4 Lessons from Wonder Woman for Writers

 

wonder-woman-2017-5Last weekend, I — as many of my fellow nerds, geeks, and moviegoers also did around the world — made Wonder Woman a record-breaking film. Single-handedly, the Amazonian Princess of Themyscira pulled off a true wonder: an incredible cinematic experience from DC Studios. Guess it really does take a woman to do the job of two men.

But I digress.

Let’s just address the 800-pound Doomsday in the room: Batman V. Superman (where Gal Gadot’s Diana was unveiled) was nothing short of a red hot mess. It made its money back, sure, but so did Star Wars: Episode One, Two, and Three, so please, don’t use that as a dog in this hunt. On account of BVS’ reception, a lot was riding on Wonder Woman. A lot. Perhaps the future of DC’s cinematic franchise.

I’ve had a week to process it and some things have cemented for me about this film: Continue reading

The Other Moral Dilemma of Ender’s Game

Orson Scott Card.

What can you say about celebrated New York Times bestselling author Orson Scott Card?

Well, there’s this…

“Orson Scott Card is a homophobic piece of shit.”

And then there’s this…

“That P.O.S. gets none of my dollars.”

And from the same thread…

“He’s not getting a dime from me.”

Members of the Science Fiction community have been of late truly repulsed by some of the things OSC has expressed both online and in the world of op-ed pieces, and—let’s be honest—OSC as an author is so mainstream that his recent spirited opinions inspired articles like this:

http://thinkprogress.org/alyssa/2013/02/21/1619481/an-ethical-guide-to-consuming-content-created-by-awful-people-like-orson-scott-card/

http://www.salon.com/2013/03/07/end_game_for_orson_scott_card_partner/

Here’s where it gets tricky though…

Continue reading