You Wanna See Something Really Scary: A Fresh Horror from Tee Morris

twilightIf you remember back in 2012, Pip and I were engaging in an experiment. We never really mentioned what that experiment was all about, and that was on purpose. We wanted to step deeper into the waters of self-publishing and write outside our genres, see how works way out of our known expertise would perform in the wild frontier of digital do-it-yourself storytelling. I created for myself the pen name of “Jonathan Carter” and set out to write stories that—I hoped—would keep people up a night, make readers afraid of the dark, and check the house to make sure they were truly safe.

I’ve never been one for pen names but after two years and little-to-no activity, I went on and said to Pip “I think we’re done with the experiment. How about we go ahead and just kill Jonathan Carter, and I claim those short stories.”

So, I sat down with Photoshop, edited the eCovers, and re-released them into the wild. Within the first twelve hours of being live, one sold.

I’m thinking the loss of the pen name was a good idea.

How would I categorize my horror? I don’t think of myself as a horror writer heavy on the “squick” factor (if you are curious of what the “squick” factor is, think of the works from Clive Barker or film like the Saw series, or Hostel); but I would say the element of a setting or a situation slowly unraveling, and watching what the players do to try and solve or salvage it but wind up making the bad even worse, makes for good horror. It’s a feeling of helplessness, that wild tailspin of trying to make a situation right while knowing there is nothing that can be done, that I believe horror derives from.

While I have just opened up my own private shop here, you can find my works of horror on Amazon: Continue reading

Sucker Punch: The Title Says It All

[WARNING: While this review does not contain spoilers, the Comments do. You have been warned. Now…read on…]

Director and Writer Zack Snyder can really make a beautiful movie. Snyder set his own style with films like 300 and Watchmen, but has also come under fire for making movies that lack depth or are very “comic book” in their almost balletic approach to graphic violence. When you consider his last two films were pulling from (wait for it!) graphic novels, it makes you want to bitch slap critics. Perhaps this is why critics (and perhaps, some moviegoers) have been overly critical of Snyder’s latest film, Sucker Punch.

On reading some of these reviews, though, I have to ask “Did you see the same film as I did?” I not only loved Sucker Punch, I am here to tell you that missing this on the big screen would be a crime. It is original. It is surprising. It is intelligent.

What is isn’t is what the critics are making it out to be: Geekboy Titillation.

Now there’s no denying it: Snyder covers all of the bases in this flick. Sucker Punch offers up zombies, steampunk, dragons,  WWII bombers, and katana swordfights. And yes, all of the gunfire and swordplay is happening with women who all just happen to be hot. Continue reading