Holy Hannah in a Helicopter, how did it become April already?
So after attempting to get myself back on track with blogging, quite a few things happened (and yeah, I’m planning to follow up on the blog about the news, news that you know about if you’re listening to The Shared Desk) and I’ve got a few ideas for blogposts bouncing around in my head, but here we are in April.
Back to it, right?
I’m getting back on the blogging horse with a shout out to the lovely lady off to the left — Lauren B. Harris.
Recently, The Curse of the Silver Pharaoh went live on Amazon, print editions premiering this week at the Maryland Renaissance Festival, provided we get no unforeseen whammies from CreateSpace. (Thanks, Hurricane Matthew!)Silver Pharaoh is not my first novel, nor is it my first foray into steampunk, as many of you know. The thing about this book that has me fidgeting nervously as reviews start to trickle in is that Silver Pharaoh is my first step into the realm of Young Adult fiction.
And that terrifies me. Greatly.
I’ve got a lot of feelings about Y.A. Fiction, one being that those reading Y.A. are not necessarily “young” adults. Think about it—while Harry Potter could be easily dismissed as a “kid’s book” and is found in the Children’s sections of bookstores and libraries everywhere, just as many adults devoured the adventures of the Boy Who Lived just as ravenously as its target audience.
So, yeah, working in the wild and woolly world of Y.A. for the first time, I picked up a few things… Continue reading →
Striking a hero’s pose here is Drew Mierzejewski. I briefly met him two years ago through Alyson Grauer. Now if Aly’s name sounds familiar, it’s because you can find her lending her voice to one of my podcasts here, hear her rock the steampunk here, do it again here, and then giving good panel at DemiCon 25. Aly’s got game. So does Drew. That might be one of many reason these two got married.
Check it out, Chicago. This is an up-and-coming power couple to watch. I’m just sayin’.
Thing about Drew—I wish I knew him better. Something just tells me we’d be talking to the wee small hours in the morning about…stuff. Deep stuff. I especially got that impression when I saw a random Facebook post from him yesterday about the road creatives walk. The entire thread is here, and you really should check it out or even chime in if you like, but this was the part that made me stop and think…
Therefore, I would like to place a hypothetical to each of you. Why do we do walk this road alone? There are many of us! Why do we not band together in a great bonfire of creativity and make art? Is it impractical? It is idealistic? Is it too terrifying? What is stopping us from creating a massive company that makes art year round, in which we pool resources and talent to make the best of what we have to offer? Now, I want to reiterate that I ask this in hypothetical but I do want to hear your thoughts on this. So please take a moment and tell me in the comments what you think. Tell me why.
Today, a new book comes out. You would think on the fifth book in a series, this would get boring. It doesn’t. On this go-round, honestly, I feel like there’s more riding on this title than the previous ones. I don’t feel like I have anything to prove, and yet I feel like I have a lot at stake.
I knew that going into it. Maybe that’s why I don’t feel as anxious as I’ve been in the past. I’ve been on edge for well over a year.
The fear started with making the decision. Pip and I could have gone ahead and wrapped everything up with The Diamond Conspiracy, but we stopped and asked ourselves “Are we done?” The answer: We were having way too much fun with this series. We knew we could have wrapped up the story arc beginning at Phoenix Rising. Wellington’s and Eliza’s story? That was a different matter altogether. We knew two more books were in store for the two of them, and we knew if we wanted them to happen then we would have to fund them independently. I could still recall how hard my heart was going when we said “Let’s do this.” It would mean returning to Kickstarter, a whole new level of stress. Continue reading →
It breaks my heart to look at how long it has been since I have blogged, and yes, it matters a great deal to me. This blog is my getaway, my soapbox, and my coffee shop where I enjoy a heart-to-heart with you.
So where have I been?
Bonus points if Lord Flashheart’s reply
popped into your head…
Yes, I know I said “Steampunk unLimited 2016” in the video and all I can do is blame my lack of coffee and the desire to time travel, but I digress…
This Kickstarter really has come out of the box strong. We were already at the 50% mark within four days. I don’t think we saw that kind of love even for The Ministry Initiative. We’re doing all we can to keep the momentum going, and are optimistic that not only will we meet the initial goal for The Ghost Rebellion but we may also see some of those stretch goals come to fruition. There’s a lot of possibility ahead, and we are pretty stoked.
So’s one of our stretch goals—V’s Cosplay—who put together a quick little doodle here of Eliza using “grenade incentives” to get people to pledge.
Since we are talking about possibilities, how about we chat a bit about that video posted above.
If you’ve been paying attention to me on Twitter (as well as Books and Braun), you may have noticed a few tweets taking you to the official website for Periscope. If you haven’t heard of this new platform, here’s a quick rundown of what I’ve learnt in two weeks of testing, filming, and posting. Periscope offers you the ability to stream video from your smartphone or tablet, and opens your live broadcast up for comments and “Hearts” (Likes) that interact with you and your content, all in real-time. You can video for as long as you like, and Periscope will continue the stream for as long as your data connection remains.
So you can see how much fun an app like Periscope would be at an event like Steampunk unLimited.
If you have been listening to the podcasts, you may have heard that I’ve got a few ideas percolating in the brain. This week, with the close of the summer rapidly approaching, I’m looking at the following projects:
I’ve been writing in The Ministry of Peculiar Occurrences for almost five years now. Five wonderful years. Every time I sit down at the keyboard to reconnect with Eliza, Wellington, Bruce, Brandon, and the crew, it’s like reconnecting with old friends from high school and college. No time has passed. We’re cracking jokes. It’s a real synergy that—I won’t lie—is a tad addictive. I feel as if this world has become my port in a storm, an oasis in the desert; and I genuinely love these people and this world.
Here’s the thing, though—Pip and I are starting something new. Amidst a flurry of D.I.Y. projects undertaken while the Boom is away at summer camp, we started a title that is a complete departure from steampunk. Yes, that is what people know us for, but a solid writing career isn’t based on hitching your wagon to one series and then you’re done. Do you want to be the writer known for that one series, or do you want to have one of those careers where people love your work no matter what world it is set in? This is why Pip and I have taken those first steps in developing a new series, and I am scared shitless. Continue reading →
Now, here’s the thing. There are going to be a lot of writers at this conference. This is an event where writers of varying backgrounds—fiction, non-fiction, beginners, seasoned veterans—go to pitch their ideas and perfect their approach to business. This isn’t really a “con” like RavenCon or Balticon, but this is an honest-to-God, professional, industry conference. No cosplayers. (But we will get punked up for the Steampunk panel, sure!) No panels on who would win in a fight—Batman or Superman. (Supes.) Less fans of our writing and more people who want to be professional writers. (Awww yeah, it’s business time!) This is a very different dynamic than a book event at a teashop or a steampunk convention. This is an event where writers are learning about the business of books. Continue reading →
When Walt Disney Studios revealed that coming to theatres this summer was a movie called Tomorrowland, a feeling of dread (equaled only by my level of anticipation) welled inside of me. Tomorrowland—the park, not the movie—was a place that, even in my teenaged visits to Walt Disney World, I would hold my breath, make a wish, and lose myself in science fiction come to life. Tomorrowland was not just a special place, it was sacred. I remember visiting Walt Disney World when Space Mountain was under construction. (I’m old. Shut up.) I remember when their first spaceflight simulation “A Voyage to the Moon” convinced me had launched from Orlando and were en route to Tranquility Sea. Yes, I know—Walt Disney World is an amusement park. An expensive amusement park. Walt Disney World, I’ve always believed, has been less about the rides and more about the experience; and for me, nowhere else in the park embodied that more than Tomorrowland.
Now, it was a movie with George Clooney at the helm. And all I could think about was The Haunted Mansion.