I’m looking to return to my blogging habits because, dashitall, I do miss blogging so. As my last steampunk entry featuring the delicious

I am pleased to bring you Ms. Grey and her five favourite Sterampunk gadgets.

If her book is anything like this column, I believe Avalon Revisited has quite the run ahead of itself. Godspeed, Ms. Grey, and may your airships find strong tailwinds.

When podcast guru Tee Morris asked me to write a guest post for his blog, I was absolutely thrilled! Assigned topic: Five Favorite Gadgets in Steampunk

(Editor’s Note: For referring to me as a “guru” I have placed a warning by her name in the Great Book of the Uber-Nemesis. I do, however, understand this is Ms. Grey’s first novel. Therefore, let the mercy of the Uber-Nemesis befall upon her as a sweet Spring rain.)

My mind just reeled! With all the wonderful technologically bizarre Steampunk gadgets there were to choose from, it would be rather hard to pick just five! He said they could be either ones I use in my new book Avalon Revisited or from other works, so I’ll do a mixture of the two.

The first and foremost would have to be the airship. After all, it’s a Steampunk Staple! So much of the Steampunk aesthetic can be identified by airship goggles alone. A Victorianesqe outfit by itself could be considered merely quirky, albeit fashionable, but add a pair of goggles, and it’s unmistakably Steampunk. Those really sexy, round, dark goggles that can be worn on a top hat, up on the forehead, or even over the eyes. They’re the goggles of time traveler. Of the airship captain. Of the mad scientist. But they always call up images of the dirigible. Even if it’s only hanging in the air somewhere in the background, like in Gail Carriger’s remarkable novel Soulless, it seems that there is always a dirigible in true Steampunk. There’s one in my book. And who’s to blame us? For dirigibles are beautiful. One does not conjure up images of the Hindenberg nor the Goodyear Blimp. No! These are magnificent floating ships with giant cogs and gigantic balloons. And the style of the dirigible is only limited to the imagination! From vintage ships hanging under a patchwork balloon to the newer, shinier, science fiction airships of the future. Airships scream STEAMPUNK!

The second one I must pick from a book called Thomas Riley by Nick Valentino, a delightful YA Steampunk action/adventure story that I highly recommend to anyone who enjoys the genre (or even who doesn’t, yet). I could’ve filled up all five slots and then some with the gadgets in Mr. Valentino’s book (he has quite a few dirigibles, too). This novel carries the essence of Steampunk throughout, and Mr. Valentino’s imagination knows no bounds! Yet, I chose to include the one that sticks most firmly in my mind: Mechanical Spider Mouse Catchers. Thomas Riley & his lovely assistant would activate these mechanical spiders and set them loose on the dirty streets of their city to collect mice on which to conduct experiments. One could hear these mechanical spiders with long, gangly legs tapping across the stone streets as they scurry towards the sewers and alleyways of the city to find rodents. They each have a cage attached to their underbellies in which they keep the rat until they can return to the laboratory. Quite brilliant, that. Kudos, Nick!

Third. I’ll take a break from books and cite Guy Richie’s recent Sherlock Holmes film. Although it certainly was controversial among some Sherlock Holmes fans, I quite enjoyed the film, and I especially loved the Steampunk flair therein. Not a Steampunk film, mind you, (not a dirigible in sight!) but there was definitely some dabbling. My favorite gadget was the rechargeable electric shock thingy that sent the bad guys flying across the room. Almost like a Steampunk Tazer! I had quite the chuckle at that one. Ingenious. Indeed.

For the last two, I’d like to introduce my favorite two gadgets of my new Steampunk Paranormal Romance novel Avalon Revisited.

The Slayer. This vampire slayer gun is most often carried by our heroine Avalon. Using revolver technology available at the time, my inventor, and Avalon’s friend, Victor creates a vampire slaying device that one doesn’t have to reload after ever shot, the greatest limitation to the crossbow. The Slayer can hold four wooden bullets, or darts, and is powered by compressed air. One can shoot all four mini-stakes without having to reload. The best way to dust any vampire on the spot, or at the very least distract him until Arthur can step in. Still in the testing phase, its accuracy is best at close range.

And now, gentle readers, the best for last…

My favorite Steampunk gadget in Avalon Revisited is Cecil’s Bloodletting Wristband. As the butler to a 350 year old, royal-blooded vampire, Cecil must ensure his master’s every need. Nothing is as essential to a vampire’s health, and more importantly mood, than a good spot of blood. Arthur gets his daily dose directly deposited in his afternoon tea. Cecil’s leather wristband is fitted with a spigot attached to a tube inserted directly into his vein. Just by a simple twist of the spigot, Cecil can provide his master with one or two drops to keep him satiated between major meals.

What are your favorite Steampunk gadgets?

AUTHOR’S BIO:

O. M. Grey is rather camera shy and is a complete novice when it comes to modern technology. She prefers to live in the cobwebbed corners of her dark mind writing paranormal romance with a Steampunk twist.

When she’s not writing, she’s reading or tending the garden or drinking a hot cup of tea.

Just two drops, please.

• Female P.O.V.
• Time travel
• Artificial Intelligence
• Leather and Lace

The end result was “Dagger of the Mind” and my return to podcasting fiction. In light of so much talk and controversy concerning it and coupled with the way my year has been, I have been ready — so very ready — to do this.

But be warned…this story goes dark. WAY dark. Darker than I imagined I could ever go in my writing. This is not safe for work, kids, queasy dispositions, or those new to Pip’s podcast. I’d recommend working up to this one by listening to early episodes, and then having a listen to what the Chef describes as “the darkest we have ever gone…”

Something terrible is in Anna’s mind. Something alien that uses desire as a whip, but is it trying to drive her mad or is something even more nefarious going on?

This is my return to writing, and I can’t thank Pip enough for being my Muse (or Swift-Kick-in-the-Pants, whichever you prefer) in this setting. This story has been receiving a lot of traffic on Twitter, and I’ve been pretty humbled by the reactions. The inspiration behind this stems from one of my favorite movies of all time — Time After Time. (It’s on my AppleTV Wish List.) The film marked the directorial debut of Nicholas Meyer (who went on to direct Star Trek II and VI), and stars a young Malcolm McDowell as H.G. Wells and a young David Warner as Dr. John Leslie Stevenson whom we find out later is Jack the Ripper. I love time travel stories, but this one stands out as a favorite. I also wanted to try something different, something the EalC Kitchens had never seen before. I went into fetishes that haven remained unexplored, and then there was the Horror angle I dedicated in following. I was told in one harsh critique that “Horror and erotica simply do not mix…”

Someone didn’t tell Clive Barker that. Twisted as it is, Hellraiser is an incredibly sensual, erotic work. (And yes, terrifying.)

What has surprised me the most about this short story is that, for the first time as a writer, I’m discovering the possibilities. This world, these characters, and this situation are far from done. I’m thinking I may have my first erotic thriller in the works, and I am thrilled at where my ideas are leading me.

Oh my Muse, you are the dark, delicious, and saucy temptress…

And while people have been talking about it, I should point out that both my Erotica ala Carte dishes are eligible for the 2010 Parsec Awards. So if it hasn’t happened already please consider nominating:

• “Release Me” for Best Speculative Fiction (Short Form)
• “Dagger of the Mind” for Best Audio Drama (Short Form)
• Erotica ala Carte for Best Anthology Magazine

If you shared your thoughts (good or bad) concerning my “Erotica ala Dark” on Twitter, thank you! Feel free to leave comments here, or go to the Erotica ala Carte site and share your review with the Head Chef.

And feel free to share this twisted tale on your own blog….if you dare….

Yes, I hate April Fool’s Day.

I hate it all the more as one of my best friends, Joe Murphy, passed away on this day in 2007.

Every year, Jack and I ask that you remember our fallen friend, Joe Murphy. From the reaction on Facebook to my profile picture already (only posted an hour ago, and Robin Hudson, Marc Bailey, and Robert Goshko suggest Root Beers to be drank in his honor), the Community keeps Joe in their minds and hearts.

For those of you new to podcasting, you might have missed the audio wit and always-clever banter of my friend, Joe Murphy. He was (and still is) an amazing guy, his voice now part of the history of such podcasts, as Wingin’ It, Slice of SciFi, The Kick Ass Mystic Ninjas, and the award-winning The Case of the Singing Sword: A Billibub Baddings Mystery. He was taken from us too soon, and on April 1 we remember him.

I got to see Joe a month before he died, and it was hard. He was sick. You couldn’t deny that. On April 1, I remember my friend, Joe, in memories like the one I have posted above. I remember his banter against Michael, Evo, and the crew of the original Wingin’ It. I remember his loyalty. He pushed me to be a better writer, and he never pulled punches on how I carried myself, both as a writer and as a person. This is how I remember Joe. A smile that can turn around a bad day. An honest opinion that you could grow from. He was an amazing guy, and I miss him terribly.

Please syndicate this tribute show (originally produced in 2008 as part of the Give Us a Minute podcast.) through your feeds, blog about Joe Murphy, tell a friend today about Joe, show your support in an avatar change (be it a picture of Joe or a candle in remembrance), and let the Community know that you also remember Joe.

One of those positive steps is getting back into the interview circuit. Recently, Que Publishing contacted me concerning All a Twitter. The book is being featured again in Barnes & Noble Bookstores everywhere, and Que is hoping to get the first Twitter guide written from a user’s perspective (and when my byline says “written by Tee Morris” it means it!) into new readers’ hands. They asked me “Whatever you can do to get the word out…” and so I sent out a query to my Twitter networks.

Meet Michele Price. She queried me before I tweeted!

Michele is the host of Breakthrough Business, and on her BlogTalkRadio show we talk about Twitter, about my job at Intersections Inc, and about approaches that go against the grain of the marketing books. We talk about how “old school marketing” just doesn’t work with Social Media, and how businesses need to understand that Twitter (and Social Media, on a whole) is about people.

We had a blast on this interview, and there are more slated for the month. The geekier ones I’ll feature here, but if you want to hear more about the Social Media, take a trip to Imagine That! Studios for the full blogosphere-podosphere interview tour!

The day after the Great #Snowpocalypse of 2009, I felt the walls closing in a bit…and the twins inviting me to play with them really wasn’t helping. Fortunately, saving the day was Peter Cox all the way from Central London when he rearranged his schedule to sit down, open up the mics, and talk with me about podcast fiction. Seems that Litopia has opened a floodgate in talking about podcasting, Social Media, and the modern writer, and Peter wanted to sit down with the guy that started it all.

If you don’t know Litopia, you should. Lipopia is  run by writers for writers. It’s a podcast, it’s a blog, it’s a forum. It’s an inside look and a behind-the-scenes look at the publishing industry, and what was supposed to be a fifteen minute podcast…well, we went a little longer…

Enjoy this bit of time travel through the history of podcast fiction, and looking at the present day and possible tomorrows of Social Media in the publishing industry.

Listen. Comment (here and at Litopia). Share.

And it was another creative type, the incredibly-witty, and delightfully-sultry Gail Carriger who — in a ways and means of promoting her paranormal steampunk romance, Soulless — made the offer to write guest blogpost.

Gail is my first. You always remember your first…

So I’m bumming about the internet, as you do, and Tee tweets me…

“Wanna guest blog?” says he.

“Delighted,” says I. “Got a topic?”

“What makes Steampunk so sexy?” says he.

Obviously, first and foremost, one word: corsets. There are a number of fine corsets (on the outside and underneath, worn by men and women) bumming about the steampunk scene. But as scrumptious as they are, there’s also that jodhpurs and newsboy cap look (yummy!) and never discount how truly hot a man (or cross-dressing woman) in proper fitted evening dress, or, for that matter the adorable grease monkey. Those flashes of brass, the occasional interesting adornment or mechanical arm which force one to look closer, to ask questions, these only serve to make the person wearing the outfit more intriguing and approachable, that to is super sexy too. Because what it means is that the person behind the outfit is creative and smart – frankly, it there anything more sexy than that?

So we’ve dealt with the sexy surface features of steampunk, shall we delve underneath? There’s that attitude, no don’t ghetto-neck at me, not that kind of attitude. One of the best bits of the Victorian era that steampunk has gently been reviving is the manners and the politeness. Online in forums, or out and around the maker’s circuit, running into fellows of a steamy inclination at fairs or conventions, I’ve found they are genuinely pleasant to be around. I don’t know about you, but I find ladylike and gentlemanly behavior extremely sexy.

And then, I hope you’ll forgive me for going slightly philosophical here, there’s this overtone of visible technology. We live in an age where technology has become hidden away in little silver boxes. Steampunk has taken the machine and made it a work of art, and it gorgeous. Suddenly, we get to see the gears and guts spread out before us. There’s something lascivious and yes, a little dirty about that.

Also, very very sexy…

Ms. Carriger began writing in order to cope with being raised in obscurity by an expatriate Brit and an incurable curmudgeon. She escaped small town life and inadvertently acquired several degrees in Higher Learning. Ms. Carriger then traveled the historic cities of Europe, subsisting entirely on biscuits secreted in her handbag. She now resides in the Colonies, surrounded by a harem of Armenian lovers, where she insists on tea imported directly from London and cats that pee into toilets. She is fond of teeny tiny hats and tropical fruit. Soulless is her first book.

Recorded before a live audience at World Fantasy Convention, award-winning podcaster and award-nominated author Philippa Ballantine and I unveiled (with the blessings of our agent) our work-in-progress now working its way through submissions: Books & Braun, our Steampunk take on The Avengers. This is the first time that we have revealed to the public any selections from the work (apart from the odd quotes and teasers in our respective tweet streams), and we had a blast with this presentation. Our plan is to eventually podcast it in this fashion: Pip and I supplying the respective narration, a “few” (HA!) production elements, a musical score, and artwork featured by Carrie Seidman. We hope you enjoy this listen at what we have cooking in the creative kitchen.

BLOGGERS & PODCASTERS: We are releasing this reading under a Creative Commons Attribution-Share Alike 3.0 United States License. Both Pip and I encourage you to syndicate this episode and point your subscribers to this endeavor of ours. We also would love to hear your feedback on this preview both here and at Pip’s website. Thank you for giving us a bit of space on your mp3 player of choice, and we will keep you posted on what happens with our daring duo from the clandestine organization that is The Ministry of Peculiar Occurrences.

I’m not sure how this idea came about, but I’m going to give credit to the Queen of Social Media Comedy Chrisitana Ellis. The two of us collaborated on this skit first podcast on the original release of The Rookie, my favorite of Sigler’s works. Scott is re-casting his football Science Fiction epic, and Christiana has dropped in her feed our tribute to his gritty, galactic grid iron world.

So what is featured in “The Takeover”? Along with The Rookie, Christiana and I manage to tip our petypalups to…

• Firefly/Serenity
• Battlestar Galactica
• Farscape

We also show that some things are timeless and universal, transcending light years and alien races. And listen to Sandra’s ringtone.

I’ve done a few fun sketches, both for Christiana, for other podcasts, and myself. This one is a favorite. Enjoy!

And the really frightening bit? After a week, I’m still not sure how my voice mail works.

But what exactly is the job? I didn’t really go into detail on that in “Perseverance and Peter Gabriel” as that post was less about the job itself and more about the job hunt. Amidst the comments of congratulations and inspiration, a few of you have wondered “So what is this job you got?” I wanted to wait until I finished the first week before I shared details, and I’m glad I did. Last week was overwhelming, amazing, and eye-opening, on a lot of levels.

I was also beat at the end of every day. Slept a lot. Now, with some of the blur that was last week processed, here it is…

Intersections is a security firm, based out of Chantilly, VA. Since 1996, Intersections has dealt with credit history and digital identity protection. They are in the business of making electronic transactions, be they financial or personal, safer; and I have been hired as their Social Media Manager. (I’d like to point out that this job falls under Corporate Communications, not Marketing. That thrills me like you wouldn’t believe.) They were looking for someone who could not only apply Social Media, but understand the different initiatives out there and what they offer.

They were also looking for someone who could write. Yeah, I think I got that covered, too.

What I’m particularly excited about with this job is the angle Intersections takes with Social Media. Obviously, I’m being called upon to manage blogs, create podcasts, edit video (which I’m doing right now), and manage an outreach program with Twitter and (soon) Facebook; but I am also being asked to investigate and research security in Social Media, something I’ve touched on in Bird House Rules but only scratched its surface. On Friday, I was forwarded some news about Social Media from a security perspective and I was floored. The ironic bit is, that morning I was catching up with The SpyCast and listening to a fantastic interview with Dr. Terry Gudaitis who specializes in cyberintelligence gathering. (That’s the June 15, 2009 show if you’re interested.)

I feel as if I am starting all over again in Social Media, this time from a new perspective I hope Blogworld will let me speak on this year. I am officially on their schedule. I’ve confirmed “But Honey, It’s For the Studio” but am working to change topics concerning my second talk. So, if you’re at Blogworld this year, stop me and say “Hi.” It should be good fun in Vegas this October!

A cublicle in transition

So in the end, I am using my knowledge and background on Social Media for good, not for evil. While I will help in the promotion of what Intersections does, I will also be their on-call specialist in Social Media while I find out more about security matters with Twitter, Facebook, WordPress, and the like. My brain has been firing on all cylinders since Day One, and I’m soaking it up like a thirsty sponge. The first week just blinked by, and I’ve not slowed down yet.

If you were wondering, though, how the day job will affect my writing, it will only make me more productive. Now that I know my hours, I can regiment and manage my time efficiently. I’m still writing for AppAdvice; and this weekend Pip and I completed the first draft of Books & Braun: Phoenix Rising, our Steampunk CSI peppered with hints of James Bond. I’m also planning to dust off Whiskey Tango Foxtrot and start working on that. I’ll give up details with an upcoming Survival Guide to Writing Fantasy…and yes, that will be its final episode.

It’s a long story and a hard decision concerning The Guide, and I’ll save the rest for that show.

My job at Intersections is now underway, and my writing is moving forward. From here, all that I have to face now are the possibilities.

The other “bloke” is Martyn Casserly, a journalist, an accomplished musician, and now he is an award-nominated podcaster with his one-minute Movie Mantras podcast. (Martyn is also a dad and a good mate to boot…although his opinions concerning the new Craig-Bond films and recent Doctor Who are completely wrong, but I digress…) With the many endeavors he had going, Martyn approached me this Spring to talk about an article he was penning on podcast authors. He was optimistic that Wired Magazine (UK) would pick up the column. So I crossed my fingers and hoped for the best.

This morning, I checked my Twitter stream and found this waiting for me:

My article about Podcast Authors is up on Wired ! @scottsigler, @sethharwood, @jchutchins, @teemonster all appear. http://bit.ly/Pv53w

Now live on the site, Wired Magagine (UK) picked up  “Novels by Podcast” where Martyn discusses how we authors are giving away our hard work in audio format for free. He also goes into the genesis of the podcast novel and why we do what we do.

“Giving away your stories isn’t a risk… it’s a competitive advantage,” explains Scott Sigler. “If a reader who’s never heard of me has $25 to spend and they’re looking at my book next to a Stephen King book, who are they going to choose? They take King. He’s a proven storyteller. But if King is $25 and my story is free they may try me out first. Why not? It’s no risk to them. If they like me, they buy me. If they don’t they buy King. Whatever happens the customer gets what the customer wants.”

It is a tight article covering successes and milestones; and while many who follow us on Twitter, on blogs, and through podcasts, may consider what we do “old hat” after four years, podcasting — and more importantly, podcasting fiction — is still a brand-spanking new concept to the mainstream market. Articles like Martyn’s and venues like Wired are getting the word out about what we are doing. That’s what is important here: getting people to listen.

Show Martyn appreciation by blogging about this article (and yep, I got it covered from the business perspective over at Imagine That!), syndicating his link in your feeds, dropping him comments on the article’s page, and talking it up on your podcasts. Let Wired know we’re paying attention and appreciate their support, and let Martyn know both on Twitter and on Wired that his words ring true.

Thanks, Martyn. Well done!

I also track Hutch on Twitter, and when he announced that the cover for St. Martins Press’ print release of 7th Son was live on his site, I eagerly followed the link…

Not what I expected.

Hutch was happy though. He really liked the cover, and I supported Hutch’s opinion. I have heard many authors bitch, moan, and complain about their covers, but Hutch was all a squee. I stood by that. His book, his cover. He should be happy. Besides, writers rarely (if ever) get a say on the cover when you’re at the level Hutch is playing at. These are the New York types, after all. The big kahunas of publishing. They know a good cover when they hand one to you. They get the best designers, the best artists, and the best marketing minds together to really make a book leap out and scream “BUY ME NOW!”

These same New York types will also tell you “People don’t judge a book by its cover…” and “The story will sell the book…” I’ve heard both, and more.

My friend was happy with the cover. That’s what really mattered.

Today, I caught Hutch thanking people for their feedback on a new 7th Son: Descent cover. Wait — a new cover? Curious, I clicked on the link, and this haunting image stole my breath away…

Mind-blown and psy-jacked by this totally hot artwork, I called Hutch to congratulate him on scoring a “Sweet as Frak” book cover.

The original artwork for the 7th Son podcast shares a lot in common with this new look for Descent. Seen at Hutch’s website, the podcast artwork was minimalistic, and captured with the DNA strands the twists and turns our heroes experience across three books. With this cover, St. Martins’ Press returns to that motif.  I see from this cloning chamber many tubes connected, mirroring all the connections seven strangers discover with one another; and how their connections all lead back to John Alpha and the chaotic revenge he ensues. I don’t know if that’s intentional, but that’s what I see.

This cover doesn’t just leap out at you. This cover jumps in front of you, bitch-slaps you, and make you say “I’m a pretty girl.” I totally grok this cover, and I can tell you that the story between the covers is even more mind-bending.

I think, from the tweets and talking to Hutch today, he likes the cover too. A lot.

Again, Hutch — congratulations. This is a stunning cover from St. Martins Press, and I look forward to when you sign my copies (yeah, that’s right — copies) of your epic thriller.

Te Papa, the National Museum of New Zealand, introduced me to Radio New Zealand. This is the “National Public Radio” for the Land of the Long White Cloud, and “Sunday Morning with Chris Laidlaw” opened his mics up for me to talk about being geek, the impact of podcasting, and a few things concerning Twitter.

This was a fun interview, and there’s talk about a follow up before I leave New Zealand. I’ll keep you posted.

In the meantime, you can still attend some upcoming Wellington appearances:

June 15
ANTI-Social Media, presented for LIANZA, 12pm-2pm
Seminar Room, Reserve Bank of NZ
2 The Terrace
Report at ground floor reception no later than 11.45am

All a Twitter, presented for LIANZA, 5pm-7pm
Conference Room, Department of Conservation
18-32 Manners Street
Report at ground floor reception no later than 4.45pm

June 16
Social Media Mainline Workshop for LIANZA, 9am-5pm
SOLD OUT (Waiting List available)
Computer lab 510, Level 5, WelTec Wellington Campus
11-17 Church Street (off Boulcott Street)

Enjoy the interview and feel free to circulate the link. Stay tuned for pictures, video, and more news from Middle Earth.

• Alternative History
• Government Bureau
• Tie Me Up, Tie Me Down

The end result is the short story (borderline novella) “Release Me” which dropped just before Balticon. As I mentioned, the story seemed to write itself and really took on some serious momentum, surprising (if not, disturbing) me. The end result, though, I am quite happy with:

In an alternative America a superhero learns a lesson in control.

Inspired by my favorite film of the year so far, Watchmen, I went with a government bureau of superheroes instead of something along the lines of The X-Files. (I think that is what folks were expecting.) There are also a few nods to the Twitter community and a homage to one of my Geek Chic heroines. This was a lot of fun, and a terrific exercise for me as a writer. So as it stands, J.C. Hutchins has challenged me with writing a thriller and Pip has tapped me for erotica. What’s next? Horror?

Scott Sigler? Phil Rossi? Any of you guys wanna throw the gauntlet?

Have a listen, and let me (and Pip) know what you think.

In the past two days I’ve received two interviews next week. Am I excited? Not sure. I don’t want to afford myself that luxury only to face another disappointment. What’s making one of the interviews partucularly intriguing is the woman in need of a Social Media Mr. Miagi actually found me in a LinkedIn search.

I’ll say that again: She came to me.

All this with less than two weeks to go fo rmy trip to New Zealand. I really wanted the days before Balticon to be stress-free. I really did.

My friend and fellow Fantasy-Comedic author, Christiana Ellis, is premiering “Nina Kimberly the Merciless” today, and it turns out her Uk Horde broke Amazon. You go, Nina!

My EalC — nearly done. At the rate I was going, I was going to crack the 10K mark, but I went back, made a few hard decisions, and now I’m aiming for 8500. I’ll have to see if there’s anything else to cut. Short stories are hard, Lt. Dan. The story has been a real blessing. It’s gearing me up for some other touch calls I’ll be making soon.

And tomorrow I get a new MacBook Pro, replacing my seven year old PowerBook workhorse. Seven years. “We have heard the chimes at midnight…the days we have seen…”

Considering the books I’ve written, the articles I’ve submitted, and the amazing things I’ve done on this machine, could it be possible I’ve gotten a little sentimental towards it?

Maybe.

Hey, everyone! I’m closing in on a pretty busy chunk of time, and it all starts next week. As you can see in the photo, I attempted to jump to New Zealand, get a head start on the travel. The only problem is this picture is taken at CREATE South 2009 in Myrtle Beach, so that puts me by the Atlantic.

Oh yeah, and while I got some serious hang time in the photo…my distance was FAIL!

Before I get into the schedule, I got good news on All a Twitter: the manuscript is now at the publisher and currently being prepped for printing. You can pre-order the book but keep an eye on Imagine That! Studios for latest developments on my latest book concerning Social Media, and get ready — I got something else coming this summer.

Oh yeah, and I’m nearly done writing my smut for Chef Pip. I really am a naughty boy.

Now, here’s my upcoming schedule. This is where I will be:

May 22-25
Balticon 43 in Hunt Valley, MD

May 29-June 1
Conscription in Auckland, New Zealand

June 2
ANTI-Social Media, presented for LIANZA, 12pm-2pm
Room 420 Kate Edgar Information Commons Building #315
2 Alfred Street, University of Auckland
Auckland, New Zealand

All a Twitter, presented for LIANZA, 3pm-5pm
Room 420 Kate Edgar Information Commons Building #315
2 Alfred Street, University of Auckland
Auckland, New Zealand

June 3
Social Media Mainline Workshop for LIANZA, 9am-5pm
Computer Lab Room 433, Kate Edgar Information Commons Building #315
2 Alfred Street, University of Auckland
Auckland, New Zealand

June 6 (JUST ADDED!!!)
Podiobooks: The Best Audiobooks FOR FREE Online for Tararua District Library, 1pm-2pm
Dannevirke, New Zealand

June 15
ANTI-Social Media, presented for LIANZA, 12pm-2pm
Seminar Room, Reserve Bank of NZ
2 The Terrace
Report at ground floor reception no later than 11.45am
Wellington, New Zealand

All a Twitter, presented for LIANZA, 5pm-7pm
Conference Room, Department of Conservation
18-32 Manners Street
Report at ground floor reception no later than 4.45pm
Wellington, New Zealand

June 16
Social Media Mainline Workshop for LIANZA, 9am-5pm
SOLD OUT (Waiting List available)
Computer lab 510, Level 5, WelTec Wellington Campus
11-17 Church Street (off Boulcott Street)
Wellington, New Zealand

June 17

Speak Geek to Me, for Te Papa Tongarewa: The Museum of New Zealand, 10am-12pm
Location: TBA
Wellington, NZ

If you are in New Zealand and looking for a primer on Social Media, you can still sign-up for the Auckland workshop. I could not be more excited about this upcoming trip the Land of the Great White Cloud…

18.5 hours on a plane…AFTER I fly from DC to San Fran. Whoofah!

Next time we talk, I’ll be in the Southern Hemisphere. See you on the other side of the world!

5000 words. In three days. For erotica.

Yeah, that scares me.

If you are curious as to what my ingredients are, I’ve been told to write:

• Government Agency
• Alternate History
• Tie Me Up, Tie Me Down

Erotica is hard. (Pardon the pun. Or should I say “If erotica is done right, then it’s hard.”) I never would question the skill of writers who do it on a consistent, regular basis. What scares me is how quickly this story is rolling out. I didn’t call that, especially with this idea (let alone, this genre); but it feels right and feels good. I just didn’t expect this kind of inspiration. Maybe it’s that “dark element” of erotica that scares me.

It’s not the challenge Pip put out there for me. That doesn’t scare me at all. I love a challenge.

Another challenge: Thickening my skin. Yesterday, someone on Twitter invited people to DM her concerning a panel at a Web 2.0 confernce here in DC. I answered her call. A few minutes later, she’s courting some self-proclaimed Social Media Expert (41 followers, following 12). I ask if the invite was void. Her response: “I’ll see if she says yes or no. If no, I’ll be in touch.”

Second string? Is that what I am? What part of “writer of All a Twitter” did this woman miss? What do I have to do to earn respect in this town?

First thing I have to do: Stand tough. They can have their conference this summer. Maybe I’ll go and bring with me my pictures from my first rugby game…in New Zealand.

UPDATE: I got an email early this morning concerning my Social Media Mainline Workshop in Wellington, NZ, being held in June. LIANZA posted it on their Events Calendar Monday morning. Three days later, it was sold out. I’m talking to them about a possible second Wellington event. Find out more at Imagine That! Studios.

Street Cred. I haz it.

No matter how crazy the time or the schedules in life get, we make time to remember; and on April 1st, Jack and I are asking that you remember our fallen friend, Joe Murphy.

For those of you new to podcasting, you might have missed the audio wit and always-clever banter of my friend, Joe Murphy. He was (and still is) an amazing guy, his voice now part of the history of such podcasts, as Wingin’ It, Slice of SciFi, The Kick Ass Mystic Ninjas, and the award-winning The Case of the Singing Sword: A Billibub Baddings Mystery. He was taken from us too soon, and on April 1 we remember him.

Please, syndicate this podcast through your feeds, blog about Joe, tell a friend today about Joe Murphy, show your support in an avatar change, and let your subscribers know that you also remember Joe.

cover artwork by J.R. Blackwell

While you all know that the dwarf detective is one for the low-tech solutions like Beatrice and a good battle-axe, you may not know that the award-winning The Case of The Singing Sword: A Billibub Baddings Mystery is now available for the iPhone! Sure you can download Billi on the iPhone and iPod Touch in audio but now you can pick up a copy of Billi’s first big case as an iPhone application. Along with The Case of The Singing Sword, the Fey Trickster is also causing (double) trouble at the iTunes Store with Chasing the Bard also available for the iPhone and iPod Touch. Take a look and show the love. Let iPhone and iPod Touch users know that Double Trouble has now hit the iTunes Application store.

And yes, The Case of The Pitcher’s Pendant and Digital Magic are both en route. Stay tuned…

As you may know by now (provided you subscribe to Imagine That!, or follow either of my Twitter accounts), I’m working on a new book: All a Twitter, from Que Publishing. I’ve seen the tweets and also taken some heat from other DC consultants (and here’s a shock – these consultants are NOT on Twitter, but will give an opinion nevertheless…) concerning books about Twitter. I am still very optimistic, nay confident, nay cocky, that All a Twitter will be unlike the other books hitting the shelves between now and the summer.

For starters, my book will be written from a user’s perspective. Other titles (that I am aware of) are being written by people in Marketing, meaning the underlying intent of these books will be “This is the way you leverage Twitter in order to monitize your Social Networking experience.” I could go on a tear about that…another time. This isn’t what my rant is about. It’s concerning another quality of this future book.

All a Twitter will say on the cover “by Tee Morris” meaning the book will be written by me.

This is what my rant is about.

My revelation that people claiming to be writers but in fact are not writing books even though their names are on the cover, started at the beginning of the year. In a social setting over good food and good wine, the subject turned to how much work goes into a book. I pulled from my own experiences with the For Dummies crew, which really blew away those at the table. I told them the breakneck schedule of writing computer books was not uncommon. That was when I turned to another author, one I had just met that had written a book on Twitter. I asked the author “How long did it take you to write your book on Twitter?”

The author looked at me as if I had asked the question using the Lothlorien Elvish dialect. The (self-proclaimed) best-selling author scoffed and said, “I didn’t write the book.”

“But your name is on the title?” I asked.

“Yeah, it is, but I didn’t write the book.” The author then told me, with an alarming amount of pride, “I went to my network on Twitter and asked my followers what they wanted in the book. They wrote what they wanted, I took what they sent in, and put it together.”

Say what?!

Yes, I know, ghost writing is nothing new. Happens all the time. You have people helping others behind the scenes (as Wikipedia states with Alan Dean Foster writing the novelization of Star Wars, but handing credit to George Lucas), so I know that bylines may not always be as honest as they should be. Where I call “Shenanigans!” is when the books in question are “How To” books.

When you pick up a “How To” book and look at the title’s byline, you make a strong assumption if not conclusion that its author is an authority on the subject matter. How much confidence, then, would you have in an author if they were to tell you they farmed their work out to other experts, and then granted it a cursory eye once it came in? So let’s set the scenario: An author, based on their expertise and a proposal they have put together, is hired to write a book. Instead of researching their expertise further and actually writing the manuscript, these authors-under-contract have others write sections or chapters for them. They then shape the content in a fashion that fits their own needs, and then send off to the publisher the material under their name, not the individual who actually wrote the chapter.

Allright, that doesn’t make you a writer. That makes you an editor. An Acquisitions Editor. Barely. This was a similar process I followed as an Acquisitions Editor for Ben Bella Books’ So Say We All with one major difference: The individual chapters all carried the author’s bylines so you knew who wrote that particular essay.

When I agreed to write All a Twitter, Que Publishing sent me a list of guidelines and this is their standing on Citations:

Such use should be limited. Readers are paying for a book that shares your practical experience of the subject and they expect that the material in the book has not been published before.

“Readers are paying for a book that shares your practical experience…” Huh, what a concept!

The business behind “not-really-writing-a-book” I also have to wonder about. At Jeff Pulver’s Social Media Breakfast in Washington DC, I mentioned that I had just taken on All a Twitter. One of the attendees asked me “So you’re actually writing the book?” It turns out he was approached to write a chapter for another Twitter book being produced this year. His reply to the offer was “What’s in it for me?” A valid question, seeing as he wouldn’t have a byline in the final published work. The “author” of this Twitter guide didn’t reply to his query.

What. A. Shock.

These “smoke-and-mirror writers” take questionable business tactics one step further as, with byline under their belts, they bill themselves as experts and sell seminars to conventions, expos, and special events. Money – in some instances, big money – is now exchanging hands. I’m not sure who makes me angrier: the people claiming to be authors and taking credit for work that isn’t theirs, or the organizers of these events who don’t take a few minutes before planning their schedules to evaluate a speaker’s street cred. When you carry around on your blog, website, or resume a publishing credit, there is a measure of trust involved that a book carrying your name on it was written by you. I doubt if I could sleep soundly betraying that trust because I believe in the “Put Up or Shut Up” ethic. If a book is going to carry my name, I’m going to be the one held accountable for it so I’m going to make sure the words are truly my own.

Chances are, with this blogpost, I’ve effectively painted a bulls-eye on All a Twitter, and on anything else with my name on it. Critics, nay-sayers, and maybe a few guilty will hold my work under a magnifying glass. And you know something? I’m okay with that kind of attention because I can stand by what I write. Oh, I did ask for some help here and there, but you can be assured those who helped me out will be given salutations and citations.

You can also be assured that when a book says “by Tee Morris” on it, that is the truth. So keep an eye out for All a Twitter this summer. It’s written by Tee Morris.

Seriously. It is.

Coach Ian Scott connected with me through my work on Podcasting for Dummies, both the podcast and the book. (No, the PFD Podcast hasn’t faded. It’s just been difficult to get to on the priority list.) I have been working with him on fine tuning both his podcasts, and as a way to say “Thank you” Ian invited me on his interview show “Conversations with Coach Ian Scott” which is a talk show featuring creative professionals from around the world. From his website, Ian says about our interview:

We talk about Tee as a podcaster and author. Podcasting: How and Why organizations, corporations, and individuals should be utilizing the power of podcasting. Social Networking, the CES 2009 Expo of January 8 – 11. Projects Tee Morris is currently working on, and a new book on Twitter to be launched around the Summer of 2009. Oh, and we had some fun along the way!

We most certainly did that! In this interview, I give one of the reasons I have not been on Twitter recently. (It’s a good reason, trust me.) I also have a few announcements to make after I return from Farpoint. Enjoy the interview and please leave Ian a comment on his blog concerning the interview. He’d love to hear from you!