January is wrapping up this week, and for me this month has been less than kind. In fact, it has been a right train wreck. When I rang in the new year with friends and family, and celebrated its beginning with a day of great games, good food, and the best of people, I made plans to get cracking on a few major projects that would carry me into the summer. The first project was, of course, Operation: Endgame, the final adventure of Agents Books and Braun. Then there’s the fifth and final season of Tales from the Archives, kicked off on Christmas Day with our Christmas Special. I’ve also got an idea percolating pretty hard in my noggin to the point of where I’m collecting a lot of resources and researching hard how to pull this idea off. All this, and I’ve got a special photoshoot in the works for The Pixel Project and was gearing up for my first con appearance of 2017 alongside Nick Kelly and Robert V. Aldrich.
Just let that kick around in your brain for a minute: A New York publisher is suing a guy who took a Jane Austen classic, threw in a few set pieces from The Walking Dead, re-packaged it for a zombie-hungry market, and made a metric fuck-ton of money off of it, for writing a book that was a knock-off of a public domain work…like Jane Austen’s Pride and Prejudice.
It’s the start to a new week, although it doesn’t feel like I ever finished last week. Immediately after Day Two of the new job, I polished up an audio chapter of Truly, Deeply Disturbed and sent that off to the review cue for the publisher. Then it was packing of the big pink travel bag; and Pip, Jett, Karina, and I mounted up and headed to Grimmoire Manor (the home of Brute Force Studios) to film a book trailer. That’s the challenge of being unemployed: You either sit on your rear waiting for things to right themselves, or you step up to projects and then suddenly find yourself juggling commitments.
Doesn’t mean I’m folding like a cheap lawn chair. I’m seeing all these projects through.
I learned something about steampunk over the weekend, something I don’t think I’ve heard a lot of people mention and maybe it should be mentioned more often: It’s a passion. Whether you are a crafter like Thomas, a model like Sarah (both of Brute Force), or writers like Pip and myself, it’s something we do (and in some instances, defend) because we love it. We have a lot of reasons why but that love is what runs our analytical engines. I am constantly blown away by the talent I meet in this genre, but those who excel at it nurture a real passion for steampunk. Sometimes, artists may not even realize they are dancing with steampunk; and that’s when what happens is less about aesthetic and more about art. Yeah, there is a deeper commitment and drive behind steampunk, and it’s inspiring.
Here’s a behind the scenes shot of our Sophia del Morte (Sarah Hunter). I got high hopes for this book trailer…