Don’t Make Resolutions. Make Commitments.

 

iStock_000013954253_LargeHere comes the end of 2015. How was it? I’m hoping the year was kind to you. I know that, maybe, there were highs and lows; but I hope the highs were up there and lows not too shallow.

Right now, you’re seeing a lot of blogposts either looking back through 2015 or looking ahead to 2016, and as we close in on the countdown, I wanted to ask you all a favor: Knock it off with the New Year’s Resolutions. Let’s focus on getting shit done. Let’s make commitments for 2016. Continue reading

Stranger on a Train XVII

I should be focusing on the job. I should be a blank slate on the way to Alexandria. I should feel a sense of accomplishment from the weekend.

I think I’m obsessing over this book trailer.

It makes sense, you know? Even with the previous night Linc and I took off from editing, I was putting together some audio for it. I couldn’t find the right effect so I put it together in Soundtrack Pro. The end result was exactly what I wanted, and it was built around a basic, elementary sound.

Guess that is what makes a film, or a book, or any artistic endeavor — the details. It’s the super glue of creativity.

My in-laws are in from New Zealand. Sonic Boom is over the moon. I think Pip is far more thrilled than she’s letting on. I missed spending Sunday with them, but I had audio for ACX to record, a Tales from the Archives (this one from J.R. Blackwell) to mix, and a sound effect for the trailer. It was a productive day, but I got to make sure I make time for the family. That’s a detail that really matters.

I think I also need to make time to see The Avengers again. It was a blast. Jose Whedon already had good reason to be proud with Serenity, but he really met unrealistic expectations.

Good on ya, Joss.

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Stranger on a Train XV

It’s the start to a new week, although it doesn’t feel like I ever finished last week. Immediately after Day Two of the new job, I polished up an audio chapter of Truly, Deeply Disturbed and sent that off to the review cue for the publisher. Then it was packing of the big pink travel bag; and Pip, Jett, Karina, and I mounted up and headed to Grimmoire Manor (the home of Brute Force Studios) to film a book trailer. That’s the challenge of being unemployed: You either sit on your rear waiting for things to right themselves, or you step up to projects and then suddenly find yourself juggling commitments.

Doesn’t mean I’m folding like a cheap lawn chair. I’m seeing all these projects through.

I learned something about steampunk over the weekend, something I don’t think I’ve heard a lot of people mention and maybe it should be mentioned more often: It’s a passion. Whether you are a crafter like Thomas, a model like Sarah (both of Brute Force), or writers like Pip and myself, it’s something we do (and in some instances, defend) because we love it. We have a lot of reasons why but that love is what runs our analytical engines. I am constantly blown away by the talent I meet in this genre, but those who excel at it nurture a real passion for steampunk. Sometimes, artists may not even realize they are dancing with steampunk; and that’s when what happens is less about aesthetic and more about art. Yeah, there is a deeper commitment and drive behind steampunk, and it’s inspiring.

Here’s a behind the scenes shot of our Sophia del Morte (Sarah Hunter). I got high hopes for this book trailer…

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