You might have noticed a few enigmatic tweets from me on Friday. I got a few responses of concern but I was okay. Still am.

No, really, I’m good. January 6, 2012 was a date for the books so I’ll just go ahead and kick off this blogpost with what happened.

Somewhere around 10:15 a.m. last Friday, I was told my services at Intersections, Inc. was no longer needed.

If you’re expecting a complete and utter meltdown against my former day job, you’re not going to get it. Never will. I will only say this:

• I wasn’t the only one let go.
• It wasn’t anything I did.
• You learn a lot about people when things like this happen.

Intersections was a terrific place to work. There are some incredible people there; and many of them reached out to me over the weekend, just to ask, “How are you doing?” It was a sincere question, and I answered it honestly: I’m good. What happened on Friday had nothing to do with me or my performance, and I was able to leave Intersections with my head held high. I was able to look the EVP in the eye, shake his hand, and say “It’s been a good two-and-a-half years. Thank you.” I loved my job. I loved what I did. As friends told me, “I was saving the world, one tweet at a time, one blogpost at a time.” The friendships and associations I made at Intersections, I discovered in that moment, were more than just professional. They ran a little deeper.

Granted, one relationship did show its true colors, and I got to admit—it didn’t just hurt. I was outraged.

But how do I feel now, on my first day of unemployment?

When I came home, Pip already had already found seven job openings in Social Media. I have a possibility from Que Publishing that I can pursue. Then there are the fiction possibilities — a steampunk novella, a reboot of Morevi, setting up the groundwork for Volume 2 of Tales from the Archives, and the third installment of The Ministry of Peculiar Occurrences. Before the end of the weekend, I had applied for fifteen positions in Social Media. A far cry from 2009 when I was lucky to get fifteen applications out in a week. And just now, I got an email from the CEO confirming that a letter of reference was en route.

How do I feel? Wildly optimistic.

I knew, heading into the new year, that something was something. Something big. I’m going to take a wild guess and say, “This…isn’t it.”

This is the first step in a new journey.

Sure, I’m scared; but that fear isn’t paralyzing me. It’s inspiring me. It’s driving me. In the wake of this, I’m moving forward, undaunted. I’ve got a great kid, and fantastic wife, and amazing friends from Intersections and elsewhere, all rallying around me. I’m truly blessed.

Thank you, Intersections. Thank you for one amazing run.

Onward.

So this week, you might have heard from SyFy’s Blastr that steampunk is dead, and let’s face it — when it comes to really knowing what fans of Science Fiction think, you can’t really argue with the same people who cancelled Farscape, Eureka, and Stargate Universe to make room for reality TV and professional wrestling…

…but I digress…

From high profile blogs like Gawker to passionate fan sites like Stellar Four, the death bell tolled for my beloved genre of gears, cogs, and steam. It was all over. Time to dismantle the analytical engine, box up the boater hats, and put your goggles away. Steampunk, a genre created back in the Eighties due to a group of authors that challenged this boundaries of imagination, had officially been ruined, all due to a single music video from a beloved pop star.

My own response to this?

Seriously? Seriously?! Steampunk is dead because of a Justin Bieber video?

I think the guy who’s face truly is next to the definition of steampunk, Jared Axelrod, said it best:

“If having a teen heartrob play your sandbox ‘ruins’ it, then it probably wasn’t your sandbox to begin with.

If you haven’t seen the video, I insist you watch it. I will say this much — it’s a step up from Rebecca Black’s “Friday.”

Pip and I have stepped into the genre just this year, and we came in with our boilers at full with a podcast anthology and a book. We’ve been learning a lot since we dropped that first short story in Tales from the Archives, but one thing I’ve been noticing is a great divide whenever steampunk steps closer to mainstream culture. Whenever steampunk is introduced in mainstream venues, elitists ranging from steampunks who “know how it is properly done” to SMOFs (Secret Masters/Mistresses of Fandom) who have hated the sub-genre now that it is making its presence known at SF conventions everywhere cry “FOUL!” and proclaim that steampunk is dead.

Well, to you nay-saying asshats I say your arguments are completely invalid. Why? Because you — and if you’re looking around the table of geeks and wondering if you’re wondering who the asshat is, congratulations, you’re the wiener — are pointing out why we get persecuted and dismissed by mainstream culture.

Do we want steampunk to go mainstream? Of course we do. Think for a moment about the works in our genre that did so. Harry Potter. The Hunger Games. The variety of comics from Marvel and D.C. Sure, people sneer and call us “geeks” but the same people who persecute us are also tripping over themselves to get to the box office when the films adaptations are released. Steampunk, when you really think about it, is already mainstream as many of us have seen Disney’s 20,000 Leagues Under the Sea or even Chitty, Chitty, Bang, Bang.

Then something like Bieber’s steampunk video hits (and no, I’m not going to call it Bieberpunk, as I have strong issues with doing that…), and suddenly the asshats scream “The skyship is falling!” and pretty much make rest of us look like utter rubes.

But what really torques me is how websites, fans, and those SMOFs who have wanted to see steampunk fail are so quick to proclaim steampunk is dead.

Ben Love said it best on Pip’s Facebook:

“Steampunk survived The Wild, Wild West. It’s going to survive Bieber’s Christmas video.”

Why are we panicking here, and why oh why are we vilifying Bieber? Chances are, one of his “peeps” got wind of this “steampunk thing” and convinced Bieber that this was going to be the look for his Christmas movie-music video tie-in. Or maybe Bieber is a fan of steampunk. Maybe he said “Steam-what?” when the video was pitched to him. We will never know, but the video is what it is — it’s a pop star trying to be trendy. There’s nothing we can really do about it except admire the fact that Bieber was trying something different because he was told “this is the cool thing.”

Yeah, mull that over in your brain for a moment, because there is a good possibility that was how all this went down: Bieber was told steampunk is the “new, cool thing” so let’s make a steampunk video.

As for steampunk being dead, I’m going to lay down a safe bet these asshats haven’t seen Hugo.

This morning, someone on Facebook questioned my classification of Hugo as steampunk, but this film features an automaton, a child genius with a penchant for D.I.Y. projects, a hidden world within a Paris train station, and a filmmaker who — with no prior knowledge or experience with filmmaking — built his own camera and became a pioneer in cinema.

Ladies and gents, that’s steampunk.

Oh, and did I mention this film sports some brilliant performances from Sir Ben Kingsley, Jude Law, Helen McCrory, Chloë Grace Moretz, and Sacha Baron Cohen? And this film marks a break-out performance from Asa Butterfield…a performance that helped him hand the role of Ender in the upcoming Ender’s Game film?

So, asshats, I see your Bieber video and raise you with a mother fucking Scorsese film! Call!

To repeat what Jared had said earlier — Maybe steampunk wasn’t your thing after all, if you think it so fragile a thing that a holiday music video is going to tear it down. Steampunk is not only alive and well, I believe that Hugo has given it a delightful shot in the arm. As the asshats read this and salivate at citing its less-than-impressive numbers at the box office, allow me to read off a few acclaims it has already received within its first month in release:

• National Board of Review: Best Director
• National Board of Review: Best Film
• Rotten Tomatoes: 94%
• IMDB: 8.5 out of 10 stars

If you haven’t seen this steampunked homage to the history of cinema, just go. Stop reading this, book tickets, and go. (I’ll be here when you get back.) Pip and I saw it on a standard screen and are still raving about it the next day; so if you find it in 3D, you are in for an experience. After you watch Hugo, come back here and tell me steampunk is dead. Go on. I dare you.

Suck it, asshats. Steampunk is just getting warmed up.

This month, on Twitter, Facebook, on the podcast, and even at the official website of the Ministry, we’ve been talking up the recent accolade from the book readers’ social network, Goodreads. The first round was comprised of selections from Goodreads, based on activity and reviews. The second round included write-in nominations. Both were voted on by members of the Goodreads network.

Today, it’s official — Phoenix Rising is a Finalist for Best Science Fiction of 2011.

Goodreads and its community of readers have spoken and here is (by author, in alphabetical order) their Top Ten Best Science Fiction of 2011:

• Ann Aguirre, Aftermath
• Ilona Andrews, Silver Shark
• Pip Ballantine & Tee Morris, Phoenix Rising
• Earnest Cline, Ready Player One
• James S.A. Corey, Leviathan Wakes
• Hillary Jordan, When She Woke
• Stephen King, 11/22/63
• China Miéville, Embassytown
• Rob Thurman, Basilisk
• Daniel H. Wilson, Robopocalypse

Not only are we thrilled beyond reason that Phoenix Rising made it into the Top Ten of Goodreads’ Choice Awards, we are honored and a bit humbled that we are the only steampunk remaining for this award.

As it has been since the first round, we’re in the running alongside New York Times bestsellers, Hugo winners, and Nebula winners (oh yeah, and some guy named “King” whom, I understand, has written a few books in his day). Pip and I wanted to keep Phoenix Rising in the running, and you all made that happen. In our minds, this turkey has been cooked to perfection for Thanksgiving and we are so grateful for those of you showing support for us and for the title. Anything else, from this point, is gravy.

Did I ever mention how much I love gravy?

Between November 21 and November 30, the opportunity is there for the Ministry. If you haven’t voted yet and you have an account with Goodreads, please vote. We got to the Top Ten. We’ve won, as far as we are concerned.

Could we win the title of Best Science Fiction of 2011? Cast a vote and let’s find out.

There’s a real two-edged sword when it comes to honors and awards. I remember reading about the “importance of awards” when reading titles about getting published, grabbing an agent’s attention, and even marketing a book once it is out there. Across the board: Awards and distinctions help sell books. At least that is what the pros I was reading were telling me.

For a while, though, I’ve been giving awards a sideways glance. yeah, they’re nice and all; but did The Case of the Singing Sword go gangbusters when it won a Parsec? No, not really. Picked up a few more listeners, sure, but it didn’t really give Billi a boost in print sales. So, yeah, awards — nice, and it was very cool going home with that trophy…but I can write without them.

Then Pip and I won the Airship Award for Best Steampunk Literature of 2011. Regardless of what it did for Phoenix Rising sales, I won’t lie to you — it felt good. Really good. I mean, coming-in-from-playing-in-the-snow-and-having-Cream-of-Tomato-soup-with-a-bagutte-side good.

Then, two days before heading out west to Blogworld and ComiKaze Expo, we received word from Goodreads that Phoenix Rising had been short listed for Best Science Fiction of 2011.

At first I was just happy with the nod, but then I took a closer look at the company we were keeping:

• Stephen King
• Charlie Stross
• Sharon Lee & Steve Miller
• Robert J. Sawyer
• China Miéville
• John Scalzi

Then Pip and I noticed we were the only steampunk in the running for this distinction.

And then the ugly head that is my competitive streak reared back and asked “Hey, is that steak I smell on the grill?”

As cool as this honor already is, I’m keeping my feet firmly on the ground. We’re in the running with Hugo winners, Nebula winners, New York Times bestsellers, and a guy who is considered one of the most prolific authors of our day; so the plan is not to take the title. Pip and I just want to keep Phoenix Rising in the running.

Last week was simply the first round of voting. Here’s the breakdown in how Goodreads runs their competition:

• Opening Round: October 31 – November 13, 2011
  Voting open to 15 official nominees, and write-in votes can be placed for any eligible book. (That’s what’s happening now.)
• Semifinals: November 14 – November 20, 2011
  The top 5 write-in votes in each category become official nominees. You can vote for one of the now 20 nominees in each category. Additional write-ins no longer accepted.
• Finals: November 21 – November 30, 2011
  The field narrows to the top 10 books in each category, and you have one last chance to vote.

So if you haven’t voted yet, and you have an account with Goodreads, please vote. We want to get the sole steampunk nominee of 2011 to the Finals. Top Ten. That’s our goal. Don’t mistake — we are thrilled to make such a fantastic list of authors. We just want to keep the momentum going.

We are not intending to turn our feeds into something spamalicious, rest assured; but you can expect to see:

2011 Goodreads Choice Awards: Best Best Science Fiction Vote now for your favorite books!

• At least a few tweets from Books & Braun asking for your vote
• Facebook posts, asking for your vote
• Widgets here and at The Ministry…and yeah, go on and post your own widget for us, if you like…
• And perhaps, a quick blogpost reminding you of deadlines and where we stand

As they say in Pip’s ol’ stomping grounds, “Top Ten would really be choice, bro.” So please, take a moment to vote. If you have already, ask folks in your Goodreads network to show some love to the Ministry.

Let see if, together, we can bring the boilers to full and keep a steampunk title in the running.

With only a few days remaining until FenCon, Pip and I are planning furiously for what is promising to be a really fun weekend of panels, podcasting, and steampunk. We owe a special thanks to Matt Bowerman for being our location scout for our own “kickoff celebration.” If you’re in the Dallas/Ft. Worth area on this Friday at 8 p.m., we are hosting a Texas tweetup — steampunk style — at Spring Creek BBQ.

For non-FenCon attendees, it a chance to hang. For FenCon attendees, the restaurant is just five blocks north of the hotel. Pip has made an event page live on Facebook (please RSVP there), but here are a few extra details…

TIME: Friday, September 23, 8:00 p.m.
ADDRESS: 14941 Midway Road, Addison TX
MENU AND INFO: www.springcreekbarbeque.com

We are also planning to wear our steampunk gear for the tweetup! Ladies, strap into your favorite corsets. Gents, wear your best bowlers (or, if you’re doing the Wild, Weird West, your sharpest ten gallon hat)! It’s time to gear up, chow down, and jump into a good time in Texas! Pip and I hope to see you there!

First, I want to give a huge shout-out to Stephanie Kim, Assistant Publicist at Harper Collins. She has made this happen along with the crew of New York ComicCon, and with i’s dotted and t’s crossed I am now here with the details on what will be happening in the Big Apple this October!

DATE: Friday, October 14
PANEL: Steampunk in Comics and Literature

TIME: 9:00PM-10:00PM
LOCATION: 1A01

Steampunk traces its origins back to the science fiction of the 19th century, and the term itself was coined to describe a genre of Victorian sci-fi being written by modern authors. At the same time,  steampunk and Victorian industrial age aesthetics have long held a  great fascination for comic and manga artists of various backgrounds.

This panel will discuss steampunk as a literary and artistic genre,  examining steampunk’s literary origins and early examples of steampunk  in comic book medium, as well as modern examples from both mediums  such as Jay Lake’s Mainspring, G. D. Falksen’s Blood In The Skies,  Alan Moore’s The League of Extraordinary Gentlemen, and Girl Genius by Phil and Kaja Foglio. The panel will also feature first looks at upcoming titles and give aways from leading publishers such as  Wildside Press, Orbit Books, and Yen Press.

I still have no idea who I will be on the panel with, save for one. It is with great pride, joy, and pleasure to let you know that the one and only Jared Axelrod, one of the creative powerhouses behind Fables of the Flying City, will be joining me. Not only does this make my first NYCC experience that more exciting, I feel my fear factor calming ever so slightly. I’ve gotten my steam on with Jared at Balticon (with Pip Ballantine, too, actually) so I am looking forward to what will be happening on this panel!

And as for Pip…she’s running with the big dogs.

DATE: Saturday, October 15
PANEL: Winter Is Here: Epic Fantasy Takes the Throne

TIME: 6:30PM-7:30PM
LOCATION: 1A15

Long a staple of the SF/F genre, epic fantasy is poised to take a coup over the bestseller lists, thanks in part to HBO’s fantastically popular series based upon George R.R. Martin’s Game of Thrones novel.  This summer saw signing lines hundreds of readers deep (luckily none with swords in hand) for #1 New York Times bestselling author Patrick Rothfuss’ American appearance.  Now, in a special spotlight session exclusive to New York Comic Con, we pair internationally bestselling author Brandon Sanderson, Peter Brett, Phillipa Ballantine and epic fantasy debut authors Rae Carson, David Chandler and Nils Johnson-Shelton talk about why swords and sorcerers, king-makers and kingslayers; dragons and high drama have renewed resonance in fiction.

She running with a crew here, and I am thrilled to see Pip in said company. I have no doubt she will leave an impression and do the Deacons of The Order proud.

Mark your calendars and say “hi” if you’re in the Big Apple that weekend. We are counting down to this big step forward.

When Pip and I first got the email from Harper Voyager asking if we would be interested in speaking at ComicCon, I thought it was a longshot. We’re talking about ComicCon, right? The East Coast’s biggest popular culture convention. This weekend is two Dragon*Cons in one convention center. The show floor plays hosts a who’s who of comics, graphic novels, anime, manga, video games, toys, and media. The panel, autograph sessions, and screenings feature all feature A-Listers of Hollywood and Geek Culture.

And they want us to speak on a panel?

We were asked to wait to go into detail, and today we were given a green light.Turns out I was wrong.

New York Comic Con 2011 wants us to speak on two panels. And have a signing session.

Ummm….okay.

To give you an idea of just how big of a deal this is (and how utterly freaked out and excited we are), New York Comic Con attracted over 96,000 attendees in 2010, making this weekend the second largest comic book and pop culture gathering in the country. (And I think the only event bigger than this one…yeah, it’s in San Diego…two guesses what it is…) Pip has been invited to speak on the panel “Winter is Coming: The Return of High Fantasy” while I will be speaking on “Steampunk in Comics and Literature.” More details on the when’s and where’s, as well as the time for our first Comic Con signing, we will be a part of will appear on this blog and on our respective Facebook groups.

We are thrilled, terrified, excited, and over-the-moon…and I hope to see you there when I take that first step into a (much) larger world…

As mentioned on The Shared Desk, Pip and I are heading to the Lone Star State for FenCon VIII (also the host of DeepSouthCon 49). We’re looking forward to it as the guest list and programming promises to be a fun time. If you are in the Dallas/Fort Worth area between September 23-25, you will be able to find me at FenCon taking part in the following…

• Welcome to Global Dynamics
  Friday  4:00 PM  - 5:00 PM Addison Lecture Hall
• Goggles, Gears, and Gadgets: The World of Steampunk
  Saturday  10:00 AM  - 11:00 AM Trinity I – IV
• Book Signing (with Pip Ballantine)
  Saturday  2:00 PM  - 2:30 PM Gallery
• Yes. Yes We Are Having A Phineas & Ferb Panel
  Saturday  3:00 PM  - 4:00 PM Pin Oak
• Reading and Q&A with Tee Morris
  Saturday  5:30 PM  - 6:00 PM Pecan
• Writers Beware: Publishing Scams
  Sunday  11:00 AM  - 12:00 PM Elm

Now this is the official FenCon schedule, but there are going to be at least two unofficial events. These events that will include a Friday night tweet up and a “Let’s Crowd into Tee & Pip’s Room” recording of The Shared Desk. Keep tabs on these off-the-clock events at The Captain’s Quarters on Facebook.

Eleven days and counting until we mess with Texas — it’s time for FenCon!!!

So, this eBook thing. It’s been a trip.

We’ve not been at it for very long, but Pip and I have learned a lot. The biggest thing is that Smashwords’ “Meat Grinder” (the one-stop online application that creates a multitude of formats) can be a fussy, fickled wench. And sure, it’s great to handle all the other formats, but imagine our surprise when we were being asked by Nook users “Why are you using Smashwords? Why not use PubIt?”

And we responded with “Yeah, why not?”
Now, after a whopping half-an-hour for set-up, the Ministry of Peculiar Occurrences is making their first round of short stories available for the Nook as well as the Kindle. Here is the complete list of the Ministry’s 99-Penny Dreadfuls, ready for both devices:

• The Evil that Befell Sampson, written by Philippa Ballantine
  Amazon –Nook
• Dust on the Davenport, written by O.M. Grey
  Amazon – Nook
• The Astonishing Amulet of Amernatas, written by Nathan Lowell
  Amazon – Nook
• A Ruby in Rain, written by Grant Stone
  Amazon – Nook
• Darkest before the Darkwater, written by ME!
  Amazon – Nook

As I mentioned in my previous post, you should expect more Ministry shorts coming from both Pip and myself. Some will be podcast in the 2012 for Tales from the Archives: Volume 2, but many will be available only as eBooks.

For those of you enjoying your digital short fiction on iPad, eReader, and other devices, we will continue working with Smashwords and all its quirks. Don’t mistake — Smashwords does make it easy. Amazon and Barnes & Noble, however, are making delivery a touch faster.

Thank you, everyone, who have already invested in our 99-Penny Dreadfuls. We hope you keep coming back for more! Please, do leave us reviews on Amazon.com and BarnesAndNoble.com for our short story offerings, and tell a friend curious about steampunk to give our short stories a spin. Who knows — your 99¢ suggestion might lead them straight to an exciting steampunk adventure. Available for both the Kindle and the Nook

Next week, at this time, I will be kicking off a few days of panel appearances at Renovation: the 69^th Annual World Science Fiction Convention in lovely Reno, Nevada. If you are out west for the extended weekend, here is where I will be appearing during the weekend:

• Social Media for Writers (moderating), Fri 11:00 – 12:00, A03 (RSCC)
• Introduction to Steampunk: What Is Steampunk and Why Is it so Popular? (moderating), Fri 13:00 – 14:00, A13 (RSCC)
• Writers Collaboration Panel, Sat 11:00 – 12:00, D05 (RSCC)
• Steampunk versus Alternate History (moderating) , Sat 13:00 – 14:00, D03 (RSCC)
• Autographing: Sat 14:00 (with Pip Ballantine) , Sat 14:00 – 15:00, Hall 2 Autographs (RSCC)
• KaffeeKlatsch: Sat 17:00 (with Pip Ballantine), Sat 17:00 – 18:00, KK1 (RSCC)

Saturday night may very well be an all-nighter for Pip and myself as we are scheduled for an early Sunday flight out of Reno (the only flight we could get out of Reno that returned us to DC at a decent time…), but grab us anytime between Thursday and Saturday as we will be there at WorldCon!

So, I’m all rested up and recovered from an amazing weekend at the Steampunk World’s Fair (review in the works). What’s next?

Why, another con appearance, of course…

Concluding The Ministry MAY-hem Tour (at least, this part of it) is an old favorite of mine — BALTICON. It was nearly ten years ago when I first arrived at this event with Morevi.  I looked something like this back then…

This was before the time of facial hair, before the days of podcasting, before the days of Facebook, Twitter, and Social Media. Right now, I’d love to go up to that guy and say “You have no idea what’s in store for you, bro.”

What a long strange trip it has been. And with the premiere of Phoenix Rising: A Ministry of Peculiar Occurrences Novel, it may just get a wee-bit stranger at Balticon 45 as tea parties, time traveling dances, rock-and-roll courtesy of Ditched by Kate, and panels-panels-panels are all in store! Here’s my schedule for the next few days…

FRIDAY
New Independent Voices in New Media — 6:00pm, Chesapeake
(New Media GoH, Pip Ballantine will be taking my place on the “Alien Sex: What Could Go Wrong?” panel at 9:00pm)

SATURDAY
The Ministry of Peculiar Occurrences Tea Party & Book Launch — 3:00 pm, Chesapeake

REMINDER: At the Ministry tea party we are giving away prizes, including a Catherinette steampunk ring AND a Dr. Grordbort signet ring. Constellation Books will be there to sell books, and we will provide tea and cookies!

Antigone’s Wrath LIVE — 4:00pm, Salon D
Low Budget Filmmaking — 9:00pm, Chesapeake

SUNDAY
Metamor City LIVE — 5:00pm, Chesapeake
The Time Traveler’s Ball (serving as DeeJay PirateBoy) — 10pm-1am, Garden Suite

MONDAY
Networking Vs. Platform — 10:00am, Salon C
The Shrinking Man Project LIVE — 1:00pm, Derby

The schedule is subject to change (in case of invites to join other panels), but now you know where to find both Pip Ballantine and myself. Don’t be a stranger — say hi, buy a book, and get your geek on at Balticon!

Yes, it has been a little quiet on my blog…but that doesn’t mean I’ve been standing still.

Our first steampunk exposition, The Steampunk World’s Fair in Somerset, New Jersey, is happening this week; and they are making us feel welcome! The guest list is mind-blowing, and yet we — the steampunk rookies — make their Lovecraftian promotional poster.

I think this is a sign of a FUN weekend ahead!

Both Pip and I will be there as part of “Ministry MAY-hem” and there are more details about the weekend to be found at the Ministry website. Track the weekend on Twitter by following the #SPWF hashtag.

We hope to see you this weekend as we get our steampunk funk on!

While putting together The Ministry of Peculiar Occurrences blog and hopping around from steampunk site to steampunk site, I noticed a similar page at current online resources that Pip and I needed for our own. I also thought this would be a nice kick-off for the blog tour that we will be undertaking between now and May to promote Phoenix Rising, a post that begins with the basics: What is Steampunk?

Depending on which website you visit, be it the Wikipedia entry (featuring our good friend and creative talent, Jared Axelrod in this photo by Kyle Cassidy, licensed under Creative Commons 3.0) or Steampunk.com, you will get a variety of answers and interpretations to this creative movement that has been growing in popularity, but also capturing mainstream curiosity.

So I put together for the Ministry a page that gave several descriptions of what we thought constitutes steampunk. So, when you hear me talk about it and you still remain curious as to what it is, I present an “elevator pitch” to start off with, eventually work up to the “deep dive” that not only touches on the foundations of the genre, but even touches on the debate making rounds online and at the cons.

The Elevator Pitch

Steampunk is modern technology—iPads, computers, robotics, air travel—powered by steam and set in the 1800’s.

This is as brief and as compact a description you can give people when wondering what steampunk is. Perhaps the most mainstream point of reference would be the episode “Punked” from ABC’s popular crime drama, Castle (seen above, with Nathan Fillion featuring an armoured forearm creation from Brute Force Studios).

A Few More Details, if you please…

Steampunk is an inspired movement of creativity and imagination. With a backdrop of either Victorian England or America’s Wild West at hand, modern technologies are re-imagined and realized as elaborate works of art, fashion, and mechanics. If Jules Verne or H.G. Wells were writing their science fiction today, it would be considered “steampunk.”

So if you want to know more after “the elevator pitch” this brief summary names two of steampunk’s most revered heroes, Jules Verne and H.G. Wells (pictured above). While Verne and Wells are regarded as part of the foundation of Science Fiction, they would be listed as steampunk authors if they were writing their works today.

The Deep Dive…20,000 Leagues or so…

If you are reading this, you want more. So, here we go…

The term “Steampunk” originated in the late 1980s with a cheeky letter to Locus Magazine from science fiction author K. W. Jeter. Jeter was trying to find an accurate description of works by himself (Morlock Night), Tim Powers (The Anubis Gates), and James Blaylock (Homunculus). While Jeter coined the word, it was William Gibson and Bruce Sterling that brought the genre attention with the book The Difference Engine (1992). Best known for their offerings in cyberpunk, Gibson and Sterling took their intimate integration of man and machine back to 1885. In this alternative Industrial Revolution, Charles Babbage’s Difference Engine is not merely a curiosity but the norm, and now his Analytical Engine comes to fruition. The book centers around the struggle between the working class Luddites (who fear technology) and the upper-class “enhanced” elite.

Over the years, steampunk has evolved into more than just a sub-genre of Science Fiction and Fantasy. Steampunk now extends into fashion, engineering, music, and for some, a lifestyle. With the Victorian British Empire or American Wild West as the backdrop, steampunk projects are a challenge of making something elegant out of random bits and bobs. Picture MacGyver or The A-Team in the 1800’s. Consider Dick Van Dyke’s Caractacus Potts and his creations in Chitty Chitty Bang Bang, or the ingenious contraptions from Artimus Gordon’s laboratory in the television show The Wild, Wild West. What others see as junk or scrap parts, steampunk artists transform it into something new and expressive, be it an original creation or a modification of a modern convenience.

Where exactly does the “punk” come into play?

A current debate amongst writers is that the growing commercialism over the genre has diluted the “punk” aspect of steampunk. Their argument is that steampunk has been reduced to a backdrop of romantic Victoriana, goggles, and brass fixtures. Instead of works like The Difference Engine, The Diamond Age, and The Windup Girl where social commentary and dystopia are the focus, the grittiness and edge of steampunk is merely a shiny, spiffy backdrop as seen in lighter works such as Soulless and Girl Genius.

Steampunk, at least the way Pip and I see it, gets its “punk” not in its dystopian view of the world or even in its gritty edge. The “punk” in “Steampunk” comes from going against convention that, through creativity and declaration of one’s individuality be it through style, gadgets, or attitude, sets one apart. In our own work, the “punk” is embodied in Eliza D. Braun, an agent from New Zealand. Coming from the farthest reaches of the Empire where women have the right to vote, where the natives co-exist with the colonials, and where everyone speaks their mind frankly and honestly, she goes against the standard norms at the home office in London, England. She is paired up with Wellington Thornhill Books, Esquire, a man of the manor born now serving at the Queen’s pleasure. She is everything he is not, and vice versa; and it is their chemistry and unorthodox approach to peculiar occurrences that make them unique within a society based on conformity.

All this, and they’re having a smashing good time while doing it. Well, at least, Eliza is.

Perhaps the best published primer for understanding steampunk, we found, is the unassuming title Steampunk Style Jewelry by Jean Campbell. Along with Amazon.com, you can find this book at your local Michael’s or arts-and-crafts store. As expected, there are plenty of how-to projects, but you will also find columns by musicians, artists, and seamstresses on what steampunk is. The photography in this book is also quite stunning.

And, of course, if you want to experience just how much fun steampunk can be, take a look at Phoenix Rising: A Ministry of Peculiar Occurrences Novel, from Harper Voyager.

[WARNING: While this review does not contain spoilers, the Comments do. You have been warned. Now...read on...]

Director and Writer Zack Snyder can really make a beautiful movie. Snyder set his own style with films like 300 and Watchmen, but has also come under fire for making movies that lack depth or are very “comic book” in their almost balletic approach to graphic violence. When you consider his last two films were pulling from (wait for it!) graphic novels, it makes you want to bitch slap critics. Perhaps this is why critics (and perhaps, some moviegoers) have been overly critical of Snyder’s latest film, Sucker Punch.

On reading some of these reviews, though, I have to ask “Did you see the same film as I did?” I not only loved Sucker Punch, I am here to tell you that missing this on the big screen would be a crime. It is original. It is surprising. It is intelligent.

What is isn’t is what the critics are making it out to be: Geekboy Titillation.

Now there’s no denying it: Snyder covers all of the bases in this flick. Sucker Punch offers up zombies, steampunk, dragons,  WWII bombers, and katana swordfights. And yes, all of the gunfire and swordplay is happening with women who all just happen to be hot.

Quite hot.

Smoking hot, as a matter of fact.

But the titillation critics rant on and on about just isn’t there. I didn’t find anything really “stimulating” about Sucker Punch unless you count the alternate realities where our femme fatales are kicking surrealistic asses in a variety of ways. Snyder’s signature “artistic action” sequences could hardly be described as “erotic” in their video game brutality. (And the more I think about that, the more I come to understand why Snyder’s fantasy sequences are so epic. You have to see the movie to catch it.) An episode of Sailor Moon or Bubblegum Crisis has more titillation than Sucker Punch. What should be titillating — Baby Doll’s hypnotic dance that segues into her own imagination — we never see. All we see is the reaction to it, and that is really intriguing.

Before any of my female readers comment with “If this isn’t geekboy pr0n, why then are Sucker Punch’s insanely attractive women so scantily clad in the action sequences? I mean, where’s the realism? What’s with the high heels in the giant samurai sequence?” I would like to present a few visual aids to end this debate.

History tell us that this is Sparta:Frank Miller and Zack Snyder, on the other hand, tells us that  THIS — IS — SPARTA:

This just in from Zack Snyder: “You’re welcome, ladies.”

Critics have also been making references that the principle players as “happy hookers” and “sensitive strippers.” Both of these assessments are completely and utterly wrong, and ruin the subtext running through this film. While these girls are carrying stripper names like “Rocket,” “Sweet Pea,” and “Baby Doll” (the lead), and while they are exotic dancers performing extravagant burlesque productions, they are not hookers nor are they strippers. And they’re not “happy” by a longshot. They’re sex slaves.

Let me say that again: These girls are sex slaves.

When you accept that uncomfortable fact, the whole mood of Sucker Punch changes; but from the opening — a very bleak, powerful opening telling the backstory of Baby Doll’s arrival to the insane asylum — this movie makes it clear that this is not a fun ride we are undertaking. This is the kind of darkness that makes Synder’s Watchmen look like an episode of Super Friends (the first season with Marv and Wendy…who were those kids anyway?!), and adds a sense of desperation for the girls daring to escape. Calling them “hookers/strippers with hearts of gold” really could not be farther from these characters’ dismal collected truth.

And when you consider the reality that Baby Doll is truly escaping, this tale takes an even darker spin.

That’s where I nurture a growing respect for Sucker Punch: it’s amazing layer-like quality and intelligence. Sucker Punch keeps you guessing as to where the lines of reality reside. Perhaps this is another reason why critics are coming out hard against this movie: Snyder made a geeky action movie that you have to pay attention to when watching it. This is a tale of redemption, and the lines of what is real and what isn’t are blurred just enough that when you walk out of the film, you are trying to piece together what was real and what wasn’t. Giving away any details right now would be spoilerific so I will simply say the ending completely caught me off-guard. How things play in the finale, which you discover isn’t the finale you were expecting, are a complete and utter surprise.

Perhaps this is why critics are so “angry” about Sucker Punch: They didn’t see this coming. But isn’t that the title right there? I was waiting for this movie to jump the rails. Pip was, too. It’s the morning after and I’m still waiting! Sucker Punch was not even close to what I was expecting, and I loved experiencing it on the IMAX big screen.

And concerning Sucker Punch’s soundtrack, I rank it right up there with the music from Scott Pilgrim Versus The World. Sweet crapbuckets, did this soundtrack ever rock! Props to Snyder, Tyler Bates, and producers for coming up with some fantastic covers and a Queen mash-up that gave me goosebumps!

In the age of reboots, remakes, and comic book movies, Sucker Punch is a breath of fresh air and originality, along the same lines as Inception and Black Swan. Dismiss the critics on this one, and go see it. If you can catch it on IMAX, do so as the bigger screen just makes Snyder’s composition — even the ones based in reality — breathtaking. You may be pleasantly surprised. You might walk out wondering what the hell you’ve seen, but you will be talking about it. Consider the tagline: “You will be unprepared.”

I was. Delightfully so.

Hey, everyone!

Just in case you missed the big launch last week, Pip and I premiered Tales from the Archives,  a collection of short stories from the Victorian England of The Ministry of Peculiar Occurrences. With original theme music composed and created by Alex White, we are featuring original steampunk short stories from…

• P.C. Haring of Cybrosis
• Starla Huchton of The Dreamer’s Thread
• Helen H. Madden of Heat Flash
• Phil Rossi of Eden and Harvey
• Chooch Schubert of Chronicles of the Order:“The Destruction of Station One”
• Jack Mangan author of Spherical Tomi
• Nathan Lowell of Trader’s Tales: The Golden Age of the Solar Clipper
• Valerie Griswold-Ford of The Apocalypse Cycle
• Grant Stone, Sir Julius Vogel winner for numerous short stories

Last week, Pip kicked things off with “The Evil that Befell Samson” and this week we present the supernatural steampunk “Dust on the Davenport” by author O.M. Grey.

Agent Simon R. Boswell, still considered the green agent of the Ministry, takes on his own a supposed haunting in Islington. Hauntings tend to be nothing too serious for agents specializing in the unexplained; but for Simon, this case supplies surprises of all kinds, around every corner…

About the Author:

O. M. Grey is rather camera shy and is a complete novice when it comes to modern technology. She prefers to live in the cobwebbed corners of her dark mind writing paranormal romance with a Steampunk twist. When she’s not writing, she’s reading or tending the garden or drinking a hot cup of tea. (Just two drops, please.)

O.M. Grey’s Avalon Revisited is released by Blue Moose Press and available from Amazon.com (print and Kindle), Barnes and Noble (print and Nook ), and the iBook Store. Find out more about the author at omgrey.wordpress.com.

Featured Voice Talent (in order of appearance):

• Paul E. Cooley
• Tee Morris
• Philippa Ballantine

Theme music for the Ministry composed and created by Alex White.

You can subscribe to Tales from the Archives on iTunes (and leave us a review there), or with your podcatcher of choice at the Ministry website. If you hear a short story you particularly like, go on and feel free to syndicate it on your own blog or podcast. Thanks for listening!

Hey, everyone!

You might have heard about this on Twitter last week when Pip and I premiered the first episode of our anthology podcast (more on that in a moment), there is a pretty strong showing of steampunk on Twitter, and one writer in particular started up a movement that have become a weekly event I always look forward to on Twitter.

Meet Nancy Overbury, the creator of #SteamTuesday on Twitter.

Nancy is a graphic designer and artist located in Montreal, Canada, and has nursed over the past few years a passion for steampunk. She promotes on Twitter a variety of  links — literature, film, art, fashion, music — you name it! If it’s steampunk and she hasn’t mentioned it on Twitter, you’ll find it on her blog.

So when Pip and I were trying to figure out when we wanted to drop episodes of Tales from the Archives, I immediately thought of Nancy’s special day on Twitter dedicated to steam, gears, and cog. Last week, the first episode “The Evil that Befell Samson” written by Pip Ballantine, went live:

It is revealed just how Miss Braun ended up being exiled from her native country, New Zealand, and working for the Ministry in its London Offices. It’s a tale of nefarious doings, stalwart ladies, and the sound of clockwork.

With original theme music composed and created by Alex White, Tales from the Archives will be featuring original steampunk short stories from these talented authors:

• O.M. Grey of Avalon Revisited
• P.C. Haring of Cybrosis
• Starla Huchton of The Dreamer’s Thread
• Helen H. Madden of Heat Flash
• Phil Rossi of Eden and Harvey
• Chooch Schubert of Chronicles of the Order:“The Destruction of Station One”
• Jack Mangan author of Spherical Tomi
• Nathan Lowell of Trader’s Tales: The Golden Age of the Solar Clipper
• Valerie Griswold-Ford of The Apocalypse Cycle
• Grant Stone, Sir Julius Vogel winner for numerous short stories

You can subscribe on iTunes (and leave us a review there) or with your podcatcher of choice at the Ministry website. If you hear a short story you particularly like, go on and feel free to syndicate it on your own blog or podcast.

And make sure when you are on Twitter, give Nancy a tweet and consider tracking the #SteamTuesday for some incredible finds out there in the aetherwebs!

And this is it.

You’ve heard why new computer books, while bringing in a bit of the greenbacks, is no longer my thing as a writer; and you’ve finally got an idea of what I have been dealing with in a writing partnership that went so south, the relationship is in Antarctica right now. (Considering this next section, there a touch of irony for you.) You also know that Billi and the crew are taking a “big sleep” as well. It’s time for me to move forward.

Granted, when I was told this was the next step, I had no idea this was going to be such a giant leap.

This wild ride starts in May of last year…

The Ministry of Peculiar Occurrences

2010 could be best summed up by Charles Dickins’ opening line from A Tale of Two Cities: “It was the best of times, it was the worst of times.” While working through the worst of times, May ushered in the best of times with a two-book deal from Harper Voyager. What had started as a podcast-for-pay with Pip Ballantine became my big break, and my top priority.

The series is called The Ministry of Peculiar Occurrences, and we describe the series as a steampunk take on the BBC’s espionage romp The Avengers. Our first book, Phoenix Rising, will premiere this Spring with its follow-up, under the working title Of Cogs and Corsets, planned for a 2012 release. Since the contract was signed, we have been moving at a blistering pace between quick turnarounds on edits, cover art production, and development of the sequel. Add to all this mayhem unanticipated international sales to Australia, New Zealand, Germany, and (just this month) Russia, it’s no lie: Expectations are high, particularly with the book’s premiere scheduled at The Steampunk World’s Fair in New Jersey.

There is one reoccurring thought running through my mind during this whole period of time: Holy crap, this is really happening.

So after clocking in a full day at Intersections Inc. as their go-to resource for all things Social Media, and then making sure Sonic Boom gets fed and (of course) some quality time, it’s down to the studio to focus my energies (or what’s left of them, at that point) on what is needed for the Ministry series:

• Writing Of Cogs & Corsets with Pip
• Administrative and (soon) editorial work on Tales from the Archives
• Researching and reaching out to potential contacts for an intensive media tour, starting in March
• Zumba and Dance Central workouts (Yes, I want to look good when May arrives.)

I need to focus on Ministry works because this is where my future is. My next step. As much as fans of Billi and Morevi want a new installment, I will hazard a guess they also want me writing. It may not be where people want me writing, but it’s where I need to be.

It’s also a lot of fun. I’ve been enjoying Wellington, Eliza, and their steampunk England so much that I find myself missing their world, even when editing and proofing chapters. There’s a lot of potential here, as well. I don’t want to miss a step, so this means making Ministry the focus of my writing.

You might not think it is a difficult decision, but it is. Side-stepping questions about Billi and Morevi, hearing fans ask about future podcasts, and receiving praise for these properties are all welcome and heartwarming. I appreciate them all, and they make me want to write in those universes again.

But there it is again: writing. Of course my readers and listeners want me to write. Feedback from my short stories has told me as much. The truth of it was in the sales, when I would see how much I would make off my other properties, including the Twitter and podcasting books. Would I ever really be able to make a living as this? Computer books have a limited shelf life; and to make a living with an independent press, I would have to double (or perhaps, even triple) my output. To hit that goal of full-time writing, I need to produce the books that can get me there.

I believe those books are the ones I’m working on with Harper Voyager. Come this Spring, we will see.

The End…but Rafe and Billi will return…

Letting go of these two properties has been hard, but I still believe — no kidding, I believe with purest conviction — that I will return to these worlds. Perhaps Billi will find a home with another publisher. Wouldn’t that be fun? Rafe, while dashing in his doublet and rapier, would look rather smart in an aviator cap and goggles, a hyper-velocity aetherflux at his side. I’ve closed the door, sure, but it’s not locked. As we have all seen as a community, there are no sure things, no slam dunks, in the entertainment industry. I still recall the words of my friend from across the pond, Martyn, when he tweeted to me “What a difference a year makes.” He’s right. Within a year, I could be forging ahead. Within a year, I could be on a new path. A lot can happen in this year, and I’m not dismissing Billi or Morevi and their futures. I will return to those worlds. Someday.

For now, I’m giving dwarf detectives and upstart pirates a break; and my attention turns to gears, gadgetry, and goggles. In place of Mick’s Diner and the Defiant, I’m delving into a dark depository of mysterious talismans, trinkets, and tall tales that could contain a bit of truth. Bullets and baldricks are swapped out for boilers. In this new world, a plucky pepperpot of the colonies and a meticulous bookworm face intrigue, danger, and secret societies hell-bent on overthrowing the Empire.

Sounds like fun? I hope so. Maybe you’ll want to join me on this little trip.

Chevron 9 locked. See you on the other side…

Last week, you got the behind-the-scenes look at how a lot of work can go into books and how a publisher can change their minds without telling you. We also got a look at how I’ve been making some rookie flub-up’s and probably need to go back and listen to my own podcast on writing and what not to do. This week, Part II of “The Tough Choices” goes into the characters people know me for and the questions people have been asking me since 2005…

The Billibub Baddings Mysteries

“So, are you ever going to podcast Pitcher’s Pendant?”

Two of the best things a writer can ever hear about their work is:

• I read it again, and it gets better every time.
• Where’s the next book?

While my podcasting and Twitter books are the bigger financial successes, it is my print and podcast novels that people ask me about the most. In particular, when is the next one coming? I suppose that would make the novels from Dragon Moon Press artistic successes.

The Case of the Singing Sword, both in print and in podcast, stands out as my most acclaimed work, winning an Honorable Mention from ForeWord Magazine for Best Fiction of 2005 and Best Audio Drama (Long Form) from the 2008 Parsec Awards. As much hard work as the podcast was, I had a blast doing it. The podcast also made an impression on me as I heard many of the voices from Singing Sword while writing Pitcher’s Pendant. In my head, I had the novel cast by its completion and was seriously considering a podcast of it either late 2009 or early 2010.

Life, and my professional relationship with Dragon Moon Press, had other plans; and I was finding myself at odds with both.

So it went in the Spring of 2010 that Dragon Moon and I, after eight years of epic adventure, supernatural sleuthing, and columns on writing and being a writer, parted company. We agreed that for anthologies and Complete Guide to Writing installments, I would contribute when time allowed. It was time I moved forward in my career, something that I promised myself I would do during my live Survival Guide at Balticon in 2009.

This means that in April of this year, the Billibub Baddings Mysteries will no longer be available from Dragon Moon. The rights will revert back to me and, once that happens, I will work with my agent to find them a home. Once I do find a home for my wise-cracking dwarf, I will gladly forge ahead with him, Mick, Alphonse, Gertie, and the rest of the colorful characters residing in my alternative Gangland Chicago. I will probably not podcast Pitcher’s Pendant until I have a home and a bankable future for the series.

This doesn’t mean I’ll be pulling down the podcast. It will still be available on Podiobooks.com, and there it will stay unless someone makes an offer;but for now, Billi’s leaving the axe on the wall and Beatrice locked away in his top desk drawer.

The Morevi Saga

If people haven’t asked me about Billi, they have asked about the fate of Rafe, Askana, and those loyal to House Moldarin and the Defiant.

Where do I begin?

Much like with Billi, MOREVI: Remastered was a joy. I was exhausted when I was done, but quite pleased with the end result. It was an experiment, and some chapters worked better than others In the end I was very happy with the voice talent and the production quality.

But what of the series?

Legacy of Morevi, for those of you who have read it, know it ended on a killer cliffhanger. I was more than ready, on announcing MOREVI: Remastered, to return to the lands of Naruihm and podcast Legacy while working on the third title, Exodus from Morevi. Again, as with the Twitter books, I announced the next book in the series, a podcast anthology, and plans for the Legacy podcast. All of these grand plans hit the sea floor on realizing that the year was not going the way I had planned.

Poor planning, sadly, isn’t the reason why Rafe, Askana, and cast are facing futures unknown. The main reason is Morevi’s original co-author: Lisa Lee.

I have remained tight-lipped about Lisa for years, but here is the story few have heard. When we wrote Morevi together, it was incredible fun. Our story captured the attention of media. We appeared together on The Dragon Page in 2004, marking the only time Lisa and I were both present for an audio interview. We were having a great time. For the most part.

When she announced (after I had asked her not to…) we were working on Morevi’s sequel, we agreed this was our next step as a writing team. It was time to get cracking on a sequel. Lisa would start (as I had written the opening chapter last time), and this would begin new directions for our characters. It was all very exciting…

…until within two months, all communication abruptly stopped.

I never found out why Lisa shut me out, and still have no definitive answer; but I did find myself alone at the writers’ desk with a Prologue and an opening to Chapter One. I also had a deadline and a delivery date set.

So, during Legacy’s development, I had a lot of things to deal with…except for my writing partner.

After repeat email and even legal documents went ignored, I forged on ahead without Lisa. The original Prologue was scrapped. Chapter One’s opening was completely re-written. This new adventure now took twists and turns that were my own. Even with its open ending, Legacy of Morevi was received with praise from the fans of the first book, and was a finalist for ForeWord Magazine’s Best Fantasy of 2005. Not bad for picking up the reins unexpectedly.

Fast forward to 2010…

Six years of silence finally broke when I found Lisa online. I reached out to her, asking for written permission to Morevi’s rights, seeing as she had no interest to continue writing in this universe. After all, it had been six years, right?

Here was Lisa’s reply:

“I am not sure about relinquishing all rights to Morevi – I will have to think about it. This is not so much about any monetary value but more about how I feel about something so personal.”

She also added:

“I appreciate that you’ve put a disproportional amount of work into Morevi compared to what I have contributed. All I can say is that for me, the overwhelming feeling I had when I first leafed through the printed copy was embarrassment. I guess that’s the only way I can go towards explaining why I felt I had to drop it.

But even so, it’s my first and maybe only ever published work. So before I can say here you go take it I want to know what you mean by find another home for it.”

What I find so bizarre about this exchange is how she refuses to say “yes” or “no” about relinquishing the rights to Morevi as it is “so personal” of a work, even after she had turned a blind eye when I wrote Legacy and produced both the 2005 and Remastered podcasts.

And this exchange happened at the end of August. I followed up with her in October. As it went six years ago, Lisa has apparently closed off communication. Again.

What exactly does all this mean? On a personal perspective I have formulated my own opinions; and I’ll admit—it would be real easy for me to dish.

I don’t dish. I rant. There’s a difference.

Without a definitive answer, I am left with an “Okay, what can I do?” So, once I am caught up with my Ministry commitments, I may return to Morevi’s universe and completely—to use the new, hip term in Hollywood—reboot the series.

As I discussed on my Facebook Group, I am considering a steampunk makeover for the swashbuckling series. A new era. A queen on England’s throne. A whole new attitude on some familiar friends. I believe Rafe could make the jump without a problem. It only becomes tricky as to how the reboot would change the plot, the environment, and the dynamics of the original.

I can promise you one thing: the Morevi reboot would be, without question, Elf-free.

This means Legacy would disappear into the aether. I would attempt to salvage as much as I could from it; but in giving my first novel a completely new angle with far less Fae, a lot will change.

All this would happen, though, after I meet my commitments with the Ministry.

(NEXT WEEK: Great Expectations)

click image to view full size

We’ve been sitting on this cover art for months!

When Pip Ballantine and I first saw it, we were over the moon. Imagine the heartbreak when our editor, Diana Gill, told us “You can’t post this anywhere just yet.” To watch the evolution of this cover, from the earlier drafts to the final product, has been a real trip; and while this is my fifth novel, it feels like my first.

Who is the artist? No clue. We know the artists were in-house and open to our input (something unheard of, particularly with new authors) when it came to cover ideas. We said, “Keep it simple. Have the heroes on the cover. Eliza should be armed to the teeth and up front. Wellington should be hanging in the back, enjoying a spot of tea.”

The rest came from the creative minds of Harper Voyager (formerly Eos Books).

You know that blogpost I keep promising, both here and on my Facebook group? Well, a fire has been lit under my bottom with the arrival of these cover flats. Somewhere during line edits (yes, I go on and say it — between the lines…), I’ll be going into my thoughts and feelings on this steampunk project, and how Eliza and Wellington will be affecting Rafe, Askana, and Billi. It’s not bad news, rest assured. It’s just a very different direction for myself as a writer.

I think the important bit to walk away with from this post is that in May 2011, I step back to where my heart has always been: Fiction.

Thanking Laurie McLean (my agent) and Diana Gill seems so inadequate, but I do appreciate this opportunity that they have given me. Laurie could have easily passed on this idea Pip and I hatched over Skype one night, but she saw the potential and got behind the book. Diana, with everything on her desk, not only saw the potential but really got behind the book in the negotiations; and in our discussions and her notes, she gave us her time and expertise and made the story even better. Thank you, both.

And thank you, Pip. She was pretty much set with Geist and Spectyr. She knows my cold feet when it comes to collaborations. She pressed, and she inspired me. Pip got me writing fiction again, and with our current preliminary work on Of Cogs & Corsets, it feels great. Who knew my Muse had a New Zealand accent? I really am blessed to have you in my life.

So, one step closer, here we are — a book cover for my first mass market paperback, coming to a book store near you in May. If you want to find out more about what we have planned in the ways of blog tours, appearances, and accompanying podcast, pay us a visit at The Ministry of Peculiar Occurrences.

May your weekend be full of that steampunk funk. Cheers!

It’s been a while, but as I step back into the arena of promotion (alongside Philippa Ballantine), I am planning to get back into the habit of letting people know where I’ll be. This weekend it is Philcon, Philadelphia’s premier Science Fiction convention…held in Cherry Hill, New Jersey.

Blame the Martians.

Here’s where I’ll be Friday and Saturday:

FRIDAY
9:00 PM, Crystal Ballroom Three
THE ROOTS OF STEAM PUNK:  VICTORIAN SCIENCE FICTION
with Richard Stout (mod), Philippa Ballantine, and Gil Cnaan

SATURDAY
3:00 PM in Crystal Ballroom Three
PIRATE, NINJA, VAMPIRE, ZOMBIE!
with Hugh Casey (mod), D.E. Christman, Jo Blu Pax,
Sally-Rouge Pax, and Keith R.A. DeCandido

5:00 PM in Plaza V
DO I HAVE TO LIVE MY LIFE ONLINE?
I’ll be moderating this panel, featuring Patricia M. Cryan, KT Pinto, Suzanne Rosin, Oz Drummond, and James Prego

8:00 PM in Plaza I
TRAVEL AS INSPIRATION FOR WRITERS
with Bud Sparhawk (mod), Philippa Ballantine, and Tom Purdom

While I am scheduled for panels on Sunday, I will be unable to attend those as Pip will be signing copies of Geist at Constellation Books, a favorite place of mine to sign. Join us Sunday, November 21, at 303 Main Street, Reisterstown, MD at 2:00 PM to meet and greet with Pip and celebrate the launch of her first Book of the Order.