• James S.A. Corey, Leviathan Wakes
• Hillary Jordan, When She Woke
• Stephen King, 11/22/63
• China Miéville, Embassytown
• Rob Thurman, Basilisk
• Daniel H. Wilson, Robopocalypse

Not only are we thrilled beyond reason that Phoenix Rising made it into the Top Ten of Goodreads’ Choice Awards, we are honored and a bit humbled that we are the only steampunk remaining for this award.

As it has been since the first round, we’re in the running alongside New York Times bestsellers, Hugo winners, and Nebula winners (oh yeah, and some guy named “King” whom, I understand, has written a few books in his day). Pip and I wanted to keep Phoenix Rising in the running, and you all made that happen. In our minds, this turkey has been cooked to perfection for Thanksgiving and we are so grateful for those of you showing support for us and for the title. Anything else, from this point, is gravy.

Did I ever mention how much I love gravy?

Between November 21 and November 30, the opportunity is there for the Ministry. If you haven’t voted yet and you have an account with Goodreads, please vote. We got to the Top Ten. We’ve won, as far as we are concerned.

Could we win the title of Best Science Fiction of 2011? Cast a vote and let’s find out.

There’s a real two-edged sword when it comes to honors and awards. I remember reading about the “importance of awards” when reading titles about getting published, grabbing an agent’s attention, and even marketing a book once it is out there. Across the board: Awards and distinctions help sell books. At least that is what the pros I was reading were telling me.

For a while, though, I’ve been giving awards a sideways glance. yeah, they’re nice and all; but did The Case of the Singing Sword go gangbusters when it won a Parsec? No, not really. Picked up a few more listeners, sure, but it didn’t really give Billi a boost in print sales. So, yeah, awards — nice, and it was very cool going home with that trophy…but I can write without them.

Then Pip and I won the Airship Award for Best Steampunk Literature of 2011. Regardless of what it did for Phoenix Rising sales, I won’t lie to you — it felt good. Really good. I mean, coming-in-from-playing-in-the-snow-and-having-Cream-of-Tomato-soup-with-a-bagutte-side good.

Then, two days before heading out west to Blogworld and ComiKaze Expo, we received word from Goodreads that Phoenix Rising had been short listed for Best Science Fiction of 2011.

At first I was just happy with the nod, but then I took a closer look at the company we were keeping:

• Stephen King
• Charlie Stross
• Sharon Lee & Steve Miller
• Robert J. Sawyer
• China Miéville
• John Scalzi

Then Pip and I noticed we were the only steampunk in the running for this distinction.

And then the ugly head that is my competitive streak reared back and asked “Hey, is that steak I smell on the grill?”

As cool as this honor already is, I’m keeping my feet firmly on the ground. We’re in the running with Hugo winners, Nebula winners, New York Times bestsellers, and a guy who is considered one of the most prolific authors of our day; so the plan is not to take the title. Pip and I just want to keep Phoenix Rising in the running.

Last week was simply the first round of voting. Here’s the breakdown in how Goodreads runs their competition:

• Opening Round: October 31 – November 13, 2011
  Voting open to 15 official nominees, and write-in votes can be placed for any eligible book. (That’s what’s happening now.)
• Semifinals: November 14 – November 20, 2011
  The top 5 write-in votes in each category become official nominees. You can vote for one of the now 20 nominees in each category. Additional write-ins no longer accepted.
• Finals: November 21 – November 30, 2011
  The field narrows to the top 10 books in each category, and you have one last chance to vote.

So if you haven’t voted yet, and you have an account with Goodreads, please vote. We want to get the sole steampunk nominee of 2011 to the Finals. Top Ten. That’s our goal. Don’t mistake — we are thrilled to make such a fantastic list of authors. We just want to keep the momentum going.

We are not intending to turn our feeds into something spamalicious, rest assured; but you can expect to see:

2011 Goodreads Choice Awards: Best Best Science Fiction Vote now for your favorite books!

• At least a few tweets from Books & Braun asking for your vote
• Facebook posts, asking for your vote
• Widgets here and at The Ministry…and yeah, go on and post your own widget for us, if you like…
• And perhaps, a quick blogpost reminding you of deadlines and where we stand

As they say in Pip’s ol’ stomping grounds, “Top Ten would really be choice, bro.” So please, take a moment to vote. If you have already, ask folks in your Goodreads network to show some love to the Ministry.

Let see if, together, we can bring the boilers to full and keep a steampunk title in the running.

With only a few days remaining until FenCon, Pip and I are planning furiously for what is promising to be a really fun weekend of panels, podcasting, and steampunk. We owe a special thanks to Matt Bowerman for being our location scout for our own “kickoff celebration.” If you’re in the Dallas/Ft. Worth area on this Friday at 8 p.m., we are hosting a Texas tweetup — steampunk style — at Spring Creek BBQ.

For non-FenCon attendees, it a chance to hang. For FenCon attendees, the restaurant is just five blocks north of the hotel. Pip has made an event page live on Facebook (please RSVP there), but here are a few extra details…

TIME: Friday, September 23, 8:00 p.m.
ADDRESS: 14941 Midway Road, Addison TX
MENU AND INFO: www.springcreekbarbeque.com

We are also planning to wear our steampunk gear for the tweetup! Ladies, strap into your favorite corsets. Gents, wear your best bowlers (or, if you’re doing the Wild, Weird West, your sharpest ten gallon hat)! It’s time to gear up, chow down, and jump into a good time in Texas! Pip and I hope to see you there!

First, I want to give a huge shout-out to Stephanie Kim, Assistant Publicist at Harper Collins. She has made this happen along with the crew of New York ComicCon, and with i’s dotted and t’s crossed I am now here with the details on what will be happening in the Big Apple this October!

DATE: Friday, October 14
PANEL: Steampunk in Comics and Literature

TIME: 9:00PM-10:00PM
LOCATION: 1A01

Steampunk traces its origins back to the science fiction of the 19th century, and the term itself was coined to describe a genre of Victorian sci-fi being written by modern authors. At the same time,  steampunk and Victorian industrial age aesthetics have long held a  great fascination for comic and manga artists of various backgrounds.

This panel will discuss steampunk as a literary and artistic genre,  examining steampunk’s literary origins and early examples of steampunk  in comic book medium, as well as modern examples from both mediums  such as Jay Lake’s Mainspring, G. D. Falksen’s Blood In The Skies,  Alan Moore’s The League of Extraordinary Gentlemen, and Girl Genius by Phil and Kaja Foglio. The panel will also feature first looks at upcoming titles and give aways from leading publishers such as  Wildside Press, Orbit Books, and Yen Press.

I still have no idea who I will be on the panel with, save for one. It is with great pride, joy, and pleasure to let you know that the one and only Jared Axelrod, one of the creative powerhouses behind Fables of the Flying City, will be joining me. Not only does this make my first NYCC experience that more exciting, I feel my fear factor calming ever so slightly. I’ve gotten my steam on with Jared at Balticon (with Pip Ballantine, too, actually) so I am looking forward to what will be happening on this panel!

And as for Pip…she’s running with the big dogs.

DATE: Saturday, October 15
PANEL: Winter Is Here: Epic Fantasy Takes the Throne

TIME: 6:30PM-7:30PM
LOCATION: 1A15

Long a staple of the SF/F genre, epic fantasy is poised to take a coup over the bestseller lists, thanks in part to HBO’s fantastically popular series based upon George R.R. Martin’s Game of Thrones novel.  This summer saw signing lines hundreds of readers deep (luckily none with swords in hand) for #1 New York Times bestselling author Patrick Rothfuss’ American appearance.  Now, in a special spotlight session exclusive to New York Comic Con, we pair internationally bestselling author Brandon Sanderson, Peter Brett, Phillipa Ballantine and epic fantasy debut authors Rae Carson, David Chandler and Nils Johnson-Shelton talk about why swords and sorcerers, king-makers and kingslayers; dragons and high drama have renewed resonance in fiction.

She running with a crew here, and I am thrilled to see Pip in said company. I have no doubt she will leave an impression and do the Deacons of The Order proud.

Mark your calendars and say “hi” if you’re in the Big Apple that weekend. We are counting down to this big step forward.

When Pip and I first got the email from Harper Voyager asking if we would be interested in speaking at ComicCon, I thought it was a longshot. We’re talking about ComicCon, right? The East Coast’s biggest popular culture convention. This weekend is two Dragon*Cons in one convention center. The show floor plays hosts a who’s who of comics, graphic novels, anime, manga, video games, toys, and media. The panel, autograph sessions, and screenings feature all feature A-Listers of Hollywood and Geek Culture.

And they want us to speak on a panel?

We were asked to wait to go into detail, and today we were given a green light.Turns out I was wrong.

New York Comic Con 2011 wants us to speak on two panels. And have a signing session.

Ummm….okay.

To give you an idea of just how big of a deal this is (and how utterly freaked out and excited we are), New York Comic Con attracted over 96,000 attendees in 2010, making this weekend the second largest comic book and pop culture gathering in the country. (And I think the only event bigger than this one…yeah, it’s in San Diego…two guesses what it is…) Pip has been invited to speak on the panel “Winter is Coming: The Return of High Fantasy” while I will be speaking on “Steampunk in Comics and Literature.” More details on the when’s and where’s, as well as the time for our first Comic Con signing, we will be a part of will appear on this blog and on our respective Facebook groups.

We are thrilled, terrified, excited, and over-the-moon…and I hope to see you there when I take that first step into a (much) larger world…

As mentioned on The Shared Desk, Pip and I are heading to the Lone Star State for FenCon VIII (also the host of DeepSouthCon 49). We’re looking forward to it as the guest list and programming promises to be a fun time. If you are in the Dallas/Fort Worth area between September 23-25, you will be able to find me at FenCon taking part in the following…

• Welcome to Global Dynamics
  Friday  4:00 PM  - 5:00 PM Addison Lecture Hall
• Goggles, Gears, and Gadgets: The World of Steampunk
  Saturday  10:00 AM  - 11:00 AM Trinity I – IV
• Book Signing (with Pip Ballantine)
  Saturday  2:00 PM  - 2:30 PM Gallery
• Yes. Yes We Are Having A Phineas & Ferb Panel
  Saturday  3:00 PM  - 4:00 PM Pin Oak
• Reading and Q&A with Tee Morris
  Saturday  5:30 PM  - 6:00 PM Pecan
• Writers Beware: Publishing Scams
  Sunday  11:00 AM  - 12:00 PM Elm

Now this is the official FenCon schedule, but there are going to be at least two unofficial events. These events that will include a Friday night tweet up and a “Let’s Crowd into Tee & Pip’s Room” recording of The Shared Desk. Keep tabs on these off-the-clock events at The Captain’s Quarters on Facebook.

Eleven days and counting until we mess with Texas — it’s time for FenCon!!!

Next week, at this time, I will be kicking off a few days of panel appearances at Renovation: the 69^th Annual World Science Fiction Convention in lovely Reno, Nevada. If you are out west for the extended weekend, here is where I will be appearing during the weekend:

• Social Media for Writers (moderating), Fri 11:00 – 12:00, A03 (RSCC)
• Introduction to Steampunk: What Is Steampunk and Why Is it so Popular? (moderating), Fri 13:00 – 14:00, A13 (RSCC)
• Writers Collaboration Panel, Sat 11:00 – 12:00, D05 (RSCC)
• Steampunk versus Alternate History (moderating) , Sat 13:00 – 14:00, D03 (RSCC)
• Autographing: Sat 14:00 (with Pip Ballantine) , Sat 14:00 – 15:00, Hall 2 Autographs (RSCC)
• KaffeeKlatsch: Sat 17:00 (with Pip Ballantine), Sat 17:00 – 18:00, KK1 (RSCC)

Saturday night may very well be an all-nighter for Pip and myself as we are scheduled for an early Sunday flight out of Reno (the only flight we could get out of Reno that returned us to DC at a decent time…), but grab us anytime between Thursday and Saturday as we will be there at WorldCon!

So, I’m all rested up and recovered from an amazing weekend at the Steampunk World’s Fair (review in the works). What’s next?

Why, another con appearance, of course…

Concluding The Ministry MAY-hem Tour (at least, this part of it) is an old favorite of mine — BALTICON. It was nearly ten years ago when I first arrived at this event with Morevi.  I looked something like this back then…

This was before the time of facial hair, before the days of podcasting, before the days of Facebook, Twitter, and Social Media. Right now, I’d love to go up to that guy and say “You have no idea what’s in store for you, bro.”

What a long strange trip it has been. And with the premiere of Phoenix Rising: A Ministry of Peculiar Occurrences Novel, it may just get a wee-bit stranger at Balticon 45 as tea parties, time traveling dances, rock-and-roll courtesy of Ditched by Kate, and panels-panels-panels are all in store! Here’s my schedule for the next few days…

FRIDAY
New Independent Voices in New Media — 6:00pm, Chesapeake
(New Media GoH, Pip Ballantine will be taking my place on the “Alien Sex: What Could Go Wrong?” panel at 9:00pm)

SATURDAY
The Ministry of Peculiar Occurrences Tea Party & Book Launch — 3:00 pm, Chesapeake

REMINDER: At the Ministry tea party we are giving away prizes, including a Catherinette steampunk ring AND a Dr. Grordbort signet ring. Constellation Books will be there to sell books, and we will provide tea and cookies!

Antigone’s Wrath LIVE — 4:00pm, Salon D
Low Budget Filmmaking — 9:00pm, Chesapeake

SUNDAY
Metamor City LIVE — 5:00pm, Chesapeake
The Time Traveler’s Ball (serving as DeeJay PirateBoy) — 10pm-1am, Garden Suite

MONDAY
Networking Vs. Platform — 10:00am, Salon C
The Shrinking Man Project LIVE — 1:00pm, Derby

The schedule is subject to change (in case of invites to join other panels), but now you know where to find both Pip Ballantine and myself. Don’t be a stranger — say hi, buy a book, and get your geek on at Balticon!

Yes, it has been a little quiet on my blog…but that doesn’t mean I’ve been standing still.

Our first steampunk exposition, The Steampunk World’s Fair in Somerset, New Jersey, is happening this week; and they are making us feel welcome! The guest list is mind-blowing, and yet we — the steampunk rookies — make their Lovecraftian promotional poster.

I think this is a sign of a FUN weekend ahead!

Both Pip and I will be there as part of “Ministry MAY-hem” and there are more details about the weekend to be found at the Ministry website. Track the weekend on Twitter by following the #SPWF hashtag.

We hope to see you this weekend as we get our steampunk funk on!

Hey, everyone!

You might have heard about this on Twitter last week when Pip and I premiered the first episode of our anthology podcast (more on that in a moment), there is a pretty strong showing of steampunk on Twitter, and one writer in particular started up a movement that have become a weekly event I always look forward to on Twitter.

Meet Nancy Overbury, the creator of #SteamTuesday on Twitter.

Nancy is a graphic designer and artist located in Montreal, Canada, and has nursed over the past few years a passion for steampunk. She promotes on Twitter a variety of  links — literature, film, art, fashion, music — you name it! If it’s steampunk and she hasn’t mentioned it on Twitter, you’ll find it on her blog.

So when Pip and I were trying to figure out when we wanted to drop episodes of Tales from the Archives, I immediately thought of Nancy’s special day on Twitter dedicated to steam, gears, and cog. Last week, the first episode “The Evil that Befell Samson” written by Pip Ballantine, went live:

It is revealed just how Miss Braun ended up being exiled from her native country, New Zealand, and working for the Ministry in its London Offices. It’s a tale of nefarious doings, stalwart ladies, and the sound of clockwork.

With original theme music composed and created by Alex White, Tales from the Archives will be featuring original steampunk short stories from these talented authors:

• O.M. Grey of Avalon Revisited
• P.C. Haring of Cybrosis
• Starla Huchton of The Dreamer’s Thread
• Helen H. Madden of Heat Flash
• Phil Rossi of Eden and Harvey
• Chooch Schubert of Chronicles of the Order:“The Destruction of Station One”
• Jack Mangan author of Spherical Tomi
• Nathan Lowell of Trader’s Tales: The Golden Age of the Solar Clipper
• Valerie Griswold-Ford of The Apocalypse Cycle
• Grant Stone, Sir Julius Vogel winner for numerous short stories

You can subscribe on iTunes (and leave us a review there) or with your podcatcher of choice at the Ministry website. If you hear a short story you particularly like, go on and feel free to syndicate it on your own blog or podcast.

And make sure when you are on Twitter, give Nancy a tweet and consider tracking the #SteamTuesday for some incredible finds out there in the aetherwebs!

You might have seen last week on my Facebook or Twitter stream a series of check-in’s from San Francisco. If it looked like I was having fun, I was. I caught up with my best friend from high school, touched base with a friend from Intersections, and even found a really fun Tiki Bar just across from my hotel! The funny thing was I was working (seriously, I was…), although it was the last thing I expected to do so passionately. I was expecting to be miserable, frustrated, and counting the minutes until it was time to go home.

This was one of those times when I was thrilled to be wrong.

The event was the San Francisco Writers Conference, sponsored by the Larsen-Pomada Agency (the people who represent Pip and myself when it comes to fiction — watch the graphic on their homepage and we pop up!); and while I was a guest of this event and being offered the rock star treatment, my expectation level was low for this event. Low, as in rock bottom. My main beef with events like this is the general attitude towards genre writers. In particular, towards Science Fiction, Fantasy, and Horror writers. I’ve dealt with this in the past, and you know it’s a special kind of snobbery when self-published poets and “entrepreneurs” brush you aside because you write “that tripe.” This was what I was steeling myself against as I reluctantly packed a bag alongside an under-the-weather-stressed-out kiwi.

Yeah, Pip caught a cold the day before we left, and this wasn’t helping her relax as she was slated to speak alongside editor (and longtime pal) Gabrielle Harbowy and speculative fiction powerhouse Katherine Kerr. Regardless, Thursday afternoon, we dragged ourselves to the airport got on the plane, and touched down in a rainy, dreary San Francisco.

This was going to be a long weekend…or so I thought.

My first talk was on Friday afternoon calling “Finding Your Tweet Spot” covering (yep, you guessed it!) Twitter for writers. The conference paired me up with Rusty Shelton. Wasn’t sure what to expect with this talk until I met Rusty. We instantly hit it off, his background in public relations and marketing for writers and publishers clicking quite well with my own strategies in self-promotion.  The two of us flew through the 45 minutes allotted for our panel, and we admitted that another hour would not have hurt. It was a rapid-fire tag team talk, and nowhere did we step on each other’s toes or contradict approaches. The talk was as if we had given it before. Feedback popped up right away on Twitter, and during the weekend a few people stopped and asked me questions we hadn’t the time to address.

It was this accessibility at SFWC that really impressed me. Unlike a SciFi con where sometimes people are gun-shy in asking a question (lest you face the wrath of one or a number of SMOF’s…a blogpost on them to come…), folks at this writers’ conference — both presenters and attendees — were approachable, welcoming an exchange of ideas, resources, and strategies. Pip (her cold receding just enough that she was feeling better) and I met a variety of people, from people who had just signed with our agent to people in search of an agent to people that were self-published and wanted to know what their next step would be. We even met the Grand Master of Shaolin.

Let me say that again — we met THE Grand Master of Shaolin.

Really nice guy. I’m just saying.

People were there to learn more than just subtle nuances of the writers’ craft but also the in’s and out’s of the business. What promoted this conference’s positive atmosphere was how much the editors, agents, and writers attending wanted to share with the attendees. I was humbled and energized by it all.

Pip also found herself some well-deserved spotlight alongside Gabrielle and Katherine who insisted they call her “Kit.” This was just one of Katherine Kerr’s many endearing qualities. The photo I’ve included with this blogpost is of Pip, Kit, and Gabrielle brainstorming on their workshop, one of those magic moments where writers share their own passions as to why they write. I was working on another blogpost at the time, but sitting in on their “jam session” in the presenter’s breakroom (eighteenth floor penthouse suite) was an education in itself.

It also felt really, really good to present again. Along with my panel on Twitter and on Monday an all-day workshop (with Linda Lee) on Social Media, I was asked by Michael Larsen to talk a bit about apps for writers. It became (unintentionally) the Scrivener talk (maybe for 2012…) but I did get a chance to talk to writers about the modern mobile resources that are out there. This talk, and the event on a whole, reminded me of how much we traveling in the con circles take for granted. To many of us, social networking, WordPress, and iPad are accepted (if not expected) tools of our trade. With the SFWC audience — the majority of it — technology was unexplored (and unrelated) territory. This made for a very different audience from what I am accustomed, and an audience that were hardly shy in asking for more.

The four days by the Bay were over-and-done before I knew it; and with the exception of catching up with Scott Sigler (next time, bro, next time…) Pip and I managed quite a lot of business, networking, and career planning. My dad, on my return, asked me if San Francisco had been a productive trip. Without question I believe presenting and attending the SFWC was one of the smartest things I have done in my time as a professional author. My goal since 2009 has been to get my writing back on track, and this weekend has been another big step in doing so. Perhaps the biggest lesson I took away from the conference: Stepping out of your comfort zone keeps you sharp. As Kit recommended during the “Out of This World” panel, the cons are a real experience for the writer. She didn’t mention that after a few of them under your belt, you can easily find yourself speaking within a bubble, preaching to the converted. With conferences like the SFWC, you find yourself free of those “safe circles” and looking at what you do from different points-of-view. You might also find opportunities in these brave new worlds, as well.

Stepping out of comfort zones can also put a lot of things in perspective. Priorities. Your place among them. Where you are headed in life. All that, along with a reminder that you can have novels, podcasts, and accomplishments under your belt, and yet you discover there is still a lot to learn about your passion.

Boy howdy, was I ever reminded of that in San Francisco.

In another posting on being business savvy when it comes to a writing career, I wanted to talk a bit about a con-related chat that came up between Jean Orrico and myself. Jean, as you might know, is my agent for a writing workshop I teach with Lani Tupu. Lani, as many of you should know, is the uber-talented, multi-faceted actor and artist, best known for his work as Crais and the voice of pilot in (my favorite Science Fiction television series) Farscape. Usually I bump into Jean (always a pleasure) and we either talk smack to one another (much to the delight of Lani), talk shop, or she berates me for “taking too damn long on a Morevi sequel.”

Hopefully, she will still be talking to me after my blogpost concerning that.

Jean asked me recently if I was coming to Dragon*Con this year. Now, if you’ve missed the hundreds—no, wait, the thousands—no, wait, tens of thousands—of write-up’s, video, pictures, tweets, and podcasts about this particular event, let me bring you up to speed on Dragon*Con. If there were a Mardi Gras for geeks, this would be it. Held in Atlanta every Labor Day weekend, Dragon*Con is a fan-run (as in volunteer, and God bless every one of those volunteers who step up to make this happen!) convention that must be experienced at least once. It is an epic four-day weekend with media stars, podcasters, writers, artists, and costumes, costumes, costumes. Along with Jean, a few other friends and fans have asked me if I and Pip will be in attendance this year. When we say “no” people look a little disappointed, but trust us — we have very good reasons for passing on Dragon*Con.

One reason — Pip and I are headed to WorldCon 69/Renovation, held in Reno, Nevada, this year.

If you go back to my in-depth look at the cost of cons, I revealed that for one of these events roughly totaled $600-700 per con. Dragon*Con and WorldCon are different beasts all together. After you factor in the cost of travel, hotel, and any other expenses (aside from shopping), Dragon*Con and WorldCon are triple that amount.

No kidding. Triple. How? First, both events last longer than a simple weekend. Dragon*Con offers limited programming on Thursday while WorldCon kicks off programming on Wednesday night. Both events wrap up on Monday. When attending large events like this, it is a good idea, to get there the day before and leave the day after, just to beat both rushes. This puts you in a hotel for nearly a week.

Then there’s the travel. Driving to Dragon*Con (for us) would mean filling the tank at least three times, one way. Flying for both of us (WorldCon) is also going to drive up the costs. Our tickets for Reno will probably hit $500-550 each.

Between the hotel and travel, you’re already into the $1200 range for both of these events, and we haven’t covered food yet.

A few fans have put to us “With Phoenix Rising coming out, shouldn’t you two make a showing?”

Now that’s a solid argument, and Dragon*Con does attract some of the major players like Anne McCaffrey, Tracy & Laura Hickman, Margaret Weis, and Terry Brooks; but it’s not the writers people come to see. Dragon*Con is all about the Media stars. Some media guests range from cast members of Ron Moore’s Battlestar Galactica to (no kidding) Happy Days. You also get blasts from the past (Lou Ferrigno, Gil Gerrard, and Carrie Henn), geek icons (Robert Llewelyn, Ray Park, the Mythbusters Build Team) and the downright bizarre (professional wrestlers and porn stars). My bro from Aotearoa, Lani, fares far better at Dragon*Con as it is geared for who he is and what he does. Writers can do well there, too, provided they are New York Times Bestsellers.

“But it’s a networking opportunity. Tens of thousands of people attend!” Sure, there’s a lot of people that come to Dragon*Con, but writers making connections and closing deals? Hardly. Writers (the ones I know) go there to party, make no mistake!

Networking? Too insane.

Now that we’ve covered Dragon*Con’s shortcomings, let’s cast a critical eye on WorldCon, an event I’ve only attended once. This year, as a matter of fact. From an organizational point-of-view, WorldCon 68 in Australia could have been better.

A lot better.

Allright, I’ll say it—WorldCon 68 in Australia was nothing short of a train wreck.

Again, this was my first WorldCon and I didn’t have anything to compare it to, unless you count the WorldCon in Canada back in 2003 where four queries went ignored, and then two weeks before the event they invited me to attend. Of course that was along time ago and this was Melbourne, Australia. They had two years to represent the Southern Hemisphere, so surely they would bring their “A” game.

Not so much.

I dodged a bullet with some of WorldCon’s last minute changes, but Pip really had to ask “What the hell is going on?” a few times. Other authors we knew were simply giving up on the schedule and attending the panels they wanted, be it from the panelists’ perspective or the attendees. The there was a bit of a SNAFU in Child Care (which could have been avoided with a bit of communication), and the venue’s WiFi can be best describe as a clusterfuck with a side order of bullshit…

…and this was my first ever WorldCon experience.

So, why go again?

WorldCon is a con for writers, and fans pack the panels. Also in attendance are publishers and agents. Don’t get me wrong—there’s a lot of fun to be had at a WorldCon (just look at the programming), but a lot of business just happens there, too. Pip and I, as we were in town, were invited to a seminar hosted by Harper Collins Australia, concerning digital publishing. During the weekend, we had lunch with Diana Gill, our editor from Harper Voyager, where we talked frankly about Ministry business. Then came the Harper Voyager party, our chance to drink and make merry with other authors at our new publishing house. There, we got into a pleasant chat with the head editor for Harper Collins Australia/NZ. Turns out a very rough Phoenix Rising draft was on her desk; and what she read of it she really enjoyed, or so she said.

A month later, our steampunk adventure got picked up by Voyager Australia/NZ, beginning our international distribution opportunities.

Coincidence? No. I don’t think so.

WorldCon is a place where deals and networking can happen. It’s less of a party and more of an investment. Book dealers will have our works there. It is face time amongst other writers, editors, and fans. Pip and I should not get lost in the shuffle when established literary icons of the genre hold court at Dragon*Con. We get panel time, and personal time.

There is also the newness of this year’s WorldCon. As it is a different location and a different volunteer group, Pip and I are hoping this extended weekend will go smoother than our stay in Melbourne.

This may be a smart business decision, but by no means am I thrilled with it. Every time I went to Dragon*Con, I had a blast. I don’t know what was more fun: brushing shoulders with the media guests, enjoying time with other authors, touching base with friends from far-off, or simply watching geeks interact with themselves and the menagerie that is Dragon*Con. This was another tough call I (and Pip) had to make when mapping out where we wanted to go and what we could afford in 2011. While Dragon*Con can’t happen for us presently, we won’t be sitting put. We have other events (coming soon) that will give folks plenty of time and opportunity to catch up with us. For now, the spectacle and splendor that is Dragon*Con will simply have to wait.

Now, if Ministry strikes a media deal…

Well, don’t be surprised if this clockwork music box quickly changes a key or two.

And this is it.

You’ve heard why new computer books, while bringing in a bit of the greenbacks, is no longer my thing as a writer; and you’ve finally got an idea of what I have been dealing with in a writing partnership that went so south, the relationship is in Antarctica right now. (Considering this next section, there a touch of irony for you.) You also know that Billi and the crew are taking a “big sleep” as well. It’s time for me to move forward.

Granted, when I was told this was the next step, I had no idea this was going to be such a giant leap.

This wild ride starts in May of last year…

The Ministry of Peculiar Occurrences

2010 could be best summed up by Charles Dickins’ opening line from A Tale of Two Cities: “It was the best of times, it was the worst of times.” While working through the worst of times, May ushered in the best of times with a two-book deal from Harper Voyager. What had started as a podcast-for-pay with Pip Ballantine became my big break, and my top priority.

The series is called The Ministry of Peculiar Occurrences, and we describe the series as a steampunk take on the BBC’s espionage romp The Avengers. Our first book, Phoenix Rising, will premiere this Spring with its follow-up, under the working title Of Cogs and Corsets, planned for a 2012 release. Since the contract was signed, we have been moving at a blistering pace between quick turnarounds on edits, cover art production, and development of the sequel. Add to all this mayhem unanticipated international sales to Australia, New Zealand, Germany, and (just this month) Russia, it’s no lie: Expectations are high, particularly with the book’s premiere scheduled at The Steampunk World’s Fair in New Jersey.

There is one reoccurring thought running through my mind during this whole period of time: Holy crap, this is really happening.

So after clocking in a full day at Intersections Inc. as their go-to resource for all things Social Media, and then making sure Sonic Boom gets fed and (of course) some quality time, it’s down to the studio to focus my energies (or what’s left of them, at that point) on what is needed for the Ministry series:

• Writing Of Cogs & Corsets with Pip
• Administrative and (soon) editorial work on Tales from the Archives
• Researching and reaching out to potential contacts for an intensive media tour, starting in March
• Zumba and Dance Central workouts (Yes, I want to look good when May arrives.)

I need to focus on Ministry works because this is where my future is. My next step. As much as fans of Billi and Morevi want a new installment, I will hazard a guess they also want me writing. It may not be where people want me writing, but it’s where I need to be.

It’s also a lot of fun. I’ve been enjoying Wellington, Eliza, and their steampunk England so much that I find myself missing their world, even when editing and proofing chapters. There’s a lot of potential here, as well. I don’t want to miss a step, so this means making Ministry the focus of my writing.

You might not think it is a difficult decision, but it is. Side-stepping questions about Billi and Morevi, hearing fans ask about future podcasts, and receiving praise for these properties are all welcome and heartwarming. I appreciate them all, and they make me want to write in those universes again.

But there it is again: writing. Of course my readers and listeners want me to write. Feedback from my short stories has told me as much. The truth of it was in the sales, when I would see how much I would make off my other properties, including the Twitter and podcasting books. Would I ever really be able to make a living as this? Computer books have a limited shelf life; and to make a living with an independent press, I would have to double (or perhaps, even triple) my output. To hit that goal of full-time writing, I need to produce the books that can get me there.

I believe those books are the ones I’m working on with Harper Voyager. Come this Spring, we will see.

The End…but Rafe and Billi will return…

Letting go of these two properties has been hard, but I still believe — no kidding, I believe with purest conviction — that I will return to these worlds. Perhaps Billi will find a home with another publisher. Wouldn’t that be fun? Rafe, while dashing in his doublet and rapier, would look rather smart in an aviator cap and goggles, a hyper-velocity aetherflux at his side. I’ve closed the door, sure, but it’s not locked. As we have all seen as a community, there are no sure things, no slam dunks, in the entertainment industry. I still recall the words of my friend from across the pond, Martyn, when he tweeted to me “What a difference a year makes.” He’s right. Within a year, I could be forging ahead. Within a year, I could be on a new path. A lot can happen in this year, and I’m not dismissing Billi or Morevi and their futures. I will return to those worlds. Someday.

For now, I’m giving dwarf detectives and upstart pirates a break; and my attention turns to gears, gadgetry, and goggles. In place of Mick’s Diner and the Defiant, I’m delving into a dark depository of mysterious talismans, trinkets, and tall tales that could contain a bit of truth. Bullets and baldricks are swapped out for boilers. In this new world, a plucky pepperpot of the colonies and a meticulous bookworm face intrigue, danger, and secret societies hell-bent on overthrowing the Empire.

Sounds like fun? I hope so. Maybe you’ll want to join me on this little trip.

Chevron 9 locked. See you on the other side…

click image to view full size

We’ve been sitting on this cover art for months!

When Pip Ballantine and I first saw it, we were over the moon. Imagine the heartbreak when our editor, Diana Gill, told us “You can’t post this anywhere just yet.” To watch the evolution of this cover, from the earlier drafts to the final product, has been a real trip; and while this is my fifth novel, it feels like my first.

Who is the artist? No clue. We know the artists were in-house and open to our input (something unheard of, particularly with new authors) when it came to cover ideas. We said, “Keep it simple. Have the heroes on the cover. Eliza should be armed to the teeth and up front. Wellington should be hanging in the back, enjoying a spot of tea.”

The rest came from the creative minds of Harper Voyager (formerly Eos Books).

You know that blogpost I keep promising, both here and on my Facebook group? Well, a fire has been lit under my bottom with the arrival of these cover flats. Somewhere during line edits (yes, I go on and say it — between the lines…), I’ll be going into my thoughts and feelings on this steampunk project, and how Eliza and Wellington will be affecting Rafe, Askana, and Billi. It’s not bad news, rest assured. It’s just a very different direction for myself as a writer.

I think the important bit to walk away with from this post is that in May 2011, I step back to where my heart has always been: Fiction.

Thanking Laurie McLean (my agent) and Diana Gill seems so inadequate, but I do appreciate this opportunity that they have given me. Laurie could have easily passed on this idea Pip and I hatched over Skype one night, but she saw the potential and got behind the book. Diana, with everything on her desk, not only saw the potential but really got behind the book in the negotiations; and in our discussions and her notes, she gave us her time and expertise and made the story even better. Thank you, both.

And thank you, Pip. She was pretty much set with Geist and Spectyr. She knows my cold feet when it comes to collaborations. She pressed, and she inspired me. Pip got me writing fiction again, and with our current preliminary work on Of Cogs & Corsets, it feels great. Who knew my Muse had a New Zealand accent? I really am blessed to have you in my life.

So, one step closer, here we are — a book cover for my first mass market paperback, coming to a book store near you in May. If you want to find out more about what we have planned in the ways of blog tours, appearances, and accompanying podcast, pay us a visit at The Ministry of Peculiar Occurrences.

May your weekend be full of that steampunk funk. Cheers!

I promised myself to work on my blogging skills. It’s a bit like getting back into shape, you know? I’m struggling to get back into a routine, and everyone around me is telling to cut myself a break considering the year I have been facing. The reality is, just like staying in shape, I have to do this. Next year, as many of you know, I will be returning to novel-length fiction with my first mass market paperback novel, Phoenix Rising: A Ministry of Peculiar Occurrences Novel. Me. The Kiwi. Steampunk. The cover is just beautiful, I’m telling you. Stay patient and, as soon as we get approval, we will go live with it.

2011 is a big step for me as a writer; and I’m trying to take everything I have learned since 2002 when Morevi first rolled off the presses, and apply it to the now. One of the hardest lessons I learned over this near-decade of writing professionally is just how easy it is to find yourself in the red. Not the red ink of an editor’s pen, mind you, but the financial red of your bank account telling you in so many words that you — the professional author — are flat broke.

With my bank accounts and credit scores all in the green (pardon the pun), I don’t intend to drive myself, Sonic Boom, and Pip into that dark territory. I’m also trying to make sure Pip doesn’t overreach financially, committing herself both in time and money into appearances. I still believe that face time is extremely important to the author, of course. However, it is more important to pay the bills, have a safety net in the bank, and make certain the roof you’re keeping over your head can be fixed at a moment’s notice.

Oh yeah, and writing. Writing is very important to the writer, last time I checked.

Today, I was reminded of just how tough it is to “give the people what they want” as tweets were asking us when we would bring Eliza and Wellington (our heroes from the Ministry) to local bookstores and Science Fiction conventions. These tweets were coming from the west (Oregon), from the south (the Carolinas), and from points south AND west (Texas). Flattered as I was that Pip and I are finding ourselves in demand, I hated coming to grips with the truth. Most likely, we won’t be heading to these friendly fans next year.

Before I continue, let me be clear — in no way is this blogpost meant to be a guilt trip. On the contrary, I want to give authors (and authors-to-be) that are considering the con circuit as a ways and means of promotion a realistic look at how much one Science Fiction convention could cost you. The bills may vary based on who buys you lunch, how many visits you make at the bar, and how many rounds you feel like picking up at said bar. This post is also a gentle (seriously, a very gentle) reminder to any and all of you organizing cons how much making an appearance at your event costs, and sometimes the weekend pass just isn’t enough to justify the trip. (Would you believe some cons won’t comp even that? Now that’s tacky.)

The convention I’m using as the boilerplate is Philcon, Philadelphia’s premier Science Fiction and Fantasy convention held in Cherry Hill, New Jersey. Why is Philly’s con held Jersey? Probably to bring the cost down which, if memory serves, did quite considerably when the convention was downtown. (Nice hotel back then, but you paid for its convenience.) Here is the breakdown of how much Philcon 2010 cost:

• Gas: $38.00
• Tolls: $18.00
• Hotel: $273.70
• Food: $283.54
• Petty Cash: $60.00
• Grand Total: $673.24

Considering that Pip was along with me, we ate in the hotel, and the hotel itself was more than reasonable ($119/night for a Crowne Plaza), this is a pretty inexpensive weekend. I’m sure we could have shaved off a few dollars here and there, but $600-700 for a con weekend within driving distance sounds about right. Factor in larger events (Balticon and Dragon*Con, for example) and you can easily tack on another $300-400 on that tab. Factor in air fare (Nova Albion, coming up for us in March) which can fluctuate from $225-450 per person, and now we’re doubling (or tripling) the amount.

Yes, I know, it’s a tax deduction…but it was that thinking that pushed me into serious financial trouble. While a book promotion is a deduction, I’m not getting all of it back. Only a piece of it.

Now, for the reality checkbook…

According to the current budget and the Philcon average, Pip and I have enough in the bank to cover four more con appearances. That’s cons within driving distance. Not counting an event in February (where we are being flown in on the host’s dime), we have currently confirmed for 2011:

• Nova Albion, March 25-27, in the San Francisco Bay Area, CA
• RavenCon, April 8-10, in Richmond, VA
• Balticon, May 27-30, in Hunt Valley, MD
• Renovation (The 69^th World Science Fiction Convention), August 17-21, in Reno, NV

We are still waiting to hear from The Steampunk World’s Fair (May 20-22, in Piscataway, NJ) in the hopes we can launch The Ministry of Peculiar Occurrences there. If it is a go, that would make it five trips planned for next year. Two of these trips will include cross-country flights.

And we’re not quite done. Along with these trips, Pip and I need to put together a budget for other items such as:

• A Ministry of Peculiar Occurrences trailer (similar to her Geist trailer)
• A Spectyr trailer (considering the success of the Geist trailer)
• RockButtons.com (arguably the BEST promotion we had at Worldcon 68: Australia)
• A MoPO coat of arms, Alex White commissioned for the work
• Costs involved in a podcast production (a MoPO anthology, another Chronicles of the Order, etc.)
• Any other promotions we have planned for either Ministry or Spectyr

Sure, we will be adding to our budget as the year progresses, but at the same time we have to make every dollar last.

This is why, if your local con (or if you yourself are a con organizer) contacts us, we will be asking for compensation beyond the weekend registration. For a con to pick up the air fare or hotel room save the author a good amount of change. Speaking from both Pip and my perspectives, it makes us work harder at a con. But what happens when a con comes back with “We can’t afford anything beyond the weekend membership…” as a response? No offense taken. We both know what goes into planning a con as well as how important it is for a con to come into the black. Unless you are a draw, a con wants to know what the Return on Investment (yes, even cons worry about that) will be when picking up a hotel, airfare, or both for a guest. Maybe Pip and I would be a valued investment. Maybe we’re not there yet. Who’s to say? (Well, the con’s Chair, Treasurer, and Programming Director, that’s who.)

When it comes to promotion, whether it is a personal appearance or a podcast, authors must be economical. I look back on my schedule of 2002-2003 and understand why people described it as “aggressive” because a con a month was a gusty, rigorous, and risky move for a new author. I also shake my head because I could have — and should have — managed my finances with more scrutiny so I would have realized sooner rather than later the dangerous gamble I was taking…and losing. It was an education for me, a school of hard knocks that I would prefer not to attend again. So, in 2011, I have to pinch pennies. I have to weigh the benefits. I have to use terms like ROI and USP. I have to stop being the artist and become a businessman. That is what this is, after all. The business of being a writer. Not full time (yet), but still a business.

That doesn’t mean Pip and I won’t be at a con near you. You never know. A convention chair may be a huge fan of podcasting, or have a slight crush on Sorcha Farris; and the numbers for Geist or Phoenix Rising might be enough for a committee to say “How about Pip Ballantine and Tee Morris? Do you think they are available?” And while we might not be able to come out to your part of the country (or the world), you could always brave the airports and come out to an event where we will be in attendance. Something I have noticed about the events we attend is an abundance of good times. So keep checking with us here, or on Facebook; and if fortune (or fandom) favors the steampunks, we might very well find ourselves announcing an update in our travel plans.

See you in the future? Anything’s possible.

It’s been a while, but as I step back into the arena of promotion (alongside Philippa Ballantine), I am planning to get back into the habit of letting people know where I’ll be. This weekend it is Philcon, Philadelphia’s premier Science Fiction convention…held in Cherry Hill, New Jersey.

Blame the Martians.

Here’s where I’ll be Friday and Saturday:

FRIDAY
9:00 PM, Crystal Ballroom Three
THE ROOTS OF STEAM PUNK:  VICTORIAN SCIENCE FICTION
with Richard Stout (mod), Philippa Ballantine, and Gil Cnaan

SATURDAY
3:00 PM in Crystal Ballroom Three
PIRATE, NINJA, VAMPIRE, ZOMBIE!
with Hugh Casey (mod), D.E. Christman, Jo Blu Pax,
Sally-Rouge Pax, and Keith R.A. DeCandido

5:00 PM in Plaza V
DO I HAVE TO LIVE MY LIFE ONLINE?
I’ll be moderating this panel, featuring Patricia M. Cryan, KT Pinto, Suzanne Rosin, Oz Drummond, and James Prego

8:00 PM in Plaza I
TRAVEL AS INSPIRATION FOR WRITERS
with Bud Sparhawk (mod), Philippa Ballantine, and Tom Purdom

While I am scheduled for panels on Sunday, I will be unable to attend those as Pip will be signing copies of Geist at Constellation Books, a favorite place of mine to sign. Join us Sunday, November 21, at 303 Main Street, Reisterstown, MD at 2:00 PM to meet and greet with Pip and celebrate the launch of her first Book of the Order.

Hi, everyone!

It’s been a week and what a week it has been. Sonic Boom, fresh off her first-ever plane ride, walked the now-working set of Hobbiton, settled in Rotorua for the night, got up close and personal with Ella the Lion Cub at the Paradise Valley Reserve, and then worked the Poi Dancing as the youngest in attendance at Te Puia. Safe to say, we’re having a blast! There will be YouTube videos coming.

This week, we’re looking ahead to WorldCon 68, also known as AussieCon 4. Pip Ballantine, Sonic Boom, and I arrive in Melbourne, Australia (Yes, her second country in two weeks. Pretty impressive for a six year old!) and alongside familiar friends John Cmar, Laura Burns, Mur Laffery, and Gail Carriger, we’ll be taking part in good geekery from the Southern Hemisphere. This is my first WorldCon, and the Australians have handed me a rather robust schedule:

The Balancing Act of Speculative Fiction Comedy
Thursday 1400 Room 219

Reading: The Ministry of Peculiar Occurrences (with Pip Ballantine)
Saturday 1100 Rm 215

The James Bond Enigma
Saturday 1200 Room 210

Kaffeeklatsche
Saturday 1300 Rm 201

Anachronist Fiction: Successors to Steampunk
Sunday 1100 Room 219

3D cinema: Revolution or novelty?
Sunday 1200 Room 212

Writing in the Shadow of Adams and Pratchett
Sunday 1400 Room 219

Along with places we’ve visited (and you can get a look at some photos via Whrrl.com), a lot of other things have been happening concerning the writing and works-in-progress. As you may have heard me say on Twitter, “I need to get a blogpost together…” and I promise there is one on the way. Heck, at the rate I’m going, it’ll be a series of a blogposts; but finally I do have some time to blog and bring even myself up to date with everyone.

This trip has been a real adventure for both of us, and Melbourne is already proving to be a weekend of possibilities. I hope if you are in attendance at WorldCon you stop by one of my panels and say “Hi.” or even throw out the tough questions concerning Billibub Baddings, Morevi, or The Ministry of Peculiar Occurrences.

What, you don’t know what The Ministry is all about? Hang tight — a blogpost is in the works…

At the end of 2009, I was invited by The Chef to return to the Erotica ala Carte kitchens for another round of saucy, spicy fun. My menu items on this go-round were:

• Female P.O.V.
• Time travel
• Artificial Intelligence
• Leather and Lace

The end result was “Dagger of the Mind” and my return to podcasting fiction. In light of so much talk and controversy concerning it and coupled with the way my year has been, I have been ready — so very ready — to do this.

But be warned…this story goes dark. WAY dark. Darker than I imagined I could ever go in my writing. This is not safe for work, kids, queasy dispositions, or those new to Pip’s podcast. I’d recommend working up to this one by listening to early episodes, and then having a listen to what the Chef describes as “the darkest we have ever gone…”

Something terrible is in Anna’s mind. Something alien that uses desire as a whip, but is it trying to drive her mad or is something even more nefarious going on?

This is my return to writing, and I can’t thank Pip enough for being my Muse (or Swift-Kick-in-the-Pants, whichever you prefer) in this setting. This story has been receiving a lot of traffic on Twitter, and I’ve been pretty humbled by the reactions. The inspiration behind this stems from one of my favorite movies of all time — Time After Time. (It’s on my AppleTV Wish List.) The film marked the directorial debut of Nicholas Meyer (who went on to direct Star Trek II and VI), and stars a young Malcolm McDowell as H.G. Wells and a young David Warner as Dr. John Leslie Stevenson whom we find out later is Jack the Ripper. I love time travel stories, but this one stands out as a favorite. I also wanted to try something different, something the EalC Kitchens had never seen before. I went into fetishes that haven remained unexplored, and then there was the Horror angle I dedicated in following. I was told in one harsh critique that “Horror and erotica simply do not mix…”

Someone didn’t tell Clive Barker that. Twisted as it is, Hellraiser is an incredibly sensual, erotic work. (And yes, terrifying.)

What has surprised me the most about this short story is that, for the first time as a writer, I’m discovering the possibilities. This world, these characters, and this situation are far from done. I’m thinking I may have my first erotic thriller in the works, and I am thrilled at where my ideas are leading me.

Oh my Muse, you are the dark, delicious, and saucy temptress…

And while people have been talking about it, I should point out that both my Erotica ala Carte dishes are eligible for the 2010 Parsec Awards. So if it hasn’t happened already please consider nominating:

• “Release Me” for Best Speculative Fiction (Short Form)
• “Dagger of the Mind” for Best Audio Drama (Short Form)
• Erotica ala Carte for Best Anthology Magazine

If you shared your thoughts (good or bad) concerning my “Erotica ala Dark” on Twitter, thank you! Feel free to leave comments here, or go to the Erotica ala Carte site and share your review with the Head Chef.

And feel free to share this twisted tale on your own blog….if you dare….