Tomorrow morning, Pip and I hit the Interstate system of the Mid-Atlantic, heading to the grand event where tens of thousands of geeks of movies, television, books, costuming, and just about anything else you can think of descend on the unsuspecting city of Atlanta. We’re facing our busiest Dragon*Con ever (see what happens when you go a few years without hitting an event like this — they make you work!), and the breakdown is here:
We check in. We see whatever we can. We party a bit with Alex White.
The Retro-Cast: Steampunk Podcasting & More – 8:30pm in Westin Int’l BC (Main Room)
And here we are — the final part of the mini-series blogpost! (See? Aren’t you glad I broke this up into segments?)
Now as I mentioned, I have saved the best tip for last; but before getting to what I believe is the most imperative thing you can do in planning out a book trailer, let’s quickly recap those previous 10 tips from Parts 1-4:
Know what you’re shooting. You’re shooting a book trailer, the emphasis on trailer. Not book.
You don’t have to understand the process, but take time to understand the process. A book trailer doesn’t just happen in your basement one weekend afternoon. There’s steps to follow and processes to adhere to.
For your first book trailer, keep it simple. You might want to go full-on epic for your first book trailer. Don’t. This is your first step. Think smart.
Set up a budget. Best way to avoid going broke.
Figure out ways to stretch the budget. Did I mention “avoid going broke” earlier? Yeah. I did.
When the trailer needs artwork, imagery, or music, make a financial investment. When it is time to spend money on your trailer, particularly in stock audio and video, do’t flinch or take shortcuts. Do it.
Be patient and understanding with your talent. Cast and crew. Especially if they are giving of their time and talents, roll with the challenges and make things work to the best of their abilities.
Make sure your cast and crew understand their responsibilities. Remember though that your trailer is the top priority, not hanging out or chilling out. That happens after the work is done.
Trust your editor, especially if he or she has a track record. Sometimes the toughest thing is to surrender your work to an objective party, but it also the best thing you can do in order to make it shine.
Never forget: It’s YOUR trailer. Don’t let others render your vision so blurry that it’s no longer yours. It’s your book’s first impression. You make the final call.
It’s all been leading up to this one key piece of advice I’ve been sitting on since Part One. You all have been patient and (for this, I am really thrilled!) attentive on what makes a good book trailer happen. Now comes the most essential thing you need to know before making that jump from the printed word to a visual medium in order to help your book sales reach a wider audience.