With only a few days remaining until FenCon, Pip and I are planning furiously for what is promising to be a really fun weekend of panels, podcasting, and steampunk. We owe a special thanks to Matt Bowerman for being our location scout for our own “kickoff celebration.” If you’re in the Dallas/Ft. Worth area on this Friday at 8 p.m., we are hosting a Texas tweetup — steampunk style — at Spring Creek BBQ.

For non-FenCon attendees, it a chance to hang. For FenCon attendees, the restaurant is just five blocks north of the hotel. Pip has made an event page live on Facebook (please RSVP there), but here are a few extra details…

TIME: Friday, September 23, 8:00 p.m.
ADDRESS: 14941 Midway Road, Addison TX
MENU AND INFO: www.springcreekbarbeque.com

We are also planning to wear our steampunk gear for the tweetup! Ladies, strap into your favorite corsets. Gents, wear your best bowlers (or, if you’re doing the Wild, Weird West, your sharpest ten gallon hat)! It’s time to gear up, chow down, and jump into a good time in Texas! Pip and I hope to see you there!

While Twitter, Whrrl, and Facebook are my go-to-tools in online sharing, their limitations can stunt my stream-of-consciousness on a subject. So I’m taking ideas that come from other discussions and networks, bringing them here, and expanding on them.

Also, I too am annoyed when people post a waxing philosophic dissertation as a Facebook status. No, I’m not going to become “that guy” on the Social Networks.

This blogpost was inspired from a Twitter exchange I enjoyed with one of the sweetest ladies of Social Media, Vivid Muse. Viv was easing into her day, and fired off this tweet across my starboard bow:

VividMuse: Also, Three Stooges are even dumber than I remember. It would be interesting to try and classify all men as Larry, Curly or Moe. Possible?

My reply:

I think there’s a little bit of 3 Stooges in all men. (Heck, @PhilippaJane saw my “Curly” on the JMU football field last month.)

This reminded me of my own personal observation of The Three Stooges and why us men-folk are so curiously drawn to them like moths to a bonfire. What is it about those three guys?

It should be noted while their humor is crude, base, and just plain absurd, the Three Stooges never went for the gross joke ala modern slapstick offerings like Opie & Anthony, the Jackass crew, or Tom Green. The latter I would describe as the “torture pr0n” of comedy. Yes, the Stooges did cause mayhem and chaos wherever they were but it never crossed the extreme end of tolerance. Even the Stooges knew their limits.

This brought me to a possibility that the Three Stooges held a deeper meaning to us men, that perhaps there was — at the core of this slap-riddled humor — a sophistication that has made them sacred.

Yes, sacred. Men can disagree on football versus rugby, Batman versus Superman, and Captain Kirk versus Captain Picard; but ask any man and they will tell you without question that the Three Stooges stopped being The Three Stooges after 1955 (following the death of Shemp Howard).

End of (that) discussion.

So what exactly is the hidden symbolism of The Three Stooges? To understand it, you have to go back to the iconic imagery of King Arthur’s fall.

Yes, I am drawing a parallel between The Three Stooges and Le Morte d’Arthur. Roll with me here…

Depending on which legend you track with, Arthur after his climactic battle with Mordred is seen on a boat with three women (again depending on which legend you track with, presumably are Igrayne, Guinevere, and Morgana) watching over his final journey to Avalon. The symbolism of the three women is usually attributed to the Maid, the Mother, and the Crone, or three stages of a woman’s life: childhood, motherhood, and sage adviser. The “power of three” is rife through classic literature and modern storytelling, from the witches of MacBeth to the Halliwell sisters in Charmed.

So it goes for guys and The Three Stooges. Break down the slapstick comedy trio and you can really see the symbolism. The Three Stooges embody three stages of Man, or at least what men strive to be and why we are constantly at odds with ourselves.

Moe Howard

Moe embodies Control. When the Stooges find themselves in a pickle, who calls the shots? Do we look to Larry for the answers or Curly for the leadership? Hell no, all eyes turn to Moe. He’s the man with the plan. Not always a good plan, but a plan’s a plan. Men, on an average, love to think they have a magic plan that will fix everything. Sometimes, a plan is paramount to brilliance. More often than we like to admit, a plan will end with a pie fight, cops showing up, and its masterminds running into the sunset at double speed. Still, Moe is the Control that men feel must be applied to every situation, be it a crisis or a social situation.

Larry Fine

Larry is the Follower. Yes, men like to take charge. Yes, men like to have the final say. Men also like to hear those above us say “Good work.” or “Well done.” We feel a sense of accomplishment when, as part of a team, victory is earned or problems become solved. As Followers, men still find themselves serving as the Control, but shouldering less of the responsibility. Larry is the first person Moe turns to in order to get things done. And why not? He practices a strong work ethic (Do what Moe tell me to…) coupled with an even stronger motivation (…and he won’t slap me!), making Larry trustworthy and reliable, traits men strive for.

Curly Howard

Then there is Curly. Men want to be him. Women want to tame him. Why? For his physique? (Body by donuts.) For his command of the English language? (Nyuck-nyuck-nyuck.) No, it’s the man’s approach to life: Curly represents Wild Abandon. If we are led to believe the “Girls Gone Wild” video extravaganzas, the role of Wild Abandon is reserved for women only; but wasn’t it John Belushi that called forth the spontaneous “Gator” dance move in Animal House? And wasn’t it Steve Martin that called himself a “wild and crazy guy” to the delight of millions worldwide? And was it not “Weird Al” Yankiovic that fearlessly repurposed pop hits under titles like “Eat It” and “White and Nerdy” to conquer the music charts? These and other “Devil May Care” transgressions can be traced back to Curly. In my recent return to James Madison University, I paid homage to Man’s personification of Wild Abandon by dropping to the ground and spinning on my shoulder. (See my earlier-quoted tweet.) In that moment I won the hearts of the JMU student body, the admiration of my fellow alumni, and the embarrassment of Philippa Ballantine. Curly was always my favorite when growing up, but it was later in life I understood why. Why women always went to Curly first. Why Curly, unleashed, became a juggernaut of Wagnerian proportions. Why Curly, of all the Stooges, is the most cited, most quoted, and most revered of the Stooges. Curly resides where we dare not go. He is that recklessness we feel in our youth and struggle to hold on to in our later years.

Shemp Howard

I would be remiss if I did not include Shemp, the original third man. Shemp managed, while not evident at first, to embody the stage of Man that balances out his predecessor.  Shemp stands for the Consequences of Our Actions. While Curly stands for Wild Abandon, it is Shemp that shows us what happens the day after that leap into the unknown. If there was something needing to be tasted, tested, or tried before the other Stooges proceeded with their master plan, Shemp was usually (yanked) first in line to “see what happens when…” followed by the wheezing, the stammering, and the perfectly-quaffed hair falling as a final curtain into Shemp’s face and blinding the poor man. Shemp — the perpetual lab rat that he was — would step up and serve as a powerful lesson to the responsibilities of what we do, be they voluntary or not. He would also serve as an example of bearing the fallout responsibly, be that fallout voluntary or not.

What you may see on the outside of their vintage comedy shorts and feature films is cream pie battles, early attempts at waterboarding (with fire hoses), and pratfalls testing the mettle of mortals; but underneath the slapstick runs a subtle symbolism of what Men strive for, what we need to be, and why we are what we are. The deeper meaning in the bond shared between Moe, Larry, Curly, and Shemp is ever present in their performances; and once you look past the gags, the slaps, and the eyepokes, you get a sense of why Men are so passionate about their Stooges. They are the building blocks that — together — complete the composition of the male species. This is the reason why, ladies, the same guy who buys you flowers for no reason and surprises you with a day-long trip to a spa is the same guy who refuses to put the toilet seat down and remarks “Damn, she’s hot!” whenever you’re watching True Blood or Burn Notice together. We are complex machines; and to understand how the machine works, you need not look any further than the (pre-1955) works of The Three Stooges.

This is the Power of Three, manning up.

Last week, you got the behind-the-scenes look at how a lot of work can go into books and how a publisher can change their minds without telling you. We also got a look at how I’ve been making some rookie flub-up’s and probably need to go back and listen to my own podcast on writing and what not to do. This week, Part II of “The Tough Choices” goes into the characters people know me for and the questions people have been asking me since 2005…

The Billibub Baddings Mysteries

“So, are you ever going to podcast Pitcher’s Pendant?”

Two of the best things a writer can ever hear about their work is:

• I read it again, and it gets better every time.
• Where’s the next book?

While my podcasting and Twitter books are the bigger financial successes, it is my print and podcast novels that people ask me about the most. In particular, when is the next one coming? I suppose that would make the novels from Dragon Moon Press artistic successes.

The Case of the Singing Sword, both in print and in podcast, stands out as my most acclaimed work, winning an Honorable Mention from ForeWord Magazine for Best Fiction of 2005 and Best Audio Drama (Long Form) from the 2008 Parsec Awards. As much hard work as the podcast was, I had a blast doing it. The podcast also made an impression on me as I heard many of the voices from Singing Sword while writing Pitcher’s Pendant. In my head, I had the novel cast by its completion and was seriously considering a podcast of it either late 2009 or early 2010.

Life, and my professional relationship with Dragon Moon Press, had other plans; and I was finding myself at odds with both.

So it went in the Spring of 2010 that Dragon Moon and I, after eight years of epic adventure, supernatural sleuthing, and columns on writing and being a writer, parted company. We agreed that for anthologies and Complete Guide to Writing installments, I would contribute when time allowed. It was time I moved forward in my career, something that I promised myself I would do during my live Survival Guide at Balticon in 2009.

This means that in April of this year, the Billibub Baddings Mysteries will no longer be available from Dragon Moon. The rights will revert back to me and, once that happens, I will work with my agent to find them a home. Once I do find a home for my wise-cracking dwarf, I will gladly forge ahead with him, Mick, Alphonse, Gertie, and the rest of the colorful characters residing in my alternative Gangland Chicago. I will probably not podcast Pitcher’s Pendant until I have a home and a bankable future for the series.

This doesn’t mean I’ll be pulling down the podcast. It will still be available on Podiobooks.com, and there it will stay unless someone makes an offer;but for now, Billi’s leaving the axe on the wall and Beatrice locked away in his top desk drawer.

The Morevi Saga

If people haven’t asked me about Billi, they have asked about the fate of Rafe, Askana, and those loyal to House Moldarin and the Defiant.

Where do I begin?

Much like with Billi, MOREVI: Remastered was a joy. I was exhausted when I was done, but quite pleased with the end result. It was an experiment, and some chapters worked better than others In the end I was very happy with the voice talent and the production quality.

But what of the series?

Legacy of Morevi, for those of you who have read it, know it ended on a killer cliffhanger. I was more than ready, on announcing MOREVI: Remastered, to return to the lands of Naruihm and podcast Legacy while working on the third title, Exodus from Morevi. Again, as with the Twitter books, I announced the next book in the series, a podcast anthology, and plans for the Legacy podcast. All of these grand plans hit the sea floor on realizing that the year was not going the way I had planned.

Poor planning, sadly, isn’t the reason why Rafe, Askana, and cast are facing futures unknown. The main reason is Morevi’s original co-author: Lisa Lee.

I have remained tight-lipped about Lisa for years, but here is the story few have heard. When we wrote Morevi together, it was incredible fun. Our story captured the attention of media. We appeared together on The Dragon Page in 2004, marking the only time Lisa and I were both present for an audio interview. We were having a great time. For the most part.

When she announced (after I had asked her not to…) we were working on Morevi’s sequel, we agreed this was our next step as a writing team. It was time to get cracking on a sequel. Lisa would start (as I had written the opening chapter last time), and this would begin new directions for our characters. It was all very exciting…

…until within two months, all communication abruptly stopped.

I never found out why Lisa shut me out, and still have no definitive answer; but I did find myself alone at the writers’ desk with a Prologue and an opening to Chapter One. I also had a deadline and a delivery date set.

So, during Legacy’s development, I had a lot of things to deal with…except for my writing partner.

After repeat email and even legal documents went ignored, I forged on ahead without Lisa. The original Prologue was scrapped. Chapter One’s opening was completely re-written. This new adventure now took twists and turns that were my own. Even with its open ending, Legacy of Morevi was received with praise from the fans of the first book, and was a finalist for ForeWord Magazine’s Best Fantasy of 2005. Not bad for picking up the reins unexpectedly.

Fast forward to 2010…

Six years of silence finally broke when I found Lisa online. I reached out to her, asking for written permission to Morevi’s rights, seeing as she had no interest to continue writing in this universe. After all, it had been six years, right?

Here was Lisa’s reply:

“I am not sure about relinquishing all rights to Morevi – I will have to think about it. This is not so much about any monetary value but more about how I feel about something so personal.”

She also added:

“I appreciate that you’ve put a disproportional amount of work into Morevi compared to what I have contributed. All I can say is that for me, the overwhelming feeling I had when I first leafed through the printed copy was embarrassment. I guess that’s the only way I can go towards explaining why I felt I had to drop it.

But even so, it’s my first and maybe only ever published work. So before I can say here you go take it I want to know what you mean by find another home for it.”

What I find so bizarre about this exchange is how she refuses to say “yes” or “no” about relinquishing the rights to Morevi as it is “so personal” of a work, even after she had turned a blind eye when I wrote Legacy and produced both the 2005 and Remastered podcasts.

And this exchange happened at the end of August. I followed up with her in October. As it went six years ago, Lisa has apparently closed off communication. Again.

What exactly does all this mean? On a personal perspective I have formulated my own opinions; and I’ll admit—it would be real easy for me to dish.

I don’t dish. I rant. There’s a difference.

Without a definitive answer, I am left with an “Okay, what can I do?” So, once I am caught up with my Ministry commitments, I may return to Morevi’s universe and completely—to use the new, hip term in Hollywood—reboot the series.

As I discussed on my Facebook Group, I am considering a steampunk makeover for the swashbuckling series. A new era. A queen on England’s throne. A whole new attitude on some familiar friends. I believe Rafe could make the jump without a problem. It only becomes tricky as to how the reboot would change the plot, the environment, and the dynamics of the original.

I can promise you one thing: the Morevi reboot would be, without question, Elf-free.

This means Legacy would disappear into the aether. I would attempt to salvage as much as I could from it; but in giving my first novel a completely new angle with far less Fae, a lot will change.

All this would happen, though, after I meet my commitments with the Ministry.

(NEXT WEEK: Great Expectations)

At the end of 2009, I was invited by The Chef to return to the Erotica ala Carte kitchens for another round of saucy, spicy fun. My menu items on this go-round were:

• Female P.O.V.
• Time travel
• Artificial Intelligence
• Leather and Lace

The end result was “Dagger of the Mind” and my return to podcasting fiction. In light of so much talk and controversy concerning it and coupled with the way my year has been, I have been ready — so very ready — to do this.

But be warned…this story goes dark. WAY dark. Darker than I imagined I could ever go in my writing. This is not safe for work, kids, queasy dispositions, or those new to Pip’s podcast. I’d recommend working up to this one by listening to early episodes, and then having a listen to what the Chef describes as “the darkest we have ever gone…”

Something terrible is in Anna’s mind. Something alien that uses desire as a whip, but is it trying to drive her mad or is something even more nefarious going on?

This is my return to writing, and I can’t thank Pip enough for being my Muse (or Swift-Kick-in-the-Pants, whichever you prefer) in this setting. This story has been receiving a lot of traffic on Twitter, and I’ve been pretty humbled by the reactions. The inspiration behind this stems from one of my favorite movies of all time — Time After Time. (It’s on my AppleTV Wish List.) The film marked the directorial debut of Nicholas Meyer (who went on to direct Star Trek II and VI), and stars a young Malcolm McDowell as H.G. Wells and a young David Warner as Dr. John Leslie Stevenson whom we find out later is Jack the Ripper. I love time travel stories, but this one stands out as a favorite. I also wanted to try something different, something the EalC Kitchens had never seen before. I went into fetishes that haven remained unexplored, and then there was the Horror angle I dedicated in following. I was told in one harsh critique that “Horror and erotica simply do not mix…”

Someone didn’t tell Clive Barker that. Twisted as it is, Hellraiser is an incredibly sensual, erotic work. (And yes, terrifying.)

What has surprised me the most about this short story is that, for the first time as a writer, I’m discovering the possibilities. This world, these characters, and this situation are far from done. I’m thinking I may have my first erotic thriller in the works, and I am thrilled at where my ideas are leading me.

Oh my Muse, you are the dark, delicious, and saucy temptress…

And while people have been talking about it, I should point out that both my Erotica ala Carte dishes are eligible for the 2010 Parsec Awards. So if it hasn’t happened already please consider nominating:

• “Release Me” for Best Speculative Fiction (Short Form)
• “Dagger of the Mind” for Best Audio Drama (Short Form)
• Erotica ala Carte for Best Anthology Magazine

If you shared your thoughts (good or bad) concerning my “Erotica ala Dark” on Twitter, thank you! Feel free to leave comments here, or go to the Erotica ala Carte site and share your review with the Head Chef.

And feel free to share this twisted tale on your own blog….if you dare….

The day after the Great #Snowpocalypse of 2009, I felt the walls closing in a bit…and the twins inviting me to play with them really wasn’t helping. Fortunately, saving the day was Peter Cox all the way from Central London when he rearranged his schedule to sit down, open up the mics, and talk with me about podcast fiction. Seems that Litopia has opened a floodgate in talking about podcasting, Social Media, and the modern writer, and Peter wanted to sit down with the guy that started it all.

If you don’t know Litopia, you should. Lipopia is  run by writers for writers. It’s a podcast, it’s a blog, it’s a forum. It’s an inside look and a behind-the-scenes look at the publishing industry, and what was supposed to be a fifteen minute podcast…well, we went a little longer…

Enjoy this bit of time travel through the history of podcast fiction, and looking at the present day and possible tomorrows of Social Media in the publishing industry.

Listen. Comment (here and at Litopia). Share.

With a whopping 42 comments to it (and as that is the big answer, I thought the time was right for this post…), I think it’s pretty much common knowledge by now that I got a new job. I didn’t really consider how quickly the wheels got rolling on getting me in there; but on retrospect, this place did not diddle around. I was offered the job on August 4, taught my final class on August 14, and then on August 17 I walked in, filed paperwork, went through the orientation, and was then literally thrown into the thick of it. I didn’t hit the ground running. I bitch-slapped the ground, made it call me a pretty girl, and had it beg for more when I was through with it.

And the really frightening bit? After a week, I’m still not sure how my voice mail works.

But what exactly is the job? I didn’t really go into detail on that in “Perseverance and Peter Gabriel” as that post was less about the job itself and more about the job hunt. Amidst the comments of congratulations and inspiration, a few of you have wondered “So what is this job you got?” I wanted to wait until I finished the first week before I shared details, and I’m glad I did. Last week was overwhelming, amazing, and eye-opening, on a lot of levels.

I was also beat at the end of every day. Slept a lot. Now, with some of the blur that was last week processed, here it is…

Intersections is a security firm, based out of Chantilly, VA. Since 1996, Intersections has dealt with credit history and digital identity protection. They are in the business of making electronic transactions, be they financial or personal, safer; and I have been hired as their Social Media Manager. (I’d like to point out that this job falls under Corporate Communications, not Marketing. That thrills me like you wouldn’t believe.) They were looking for someone who could not only apply Social Media, but understand the different initiatives out there and what they offer.

They were also looking for someone who could write. Yeah, I think I got that covered, too.

What I’m particularly excited about with this job is the angle Intersections takes with Social Media. Obviously, I’m being called upon to manage blogs, create podcasts, edit video (which I’m doing right now), and manage an outreach program with Twitter and (soon) Facebook; but I am also being asked to investigate and research security in Social Media, something I’ve touched on in Bird House Rules but only scratched its surface. On Friday, I was forwarded some news about Social Media from a security perspective and I was floored. The ironic bit is, that morning I was catching up with The SpyCast and listening to a fantastic interview with Dr. Terry Gudaitis who specializes in cyberintelligence gathering. (That’s the June 15, 2009 show if you’re interested.)

I feel as if I am starting all over again in Social Media, this time from a new perspective I hope Blogworld will let me speak on this year. I am officially on their schedule. I’ve confirmed “But Honey, It’s For the Studio” but am working to change topics concerning my second talk. So, if you’re at Blogworld this year, stop me and say “Hi.” It should be good fun in Vegas this October!

A cublicle in transition

So in the end, I am using my knowledge and background on Social Media for good, not for evil. While I will help in the promotion of what Intersections does, I will also be their on-call specialist in Social Media while I find out more about security matters with Twitter, Facebook, WordPress, and the like. My brain has been firing on all cylinders since Day One, and I’m soaking it up like a thirsty sponge. The first week just blinked by, and I’ve not slowed down yet.

If you were wondering, though, how the day job will affect my writing, it will only make me more productive. Now that I know my hours, I can regiment and manage my time efficiently. I’m still writing for AppAdvice; and this weekend Pip and I completed the first draft of Books & Braun: Phoenix Rising, our Steampunk CSI peppered with hints of James Bond. I’m also planning to dust off Whiskey Tango Foxtrot and start working on that. I’ll give up details with an upcoming Survival Guide to Writing Fantasy…and yes, that will be its final episode.

It’s a long story and a hard decision concerning The Guide, and I’ll save the rest for that show.

My job at Intersections is now underway, and my writing is moving forward. From here, all that I have to face now are the possibilities.

photo by Kreg Steppe

Are you in the Washington D.C. area, within driving distance of the Nation’s capital, or happen to be in my stomping grounds next week? If you are, you have two chances to catch me speaking on Social Media. The Washington Network Group and The Washington DC Write to Publish Group have invited me to come in and speak, and I am thrilled to present:

ANTI-Social Media: What Not to Do in Web 2.0

Thursday, February 26
4:30 PM – 6:30 PM

hosted by
The Washington Network Group
Merrill Lynch Conference Center, 6th Floor
1152 Fifteenth Street, NW

Ξ

Social Media for Writers: Making Web 2.0 Your Marketing Machine

Saturday, February 28
2:00 PM – 3:30 PM

hosted by
The Washington DC Write to Publish Group
Arlington Central Library
1015 N. Quincy St., 2nd Floor Meeting Room
Arlington, VA

If you are in the area, I hope you can make it for the discussions. Feel free to pass along the appearance links on your own feeds, and I hope to talk to you then!