Yes, it has been a little quiet on my blog…but that doesn’t mean I’ve been standing still.

Our first steampunk exposition, The Steampunk World’s Fair in Somerset, New Jersey, is happening this week; and they are making us feel welcome! The guest list is mind-blowing, and yet we — the steampunk rookies — make their Lovecraftian promotional poster.

I think this is a sign of a FUN weekend ahead!

Both Pip and I will be there as part of “Ministry MAY-hem” and there are more details about the weekend to be found at the Ministry website. Track the weekend on Twitter by following the #SPWF hashtag.

We hope to see you this weekend as we get our steampunk funk on!

This weekend, Pip and I took off for a Valentine’s Day weekend. Instead of getting our lovey-dovey on today, we dropped off the Boom with grandparents, and enjoyed a quiet pre-Valentine’s Day weekend in Staunton, Virginia. If you are not familiar with Staunton, this is truly one of the crown jewels of Virginia’s crown. It is a fantastic town nestled within the Shenandoah Valley, just about 20-30 minutes away from my alma mater, James Madison University. Why I chose Staunton as our getaway weekend, though, wasn’t for its historic architecture, quiet setting, or quaint downtown shops. It was for The American Shakespeare Center.

You probably don’t think “Staunton, Virginia” when you think of William Shakespeare, but you should. The American Shakespeare Center (ASC) is located in downtown Staunton, and they manage the Blackfriars, the world’s only reproduction of Shakespeare’s indoor theatre. This weekend, the ASC was putting on The Comedy of Errors, a show that holds a very special place for me. As Pip had never seen a production of Comedy nor a show at the Blackfriars, I thought this would be a great opportunity. Better still, the Frederick House offered a Shakespeare Package that included tickets and a backstage tour. As you can see by the photos (click on them to view in full), the Blackfriars is gorgeous, and how you see the stage—even with the lights up—is how the ASC does Shakespeare. The show itself was tremendous, and Pip and I are still talking about it. The actors (including an old friend from JMU who is still performing with the company, I am proud to say) gave high energy with every line and every comic moment, making the less-than-two-hours traffic fly by. So yeah, when you think of Shakespeare, you should also think of Staunton, and you should make it a priority to catch a show here. It was a terrific choice Pip and I made, and we’re heading back to Staunton in May. (More on that trip to come…)

What I didn’t expect from this trip to the Blackfriars was a memory from the past, back when I was a professional actor and facing a tough call.

Not to sound too ominous, the ASC and I have a history. I knew the ASC when they were the SSE, or the Shenandoah Shakespeare Express. They started as a theatre troop independent of the JMU Theatre department, run by the Shakespeare professor, Dr. Ralph Cohen, and under the artistic direction of Jim Warren. (Side note: Jim is still the Artistic Director at the ASC. That really makes me smile.) They first got off the ground with Henry V, and then took on Richard III. While I missed Henry, I caught Richard…

I didn’t like it.

No, I mean, I really didn’t like it.

Exactly how much did I, the young, 20-something, I-got-this-acting-thing-down, college student, not like this production of Richard III? I ranted about it. With a couple of other students. In my acting class. Oh yeah, and then I reviewed it in a write-up a year later with Taming of the Shrew (a show I really, really liked). This review was shared with the cast.

As you might guess, my rant came back to haunt me. Particularly when I came to audition for the company.

When I first started auditioning for the SSE people were surprised, considering the earlier disdain I threw around over Richard III. A lot of it had to do with my semester in England. That time overseas gave me some space between the microcosmos that was JMU, and also opened my eyes a bit. I took a Shakespeare class, saw a LOT of Shakespeare, and grew up a bit. When I got back to JMU, the SSE started hitting a stride. From Twelfth Night to MacBeth to the insanely-difficult Measure for Measure, the company hit a stride and quickly built a reputation for getting high school students excited about Shakespeare.

I wanted to be a part of that.

I auditioned.

I never made callbacks.

I wasn’t surprised.

No, I didn’t blame the SSE. That’s not what a professional (or someone who wanted to be a professional) would do. A lot of things happen in the audition process (and as an actor and as an editor, I’ve been on both sides of it). When you have only a few open slots and a lot of talent showing up for said slots, I could have breathed fire while dancing a salsa and still not made callbacks.

Yet a voice in the back of my mind wondered if things would have been different had I kept my opinions to myself.

Fast-forward a few years. I am auditioning once again for the SSE. This time, by invitation. At that time, the SSE was collaborating with the Richmond Shakespeare Festival and Vpstart Crow Productions in a massive cattle call audition for Shakespeare, and I also remember my elation when the SSE invited me to their second round of auditions. While this was still the same SSE I knew back in the day, things were very different for the company; just as I was still the same ol’ TeeMonster…but also a very different actor. The morning started early, and by the afternoon I had read for a variety of roles. My heart was practically pounding out of my chest as I waited to hear results from reading, waiting, reading, and reading again. Then, finally, an associate started reading off names for people to stick around for the last round of auditions. Mine was called.

This was it. Final callbacks.

Then the other shoe fell.

The SSE handed me a contract. (No, that wasn’t a typo—a contract.) This contract spelled out everything, down to the last detail, of exactly what an SSE associate did for the company, how much they were paid, how much they were fined if they did not meet these conditions, and how long of a commitment they expected from their actors. I give a lot of credit to the SSE: this was the clearest contract I have ever read. There was no question of what was expected of me, and I was ready to rise to that challenge.

What I wasn’t ready for was what came next: I couldn’t go into callbacks unless I signed it.

To perform with the SSE would have meant quitting my job and either commuting to Harrisonburg (2+ hours, one way), or relocating. (We had just moved into a house.) Making a call like this without checking with Natalie would have carried severe consequences. I was also making a commitment to a company without know where I would “fit” into the show. (In other words, I was agreeing to the commitment, and then finding out where I was cast.) And if something unforeseen were to happen, I would still be locked into this agreement with no out, the exception being to “buy myself out” of the contract which I couldn’t afford.

While others around me were quickly signing and turning in their paperwork, I hesitated. I was being told “Sign it now…” and I couldn’t. Every instinct in me told me not to. I needed time to consider.

The SSE Associate reluctantly got Jim Warren to the door, and Jim—as I’d always known him to be—was gracious. With actors filing in and final auditions seconds before commencing, he afforded me a few minutes. I was told what I already knew: No exceptions. This was the way the SSE did things back then, and I had to make a choice.

I glanced over to the assembled actors all waiting for the last round of readings, handed Jim back the unsigned contract, and said, “I’m sorry. Maybe next time.” and I walked away.

I walked away from my last shot with the Shenandoah Shakespeare Express.

These memories came back to me this weekend, and Pip was doing her best to cheer me up. It wasn’t regret I was feeling. I don’t miss acting (well, okay, yeah, maybe a little…), but I do miss performing Shakespeare. There really is something magical to watch people—kids, especially—laugh at jokes that were written over 400 years old. When you consider performances like Tenant’s Hamlet, Stewart’s MacBeth, McKellen’s Richard III, or Branagh’s Much Ado About Nothing, you appreciate the passion and love that go in these productions; and even if you have seen the show before, it will be the first time you’ve seen it that way.

So, yeah, I miss performing William’s works.

Since this weekend’s wonderful production, and taking the theatre’s tour (which, again, I highly recommend), I have gone back to that crossroad. I know had I signed that contract, had I gone through that callback, things would have been different. Whether I had been cast or not, I would not be the person I am today. I probably wouldn’t be blogging right now. People in my life (Pip, Sonic Boom, friends from podcasting, friends from writing, etc.) would never be. Sacrificing those band of brothers, the days I have seen, and hearing the chimes at midnight just will not do. Heck, just thinking of what I am now and what I could have been could easily make one wiser, mad.

Bonus points if you just saw what I did there.

I guess I never really considered that moment a crossroad, but there it is. Lani Tupu once told me that I will never “stop” being an actor. It will always be a part of me; and when I’m ready, the stage will be waiting. I admit to getting my fixes when I take on voicework with various podcasts, including my own; but will I ever return to Shakespeare on stage? I honestly don’t know. I think Pip said it best in her tweet today:

For those who feel alone, remember things can change faster than you think.

I don’t regret the choice I made at that particular crossroad. I’m just missing time with the Bard. We were the best of friends. Still are. I think Pip sees that, too. I Forgot to mention we upgraded our seats for Comedy, and we took two “Gallant” seats which are stools on the stage. Pip ribbed me a bit with “You just want to get on the stage with them, don’t you?”

Yeah. I do. When I’m ready.

And this is it.

You’ve heard why new computer books, while bringing in a bit of the greenbacks, is no longer my thing as a writer; and you’ve finally got an idea of what I have been dealing with in a writing partnership that went so south, the relationship is in Antarctica right now. (Considering this next section, there a touch of irony for you.) You also know that Billi and the crew are taking a “big sleep” as well. It’s time for me to move forward.

Granted, when I was told this was the next step, I had no idea this was going to be such a giant leap.

This wild ride starts in May of last year…

The Ministry of Peculiar Occurrences

2010 could be best summed up by Charles Dickins’ opening line from A Tale of Two Cities: “It was the best of times, it was the worst of times.” While working through the worst of times, May ushered in the best of times with a two-book deal from Harper Voyager. What had started as a podcast-for-pay with Pip Ballantine became my big break, and my top priority.

The series is called The Ministry of Peculiar Occurrences, and we describe the series as a steampunk take on the BBC’s espionage romp The Avengers. Our first book, Phoenix Rising, will premiere this Spring with its follow-up, under the working title Of Cogs and Corsets, planned for a 2012 release. Since the contract was signed, we have been moving at a blistering pace between quick turnarounds on edits, cover art production, and development of the sequel. Add to all this mayhem unanticipated international sales to Australia, New Zealand, Germany, and (just this month) Russia, it’s no lie: Expectations are high, particularly with the book’s premiere scheduled at The Steampunk World’s Fair in New Jersey.

There is one reoccurring thought running through my mind during this whole period of time: Holy crap, this is really happening.

So after clocking in a full day at Intersections Inc. as their go-to resource for all things Social Media, and then making sure Sonic Boom gets fed and (of course) some quality time, it’s down to the studio to focus my energies (or what’s left of them, at that point) on what is needed for the Ministry series:

• Writing Of Cogs & Corsets with Pip
• Administrative and (soon) editorial work on Tales from the Archives
• Researching and reaching out to potential contacts for an intensive media tour, starting in March
• Zumba and Dance Central workouts (Yes, I want to look good when May arrives.)

I need to focus on Ministry works because this is where my future is. My next step. As much as fans of Billi and Morevi want a new installment, I will hazard a guess they also want me writing. It may not be where people want me writing, but it’s where I need to be.

It’s also a lot of fun. I’ve been enjoying Wellington, Eliza, and their steampunk England so much that I find myself missing their world, even when editing and proofing chapters. There’s a lot of potential here, as well. I don’t want to miss a step, so this means making Ministry the focus of my writing.

You might not think it is a difficult decision, but it is. Side-stepping questions about Billi and Morevi, hearing fans ask about future podcasts, and receiving praise for these properties are all welcome and heartwarming. I appreciate them all, and they make me want to write in those universes again.

But there it is again: writing. Of course my readers and listeners want me to write. Feedback from my short stories has told me as much. The truth of it was in the sales, when I would see how much I would make off my other properties, including the Twitter and podcasting books. Would I ever really be able to make a living as this? Computer books have a limited shelf life; and to make a living with an independent press, I would have to double (or perhaps, even triple) my output. To hit that goal of full-time writing, I need to produce the books that can get me there.

I believe those books are the ones I’m working on with Harper Voyager. Come this Spring, we will see.

The End…but Rafe and Billi will return…

Letting go of these two properties has been hard, but I still believe — no kidding, I believe with purest conviction — that I will return to these worlds. Perhaps Billi will find a home with another publisher. Wouldn’t that be fun? Rafe, while dashing in his doublet and rapier, would look rather smart in an aviator cap and goggles, a hyper-velocity aetherflux at his side. I’ve closed the door, sure, but it’s not locked. As we have all seen as a community, there are no sure things, no slam dunks, in the entertainment industry. I still recall the words of my friend from across the pond, Martyn, when he tweeted to me “What a difference a year makes.” He’s right. Within a year, I could be forging ahead. Within a year, I could be on a new path. A lot can happen in this year, and I’m not dismissing Billi or Morevi and their futures. I will return to those worlds. Someday.

For now, I’m giving dwarf detectives and upstart pirates a break; and my attention turns to gears, gadgetry, and goggles. In place of Mick’s Diner and the Defiant, I’m delving into a dark depository of mysterious talismans, trinkets, and tall tales that could contain a bit of truth. Bullets and baldricks are swapped out for boilers. In this new world, a plucky pepperpot of the colonies and a meticulous bookworm face intrigue, danger, and secret societies hell-bent on overthrowing the Empire.

Sounds like fun? I hope so. Maybe you’ll want to join me on this little trip.

Chevron 9 locked. See you on the other side…

click image to view full size

We’ve been sitting on this cover art for months!

When Pip Ballantine and I first saw it, we were over the moon. Imagine the heartbreak when our editor, Diana Gill, told us “You can’t post this anywhere just yet.” To watch the evolution of this cover, from the earlier drafts to the final product, has been a real trip; and while this is my fifth novel, it feels like my first.

Who is the artist? No clue. We know the artists were in-house and open to our input (something unheard of, particularly with new authors) when it came to cover ideas. We said, “Keep it simple. Have the heroes on the cover. Eliza should be armed to the teeth and up front. Wellington should be hanging in the back, enjoying a spot of tea.”

The rest came from the creative minds of Harper Voyager (formerly Eos Books).

You know that blogpost I keep promising, both here and on my Facebook group? Well, a fire has been lit under my bottom with the arrival of these cover flats. Somewhere during line edits (yes, I go on and say it — between the lines…), I’ll be going into my thoughts and feelings on this steampunk project, and how Eliza and Wellington will be affecting Rafe, Askana, and Billi. It’s not bad news, rest assured. It’s just a very different direction for myself as a writer.

I think the important bit to walk away with from this post is that in May 2011, I step back to where my heart has always been: Fiction.

Thanking Laurie McLean (my agent) and Diana Gill seems so inadequate, but I do appreciate this opportunity that they have given me. Laurie could have easily passed on this idea Pip and I hatched over Skype one night, but she saw the potential and got behind the book. Diana, with everything on her desk, not only saw the potential but really got behind the book in the negotiations; and in our discussions and her notes, she gave us her time and expertise and made the story even better. Thank you, both.

And thank you, Pip. She was pretty much set with Geist and Spectyr. She knows my cold feet when it comes to collaborations. She pressed, and she inspired me. Pip got me writing fiction again, and with our current preliminary work on Of Cogs & Corsets, it feels great. Who knew my Muse had a New Zealand accent? I really am blessed to have you in my life.

So, one step closer, here we are — a book cover for my first mass market paperback, coming to a book store near you in May. If you want to find out more about what we have planned in the ways of blog tours, appearances, and accompanying podcast, pay us a visit at The Ministry of Peculiar Occurrences.

May your weekend be full of that steampunk funk. Cheers!

At the end of 2009, I was invited by The Chef to return to the Erotica ala Carte kitchens for another round of saucy, spicy fun. My menu items on this go-round were:

• Female P.O.V.
• Time travel
• Artificial Intelligence
• Leather and Lace

The end result was “Dagger of the Mind” and my return to podcasting fiction. In light of so much talk and controversy concerning it and coupled with the way my year has been, I have been ready — so very ready — to do this.

But be warned…this story goes dark. WAY dark. Darker than I imagined I could ever go in my writing. This is not safe for work, kids, queasy dispositions, or those new to Pip’s podcast. I’d recommend working up to this one by listening to early episodes, and then having a listen to what the Chef describes as “the darkest we have ever gone…”

Something terrible is in Anna’s mind. Something alien that uses desire as a whip, but is it trying to drive her mad or is something even more nefarious going on?

This is my return to writing, and I can’t thank Pip enough for being my Muse (or Swift-Kick-in-the-Pants, whichever you prefer) in this setting. This story has been receiving a lot of traffic on Twitter, and I’ve been pretty humbled by the reactions. The inspiration behind this stems from one of my favorite movies of all time — Time After Time. (It’s on my AppleTV Wish List.) The film marked the directorial debut of Nicholas Meyer (who went on to direct Star Trek II and VI), and stars a young Malcolm McDowell as H.G. Wells and a young David Warner as Dr. John Leslie Stevenson whom we find out later is Jack the Ripper. I love time travel stories, but this one stands out as a favorite. I also wanted to try something different, something the EalC Kitchens had never seen before. I went into fetishes that haven remained unexplored, and then there was the Horror angle I dedicated in following. I was told in one harsh critique that “Horror and erotica simply do not mix…”

Someone didn’t tell Clive Barker that. Twisted as it is, Hellraiser is an incredibly sensual, erotic work. (And yes, terrifying.)

What has surprised me the most about this short story is that, for the first time as a writer, I’m discovering the possibilities. This world, these characters, and this situation are far from done. I’m thinking I may have my first erotic thriller in the works, and I am thrilled at where my ideas are leading me.

Oh my Muse, you are the dark, delicious, and saucy temptress…

And while people have been talking about it, I should point out that both my Erotica ala Carte dishes are eligible for the 2010 Parsec Awards. So if it hasn’t happened already please consider nominating:

• “Release Me” for Best Speculative Fiction (Short Form)
• “Dagger of the Mind” for Best Audio Drama (Short Form)
• Erotica ala Carte for Best Anthology Magazine

If you shared your thoughts (good or bad) concerning my “Erotica ala Dark” on Twitter, thank you! Feel free to leave comments here, or go to the Erotica ala Carte site and share your review with the Head Chef.

And feel free to share this twisted tale on your own blog….if you dare….

The day after the Great #Snowpocalypse of 2009, I felt the walls closing in a bit…and the twins inviting me to play with them really wasn’t helping. Fortunately, saving the day was Peter Cox all the way from Central London when he rearranged his schedule to sit down, open up the mics, and talk with me about podcast fiction. Seems that Litopia has opened a floodgate in talking about podcasting, Social Media, and the modern writer, and Peter wanted to sit down with the guy that started it all.

If you don’t know Litopia, you should. Lipopia is  run by writers for writers. It’s a podcast, it’s a blog, it’s a forum. It’s an inside look and a behind-the-scenes look at the publishing industry, and what was supposed to be a fifteen minute podcast…well, we went a little longer…

Enjoy this bit of time travel through the history of podcast fiction, and looking at the present day and possible tomorrows of Social Media in the publishing industry.

Listen. Comment (here and at Litopia). Share.

Hey, everyone! You may all think I’m suffering some sort of steampunk kick; but as you heard in my previous podcast, it is the focus of my attentions. My current work-in-progress now circulating the market is a steampunk romp entitled Books & Braun: Volume One — Phoenix Rising, co-written with Philippa Ballantine. I have always been fascinated with this sub-genre ever since hearing about it from two of the most creative people I know, J.R. Blackwell and Jared Axelrod.

And it was another creative type, the incredibly-witty, and delightfully-sultry Gail Carriger who — in a ways and means of promoting her paranormal steampunk romance, Soulless — made the offer to write guest blogpost.

Gail is my first. You always remember your first…

So I’m bumming about the internet, as you do, and Tee tweets me…

“Wanna guest blog?” says he.

“Delighted,” says I. “Got a topic?”

“What makes Steampunk so sexy?” says he.

Obviously, first and foremost, one word: corsets. There are a number of fine corsets (on the outside and underneath, worn by men and women) bumming about the steampunk scene. But as scrumptious as they are, there’s also that jodhpurs and newsboy cap look (yummy!) and never discount how truly hot a man (or cross-dressing woman) in proper fitted evening dress, or, for that matter the adorable grease monkey. Those flashes of brass, the occasional interesting adornment or mechanical arm which force one to look closer, to ask questions, these only serve to make the person wearing the outfit more intriguing and approachable, that to is super sexy too. Because what it means is that the person behind the outfit is creative and smart – frankly, it there anything more sexy than that?

So we’ve dealt with the sexy surface features of steampunk, shall we delve underneath? There’s that attitude, no don’t ghetto-neck at me, not that kind of attitude. One of the best bits of the Victorian era that steampunk has gently been reviving is the manners and the politeness. Online in forums, or out and around the maker’s circuit, running into fellows of a steamy inclination at fairs or conventions, I’ve found they are genuinely pleasant to be around. I don’t know about you, but I find ladylike and gentlemanly behavior extremely sexy.

And then, I hope you’ll forgive me for going slightly philosophical here, there’s this overtone of visible technology. We live in an age where technology has become hidden away in little silver boxes. Steampunk has taken the machine and made it a work of art, and it gorgeous. Suddenly, we get to see the gears and guts spread out before us. There’s something lascivious and yes, a little dirty about that.

Also, very very sexy…

Ms. Carriger began writing in order to cope with being raised in obscurity by an expatriate Brit and an incurable curmudgeon. She escaped small town life and inadvertently acquired several degrees in Higher Learning. Ms. Carriger then traveled the historic cities of Europe, subsisting entirely on biscuits secreted in her handbag. She now resides in the Colonies, surrounded by a harem of Armenian lovers, where she insists on tea imported directly from London and cats that pee into toilets. She is fond of teeny tiny hats and tropical fruit. Soulless is her first book.

I admit that my blog (both of them) have been a bit quiet since taking on the Day Job and working through a busy October, but hopefully this sneak peek at what I’ve been up to will make my pockets of quiet worthwhile.

Recorded before a live audience at World Fantasy Convention, award-winning podcaster and award-nominated author Philippa Ballantine and I unveiled (with the blessings of our agent) our work-in-progress now working its way through submissions: Books & Braun, our Steampunk take on The Avengers. This is the first time that we have revealed to the public any selections from the work (apart from the odd quotes and teasers in our respective tweet streams), and we had a blast with this presentation. Our plan is to eventually podcast it in this fashion: Pip and I supplying the respective narration, a “few” (HA!) production elements, a musical score, and artwork featured by Carrie Seidman. We hope you enjoy this listen at what we have cooking in the creative kitchen.

BLOGGERS & PODCASTERS: We are releasing this reading under a Creative Commons Attribution-Share Alike 3.0 United States License. Both Pip and I encourage you to syndicate this episode and point your subscribers to this endeavor of ours. We also would love to hear your feedback on this preview both here and at Pip’s website. Thank you for giving us a bit of space on your mp3 player of choice, and we will keep you posted on what happens with our daring duo from the clandestine organization that is The Ministry of Peculiar Occurrences.

With a whopping 42 comments to it (and as that is the big answer, I thought the time was right for this post…), I think it’s pretty much common knowledge by now that I got a new job. I didn’t really consider how quickly the wheels got rolling on getting me in there; but on retrospect, this place did not diddle around. I was offered the job on August 4, taught my final class on August 14, and then on August 17 I walked in, filed paperwork, went through the orientation, and was then literally thrown into the thick of it. I didn’t hit the ground running. I bitch-slapped the ground, made it call me a pretty girl, and had it beg for more when I was through with it.

And the really frightening bit? After a week, I’m still not sure how my voice mail works.

But what exactly is the job? I didn’t really go into detail on that in “Perseverance and Peter Gabriel” as that post was less about the job itself and more about the job hunt. Amidst the comments of congratulations and inspiration, a few of you have wondered “So what is this job you got?” I wanted to wait until I finished the first week before I shared details, and I’m glad I did. Last week was overwhelming, amazing, and eye-opening, on a lot of levels.

I was also beat at the end of every day. Slept a lot. Now, with some of the blur that was last week processed, here it is…

Intersections is a security firm, based out of Chantilly, VA. Since 1996, Intersections has dealt with credit history and digital identity protection. They are in the business of making electronic transactions, be they financial or personal, safer; and I have been hired as their Social Media Manager. (I’d like to point out that this job falls under Corporate Communications, not Marketing. That thrills me like you wouldn’t believe.) They were looking for someone who could not only apply Social Media, but understand the different initiatives out there and what they offer.

They were also looking for someone who could write. Yeah, I think I got that covered, too.

What I’m particularly excited about with this job is the angle Intersections takes with Social Media. Obviously, I’m being called upon to manage blogs, create podcasts, edit video (which I’m doing right now), and manage an outreach program with Twitter and (soon) Facebook; but I am also being asked to investigate and research security in Social Media, something I’ve touched on in Bird House Rules but only scratched its surface. On Friday, I was forwarded some news about Social Media from a security perspective and I was floored. The ironic bit is, that morning I was catching up with The SpyCast and listening to a fantastic interview with Dr. Terry Gudaitis who specializes in cyberintelligence gathering. (That’s the June 15, 2009 show if you’re interested.)

I feel as if I am starting all over again in Social Media, this time from a new perspective I hope Blogworld will let me speak on this year. I am officially on their schedule. I’ve confirmed “But Honey, It’s For the Studio” but am working to change topics concerning my second talk. So, if you’re at Blogworld this year, stop me and say “Hi.” It should be good fun in Vegas this October!

A cublicle in transition

So in the end, I am using my knowledge and background on Social Media for good, not for evil. While I will help in the promotion of what Intersections does, I will also be their on-call specialist in Social Media while I find out more about security matters with Twitter, Facebook, WordPress, and the like. My brain has been firing on all cylinders since Day One, and I’m soaking it up like a thirsty sponge. The first week just blinked by, and I’ve not slowed down yet.

If you were wondering, though, how the day job will affect my writing, it will only make me more productive. Now that I know my hours, I can regiment and manage my time efficiently. I’m still writing for AppAdvice; and this weekend Pip and I completed the first draft of Books & Braun: Phoenix Rising, our Steampunk CSI peppered with hints of James Bond. I’m also planning to dust off Whiskey Tango Foxtrot and start working on that. I’ll give up details with an upcoming Survival Guide to Writing Fantasy…and yes, that will be its final episode.

It’s a long story and a hard decision concerning The Guide, and I’ll save the rest for that show.

My job at Intersections is now underway, and my writing is moving forward. From here, all that I have to face now are the possibilities.

Back in December, you might recall a blogpost proclaiming my love for New Zealand smut. Well, Chef Ballantine appreciated my kind words so much concerning the podcast too hot for iTunes, Erotica ala Carte, that she invited me to cook in her kitchen. The ingredients this naughty Gordon Ramsey (with help from her listeners) threw at me were:

• Alternative History
• Government Bureau
• Tie Me Up, Tie Me Down

The end result is the short story (borderline novella) “Release Me” which dropped just before Balticon. As I mentioned, the story seemed to write itself and really took on some serious momentum, surprising (if not, disturbing) me. The end result, though, I am quite happy with:

In an alternative America a superhero learns a lesson in control.

Inspired by my favorite film of the year so far, Watchmen, I went with a government bureau of superheroes instead of something along the lines of The X-Files. (I think that is what folks were expecting.) There are also a few nods to the Twitter community and a homage to one of my Geek Chic heroines. This was a lot of fun, and a terrific exercise for me as a writer. So as it stands, J.C. Hutchins has challenged me with writing a thriller and Pip has tapped me for erotica. What’s next? Horror?

Scott Sigler? Phil Rossi? Any of you guys wanna throw the gauntlet?

Have a listen, and let me (and Pip) know what you think.

Photo by Kreg Steppe

Hey, everyone! I’m closing in on a pretty busy chunk of time, and it all starts next week. As you can see in the photo, I attempted to jump to New Zealand, get a head start on the travel. The only problem is this picture is taken at CREATE South 2009 in Myrtle Beach, so that puts me by the Atlantic.

Oh yeah, and while I got some serious hang time in the photo…my distance was FAIL!

Before I get into the schedule, I got good news on All a Twitter: the manuscript is now at the publisher and currently being prepped for printing. You can pre-order the book but keep an eye on Imagine That! Studios for latest developments on my latest book concerning Social Media, and get ready — I got something else coming this summer.

Oh yeah, and I’m nearly done writing my smut for Chef Pip. I really am a naughty boy.

Now, here’s my upcoming schedule. This is where I will be:

May 22-25
Balticon 43 in Hunt Valley, MD

May 29-June 1
Conscription in Auckland, New Zealand

June 2
ANTI-Social Media, presented for LIANZA, 12pm-2pm
Room 420 Kate Edgar Information Commons Building #315
2 Alfred Street, University of Auckland
Auckland, New Zealand

All a Twitter, presented for LIANZA, 3pm-5pm
Room 420 Kate Edgar Information Commons Building #315
2 Alfred Street, University of Auckland
Auckland, New Zealand

June 3
Social Media Mainline Workshop for LIANZA, 9am-5pm
Computer Lab Room 433, Kate Edgar Information Commons Building #315
2 Alfred Street, University of Auckland
Auckland, New Zealand

June 6 (JUST ADDED!!!)
Podiobooks: The Best Audiobooks FOR FREE Online for Tararua District Library, 1pm-2pm
Dannevirke, New Zealand

June 15
ANTI-Social Media, presented for LIANZA, 12pm-2pm
Seminar Room, Reserve Bank of NZ
2 The Terrace
Report at ground floor reception no later than 11.45am
Wellington, New Zealand

All a Twitter, presented for LIANZA, 5pm-7pm
Conference Room, Department of Conservation
18-32 Manners Street
Report at ground floor reception no later than 4.45pm
Wellington, New Zealand

June 16
Social Media Mainline Workshop for LIANZA, 9am-5pm
SOLD OUT (Waiting List available)
Computer lab 510, Level 5, WelTec Wellington Campus
11-17 Church Street (off Boulcott Street)
Wellington, New Zealand

June 17

Speak Geek to Me, for Te Papa Tongarewa: The Museum of New Zealand, 10am-12pm
Location: TBA
Wellington, NZ

If you are in New Zealand and looking for a primer on Social Media, you can still sign-up for the Auckland workshop. I could not be more excited about this upcoming trip the Land of the Great White Cloud…

18.5 hours on a plane…AFTER I fly from DC to San Fran. Whoofah!

Next time we talk, I’ll be in the Southern Hemisphere. See you on the other side of the world!

Hey, everyone!

cover artwork by J.R. Blackwell

While you all know that the dwarf detective is one for the low-tech solutions like Beatrice and a good battle-axe, you may not know that the award-winning The Case of The Singing Sword: A Billibub Baddings Mystery is now available for the iPhone! Sure you can download Billi on the iPhone and iPod Touch in audio but now you can pick up a copy of Billi’s first big case as an iPhone application. Along with The Case of The Singing Sword, the Fey Trickster is also causing (double) trouble at the iTunes Store with Chasing the Bard also available for the iPhone and iPod Touch. Take a look and show the love. Let iPhone and iPod Touch users know that Double Trouble has now hit the iTunes Application store.

And yes, The Case of The Pitcher’s Pendant and Digital Magic are both en route. Stay tuned…

Coach Ian Scott connected with me through my work on Podcasting for Dummies, both the podcast and the book. (No, the PFD Podcast hasn’t faded. It’s just been difficult to get to on the priority list.) I have been working with him on fine tuning both his podcasts, and as a way to say “Thank you” Ian invited me on his interview show “Conversations with Coach Ian Scott” which is a talk show featuring creative professionals from around the world. From his website, Ian says about our interview:

We talk about Tee as a podcaster and author. Podcasting: How and Why organizations, corporations, and individuals should be utilizing the power of podcasting. Social Networking, the CES 2009 Expo of January 8 – 11. Projects Tee Morris is currently working on, and a new book on Twitter to be launched around the Summer of 2009. Oh, and we had some fun along the way!

We most certainly did that! In this interview, I give one of the reasons I have not been on Twitter recently. (It’s a good reason, trust me.) I also have a few announcements to make after I return from Farpoint. Enjoy the interview and please leave Ian a comment on his blog concerning the interview. He’d love to hear from you!