While putting together The Ministry of Peculiar Occurrences blog and hopping around from steampunk site to steampunk site, I noticed a similar page at current online resources that Pip and I needed for our own. I also thought this would be a nice kick-off for the blog tour that we will be undertaking between now and May to promote Phoenix Rising, a post that begins with the basics: What is Steampunk?

Depending on which website you visit, be it the Wikipedia entry (featuring our good friend and creative talent, Jared Axelrod in this photo by Kyle Cassidy, licensed under Creative Commons 3.0) or Steampunk.com, you will get a variety of answers and interpretations to this creative movement that has been growing in popularity, but also capturing mainstream curiosity.

So I put together for the Ministry a page that gave several descriptions of what we thought constitutes steampunk. So, when you hear me talk about it and you still remain curious as to what it is, I present an “elevator pitch” to start off with, eventually work up to the “deep dive” that not only touches on the foundations of the genre, but even touches on the debate making rounds online and at the cons.

The Elevator Pitch

Steampunk is modern technology—iPads, computers, robotics, air travel—powered by steam and set in the 1800’s.

This is as brief and as compact a description you can give people when wondering what steampunk is. Perhaps the most mainstream point of reference would be the episode “Punked” from ABC’s popular crime drama, Castle (seen above, with Nathan Fillion featuring an armoured forearm creation from Brute Force Studios).

A Few More Details, if you please…

Steampunk is an inspired movement of creativity and imagination. With a backdrop of either Victorian England or America’s Wild West at hand, modern technologies are re-imagined and realized as elaborate works of art, fashion, and mechanics. If Jules Verne or H.G. Wells were writing their science fiction today, it would be considered “steampunk.”

So if you want to know more after “the elevator pitch” this brief summary names two of steampunk’s most revered heroes, Jules Verne and H.G. Wells (pictured above). While Verne and Wells are regarded as part of the foundation of Science Fiction, they would be listed as steampunk authors if they were writing their works today.

The Deep Dive…20,000 Leagues or so…

If you are reading this, you want more. So, here we go…

The term “Steampunk” originated in the late 1980s with a cheeky letter to Locus Magazine from science fiction author K. W. Jeter. Jeter was trying to find an accurate description of works by himself (Morlock Night), Tim Powers (The Anubis Gates), and James Blaylock (Homunculus). While Jeter coined the word, it was William Gibson and Bruce Sterling that brought the genre attention with the book The Difference Engine (1992). Best known for their offerings in cyberpunk, Gibson and Sterling took their intimate integration of man and machine back to 1885. In this alternative Industrial Revolution, Charles Babbage’s Difference Engine is not merely a curiosity but the norm, and now his Analytical Engine comes to fruition. The book centers around the struggle between the working class Luddites (who fear technology) and the upper-class “enhanced” elite.

Over the years, steampunk has evolved into more than just a sub-genre of Science Fiction and Fantasy. Steampunk now extends into fashion, engineering, music, and for some, a lifestyle. With the Victorian British Empire or American Wild West as the backdrop, steampunk projects are a challenge of making something elegant out of random bits and bobs. Picture MacGyver or The A-Team in the 1800’s. Consider Dick Van Dyke’s Caractacus Potts and his creations in Chitty Chitty Bang Bang, or the ingenious contraptions from Artimus Gordon’s laboratory in the television show The Wild, Wild West. What others see as junk or scrap parts, steampunk artists transform it into something new and expressive, be it an original creation or a modification of a modern convenience.

Where exactly does the “punk” come into play?

A current debate amongst writers is that the growing commercialism over the genre has diluted the “punk” aspect of steampunk. Their argument is that steampunk has been reduced to a backdrop of romantic Victoriana, goggles, and brass fixtures. Instead of works like The Difference Engine, The Diamond Age, and The Windup Girl where social commentary and dystopia are the focus, the grittiness and edge of steampunk is merely a shiny, spiffy backdrop as seen in lighter works such as Soulless and Girl Genius.

Steampunk, at least the way Pip and I see it, gets its “punk” not in its dystopian view of the world or even in its gritty edge. The “punk” in “Steampunk” comes from going against convention that, through creativity and declaration of one’s individuality be it through style, gadgets, or attitude, sets one apart. In our own work, the “punk” is embodied in Eliza D. Braun, an agent from New Zealand. Coming from the farthest reaches of the Empire where women have the right to vote, where the natives co-exist with the colonials, and where everyone speaks their mind frankly and honestly, she goes against the standard norms at the home office in London, England. She is paired up with Wellington Thornhill Books, Esquire, a man of the manor born now serving at the Queen’s pleasure. She is everything he is not, and vice versa; and it is their chemistry and unorthodox approach to peculiar occurrences that make them unique within a society based on conformity.

All this, and they’re having a smashing good time while doing it. Well, at least, Eliza is.

Perhaps the best published primer for understanding steampunk, we found, is the unassuming title Steampunk Style Jewelry by Jean Campbell. Along with Amazon.com, you can find this book at your local Michael’s or arts-and-crafts store. As expected, there are plenty of how-to projects, but you will also find columns by musicians, artists, and seamstresses on what steampunk is. The photography in this book is also quite stunning.

And, of course, if you want to experience just how much fun steampunk can be, take a look at Phoenix Rising: A Ministry of Peculiar Occurrences Novel, from Harper Voyager.

I’m starting to get my groove back (like Stella) in producing ideas, writing (seriously), podcasting, and playing with Sonic Boom. This road has been difficult (and no kidding, a blogpost is written, but I am not ready to drop it just yet. Bear with me…), but I’m taking everything one step at a time, one day at a time…

One of those positive steps is getting back into the interview circuit. Recently, Que Publishing contacted me concerning All a Twitter. The book is being featured again in Barnes & Noble Bookstores everywhere, and Que is hoping to get the first Twitter guide written from a user’s perspective (and when my byline says “written by Tee Morris” it means it!) into new readers’ hands. They asked me “Whatever you can do to get the word out…” and so I sent out a query to my Twitter networks.

Meet Michele Price. She queried me before I tweeted!

Michele is the host of Breakthrough Business, and on her BlogTalkRadio show we talk about Twitter, about my job at Intersections Inc, and about approaches that go against the grain of the marketing books. We talk about how “old school marketing” just doesn’t work with Social Media, and how businesses need to understand that Twitter (and Social Media, on a whole) is about people.

We had a blast on this interview, and there are more slated for the month. The geekier ones I’ll feature here, but if you want to hear more about the Social Media, take a trip to Imagine That! Studios for the full blogosphere-podosphere interview tour!

The day after the Great #Snowpocalypse of 2009, I felt the walls closing in a bit…and the twins inviting me to play with them really wasn’t helping. Fortunately, saving the day was Peter Cox all the way from Central London when he rearranged his schedule to sit down, open up the mics, and talk with me about podcast fiction. Seems that Litopia has opened a floodgate in talking about podcasting, Social Media, and the modern writer, and Peter wanted to sit down with the guy that started it all.

If you don’t know Litopia, you should. Lipopia is  run by writers for writers. It’s a podcast, it’s a blog, it’s a forum. It’s an inside look and a behind-the-scenes look at the publishing industry, and what was supposed to be a fifteen minute podcast…well, we went a little longer…

Enjoy this bit of time travel through the history of podcast fiction, and looking at the present day and possible tomorrows of Social Media in the publishing industry.

Listen. Comment (here and at Litopia). Share.

Hey, everyone! You may all think I’m suffering some sort of steampunk kick; but as you heard in my previous podcast, it is the focus of my attentions. My current work-in-progress now circulating the market is a steampunk romp entitled Books & Braun: Volume One — Phoenix Rising, co-written with Philippa Ballantine. I have always been fascinated with this sub-genre ever since hearing about it from two of the most creative people I know, J.R. Blackwell and Jared Axelrod.

And it was another creative type, the incredibly-witty, and delightfully-sultry Gail Carriger who — in a ways and means of promoting her paranormal steampunk romance, Soulless — made the offer to write guest blogpost.

Gail is my first. You always remember your first…

So I’m bumming about the internet, as you do, and Tee tweets me…

“Wanna guest blog?” says he.

“Delighted,” says I. “Got a topic?”

“What makes Steampunk so sexy?” says he.

Obviously, first and foremost, one word: corsets. There are a number of fine corsets (on the outside and underneath, worn by men and women) bumming about the steampunk scene. But as scrumptious as they are, there’s also that jodhpurs and newsboy cap look (yummy!) and never discount how truly hot a man (or cross-dressing woman) in proper fitted evening dress, or, for that matter the adorable grease monkey. Those flashes of brass, the occasional interesting adornment or mechanical arm which force one to look closer, to ask questions, these only serve to make the person wearing the outfit more intriguing and approachable, that to is super sexy too. Because what it means is that the person behind the outfit is creative and smart – frankly, it there anything more sexy than that?

So we’ve dealt with the sexy surface features of steampunk, shall we delve underneath? There’s that attitude, no don’t ghetto-neck at me, not that kind of attitude. One of the best bits of the Victorian era that steampunk has gently been reviving is the manners and the politeness. Online in forums, or out and around the maker’s circuit, running into fellows of a steamy inclination at fairs or conventions, I’ve found they are genuinely pleasant to be around. I don’t know about you, but I find ladylike and gentlemanly behavior extremely sexy.

And then, I hope you’ll forgive me for going slightly philosophical here, there’s this overtone of visible technology. We live in an age where technology has become hidden away in little silver boxes. Steampunk has taken the machine and made it a work of art, and it gorgeous. Suddenly, we get to see the gears and guts spread out before us. There’s something lascivious and yes, a little dirty about that.

Also, very very sexy…

Ms. Carriger began writing in order to cope with being raised in obscurity by an expatriate Brit and an incurable curmudgeon. She escaped small town life and inadvertently acquired several degrees in Higher Learning. Ms. Carriger then traveled the historic cities of Europe, subsisting entirely on biscuits secreted in her handbag. She now resides in the Colonies, surrounded by a harem of Armenian lovers, where she insists on tea imported directly from London and cats that pee into toilets. She is fond of teeny tiny hats and tropical fruit. Soulless is her first book.

With a whopping 42 comments to it (and as that is the big answer, I thought the time was right for this post…), I think it’s pretty much common knowledge by now that I got a new job. I didn’t really consider how quickly the wheels got rolling on getting me in there; but on retrospect, this place did not diddle around. I was offered the job on August 4, taught my final class on August 14, and then on August 17 I walked in, filed paperwork, went through the orientation, and was then literally thrown into the thick of it. I didn’t hit the ground running. I bitch-slapped the ground, made it call me a pretty girl, and had it beg for more when I was through with it.

And the really frightening bit? After a week, I’m still not sure how my voice mail works.

But what exactly is the job? I didn’t really go into detail on that in “Perseverance and Peter Gabriel” as that post was less about the job itself and more about the job hunt. Amidst the comments of congratulations and inspiration, a few of you have wondered “So what is this job you got?” I wanted to wait until I finished the first week before I shared details, and I’m glad I did. Last week was overwhelming, amazing, and eye-opening, on a lot of levels.

I was also beat at the end of every day. Slept a lot. Now, with some of the blur that was last week processed, here it is…

Intersections is a security firm, based out of Chantilly, VA. Since 1996, Intersections has dealt with credit history and digital identity protection. They are in the business of making electronic transactions, be they financial or personal, safer; and I have been hired as their Social Media Manager. (I’d like to point out that this job falls under Corporate Communications, not Marketing. That thrills me like you wouldn’t believe.) They were looking for someone who could not only apply Social Media, but understand the different initiatives out there and what they offer.

They were also looking for someone who could write. Yeah, I think I got that covered, too.

What I’m particularly excited about with this job is the angle Intersections takes with Social Media. Obviously, I’m being called upon to manage blogs, create podcasts, edit video (which I’m doing right now), and manage an outreach program with Twitter and (soon) Facebook; but I am also being asked to investigate and research security in Social Media, something I’ve touched on in Bird House Rules but only scratched its surface. On Friday, I was forwarded some news about Social Media from a security perspective and I was floored. The ironic bit is, that morning I was catching up with The SpyCast and listening to a fantastic interview with Dr. Terry Gudaitis who specializes in cyberintelligence gathering. (That’s the June 15, 2009 show if you’re interested.)

I feel as if I am starting all over again in Social Media, this time from a new perspective I hope Blogworld will let me speak on this year. I am officially on their schedule. I’ve confirmed “But Honey, It’s For the Studio” but am working to change topics concerning my second talk. So, if you’re at Blogworld this year, stop me and say “Hi.” It should be good fun in Vegas this October!

A cublicle in transition

So in the end, I am using my knowledge and background on Social Media for good, not for evil. While I will help in the promotion of what Intersections does, I will also be their on-call specialist in Social Media while I find out more about security matters with Twitter, Facebook, WordPress, and the like. My brain has been firing on all cylinders since Day One, and I’m soaking it up like a thirsty sponge. The first week just blinked by, and I’ve not slowed down yet.

If you were wondering, though, how the day job will affect my writing, it will only make me more productive. Now that I know my hours, I can regiment and manage my time efficiently. I’m still writing for AppAdvice; and this weekend Pip and I completed the first draft of Books & Braun: Phoenix Rising, our Steampunk CSI peppered with hints of James Bond. I’m also planning to dust off Whiskey Tango Foxtrot and start working on that. I’ll give up details with an upcoming Survival Guide to Writing Fantasy…and yes, that will be its final episode.

It’s a long story and a hard decision concerning The Guide, and I’ll save the rest for that show.

My job at Intersections is now underway, and my writing is moving forward. From here, all that I have to face now are the possibilities.

In this picture are two people that I hold very dear in my life. One of them is my daughter. I will let you try and figure which one of them is her…

The other “bloke” is Martyn Casserly, a journalist, an accomplished musician, and now he is an award-nominated podcaster with his one-minute Movie Mantras podcast. (Martyn is also a dad and a good mate to boot…although his opinions concerning the new Craig-Bond films and recent Doctor Who are completely wrong, but I digress…) With the many endeavors he had going, Martyn approached me this Spring to talk about an article he was penning on podcast authors. He was optimistic that Wired Magazine (UK) would pick up the column. So I crossed my fingers and hoped for the best.

This morning, I checked my Twitter stream and found this waiting for me:

My article about Podcast Authors is up on Wired ! @scottsigler, @sethharwood, @jchutchins, @teemonster all appear. http://bit.ly/Pv53w

Now live on the site, Wired Magagine (UK) picked up  “Novels by Podcast” where Martyn discusses how we authors are giving away our hard work in audio format for free. He also goes into the genesis of the podcast novel and why we do what we do.

“Giving away your stories isn’t a risk… it’s a competitive advantage,” explains Scott Sigler. “If a reader who’s never heard of me has $25 to spend and they’re looking at my book next to a Stephen King book, who are they going to choose? They take King. He’s a proven storyteller. But if King is $25 and my story is free they may try me out first. Why not? It’s no risk to them. If they like me, they buy me. If they don’t they buy King. Whatever happens the customer gets what the customer wants.”

It is a tight article covering successes and milestones; and while many who follow us on Twitter, on blogs, and through podcasts, may consider what we do “old hat” after four years, podcasting — and more importantly, podcasting fiction — is still a brand-spanking new concept to the mainstream market. Articles like Martyn’s and venues like Wired are getting the word out about what we are doing. That’s what is important here: getting people to listen.

Show Martyn appreciation by blogging about this article (and yep, I got it covered from the business perspective over at Imagine That!), syndicating his link in your feeds, dropping him comments on the article’s page, and talking it up on your podcasts. Let Wired know we’re paying attention and appreciate their support, and let Martyn know both on Twitter and on Wired that his words ring true.

Thanks, Martyn. Well done!

Hey, everyone!

cover artwork by J.R. Blackwell

While you all know that the dwarf detective is one for the low-tech solutions like Beatrice and a good battle-axe, you may not know that the award-winning The Case of The Singing Sword: A Billibub Baddings Mystery is now available for the iPhone! Sure you can download Billi on the iPhone and iPod Touch in audio but now you can pick up a copy of Billi’s first big case as an iPhone application. Along with The Case of The Singing Sword, the Fey Trickster is also causing (double) trouble at the iTunes Store with Chasing the Bard also available for the iPhone and iPod Touch. Take a look and show the love. Let iPhone and iPod Touch users know that Double Trouble has now hit the iTunes Application store.

And yes, The Case of The Pitcher’s Pendant and Digital Magic are both en route. Stay tuned…