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Tee Morris

Writer, podcaster. and streamer

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Rants, Opinions, and Overall Observations

GUEST BLOGPOST: In Which a Delivishly Clever Archeologist Writes with a Most Scandalous Flair!

Hey, everyone! You may all think I’m suffering some sort of steampunk kick; but as you heard in my previous podcast, it is the focus of my attentions. My current work-in-progress now circulating the market is a steampunk romp entitled Books & Braun: Volume One — Phoenix Rising, co-written with Philippa Ballantine. I have always been fascinated with this sub-genre ever since hearing about it from two of the most creative people I know, J.R. Blackwell and Jared Axelrod.

And it was another creative type, the incredibly-witty, and delightfully-sultry Gail Carriger who — in a ways and means of promoting her paranormal steampunk romance, Soulless — made the offer to write guest blogpost.

Gail is my first. You always remember your first…

So I’m bumming about the internet, as you do, and Tee tweets me…

“Wanna guest blog?” says he.

“Delighted,” says I. “Got a topic?”

“What makes Steampunk so sexy?” says he. [Read more…] about GUEST BLOGPOST: In Which a Delivishly Clever Archeologist Writes with a Most Scandalous Flair!

Perseverance and Peter Gabriel

joy

Today, I got a job.

Today, I got a full time job in Social Media.

While this sounds like something simple, the point I want to make, if I teach the world anything, is not to give up. Don’t give up.

Remember that song? There’s a darkness in that song, sure. I mean, hey, it’s Peter Gabriel. But there’s that optimism (voiced by Kate Bush), that assurance, you can make it through the storm.

I frakkin’ love that song.

People on Twitter and at KrakenQuest’s Great Reveal all knew I was having a tough time at this job hunt, but let me give you the run down that only a few have heard…

October 2007

First, there was actually dusting off the resume. I realized straight away there was a problem: I hadn’t done this in nearly ten years. I had no real experience, apart from my skills in the classroom. It amazed me how many people thought that would make me a valuable asset because I had the mad skills. InDesign, Photoshop, Final Cut Pro, Soundtrack Pro, and so on and so on. This was going to be a piece of cake.

I knew better. Even with two books in podcasting under my belt, I knew I had a lot of knowledge, but not the experience that people would want. Still, I gave the resume an overhaul with the help and encouragement of Paul Fischer & Martha Halloway, and began the job hunt.

In this proud land we grew up strong
We were wanted all along
I was taught to fight, taught to win
I never thought I could fail

February 2008

I was thrilled to connect with a headhunter that found me a client wanting someone knowledgable in Social Media. I went in for the first interview and made such a good first impression that one of the interviewers chased me to the elevator to say “Goodbye.” The headhunter prepped me, said I was close. One more interview. It was supposed to be with the president of the association. Well, okay then. The president and an associate? No problem. We set the time for a late afternoon, after a class; and I cut my class off early so I could make the 4:30 p.m. interview. I walk into the office and meet the president and two associates. Two? Well, okay then. Two. I proceed with the interview, the two associates just watching me and the president wanting me to regale her with tales of my theatre days. (Another blog post about that to come….) After being there for over an hour, the president of the association cuts me off and says “This isn’t going well.”

You could have heard a pin drop.

[Read more…] about Perseverance and Peter Gabriel

A long one’s coming…

I’m still working on this blogpost, but it’s epic. Just thought I’d give you fair warning.

That is all.

7th Son: Remastered

Many of you subscribing to this blog probably already know J.C. Hutchins from 7th Son. I still remember when I was listening to his  Podiobooks.com submission and literally freezing at my computer when I heard the opening line of Descent. From that point on, I tracked with Hutch’s techno-thriller and was honored to kick off 7th Son: Obsidian with my short story, “Miles to Go Before I Sleep.”

I also track Hutch on Twitter, and when he announced that the cover for St. Martins Press’ print release of 7th Son was live on his site, I eagerly followed the link…

Not what I expected.

Hutch was happy though. He really liked the cover, and I supported Hutch’s opinion. I have heard many authors bitch, moan, and complain about their covers, but Hutch was all a squee. I stood by that. His book, his cover. He should be happy. Besides, writers rarely (if ever) get a say on the cover when you’re at the level Hutch is playing at. These are the New York types, after all. The big kahunas of publishing. They know a good cover when they hand one to you. They get the best designers, the best artists, and the best marketing minds together to really make a book leap out and scream “BUY ME NOW!”

These same New York types will also tell you “People don’t judge a book by its cover…” and “The story will sell the book…” I’ve heard both, and more.

My friend was happy with the cover. That’s what really mattered.

Today, I caught Hutch thanking people for their feedback on a new 7th Son: Descent cover. Wait — a new cover? Curious, I clicked on the link, and this haunting image stole my breath away…

Mind-blown and psy-jacked by this totally hot artwork, I called Hutch to congratulate him on scoring a “Sweet as Frak” book cover.

The original artwork for the 7th Son podcast shares a lot in common with this new look for Descent. Seen at Hutch’s website, the podcast artwork was minimalistic, and captured with the DNA strands the twists and turns our heroes experience across three books. With this cover, St. Martins’ Press returns to that motif.  I see from this cloning chamber many tubes connected, mirroring all the connections seven strangers discover with one another; and how their connections all lead back to John Alpha and the chaotic revenge he ensues. I don’t know if that’s intentional, but that’s what I see.

This cover doesn’t just leap out at you. This cover jumps in front of you, bitch-slaps you, and make you say “I’m a pretty girl.” I totally grok this cover, and I can tell you that the story between the covers is even more mind-bending.

I think, from the tweets and talking to Hutch today, he likes the cover too. A lot.

Again, Hutch — congratulations. This is a stunning cover from St. Martins Press, and I look forward to when you sign my copies (yeah, that’s right — copies) of your epic thriller.

Write, or Go Home!

As you may know by now (provided you subscribe to Imagine That!, or follow either of my Twitter accounts), I’m working on a new book: All a Twitter, from Que Publishing. I’ve seen the tweets and also taken some heat from other DC consultants (and here’s a shock – these consultants are NOT on Twitter, but will give an opinion nevertheless…) concerning books about Twitter. I am still very optimistic, nay confident, nay cocky, that All a Twitter will be unlike the other books hitting the shelves between now and the summer.

For starters, my book will be written from a user’s perspective. Other titles (that I am aware of) are being written by people in Marketing, meaning the underlying intent of these books will be “This is the way you leverage Twitter in order to monitize your Social Networking experience.” I could go on a tear about that…another time. This isn’t what my rant is about. It’s concerning another quality of this future book.

All a Twitter will say on the cover “by Tee Morris” meaning the book will be written by me.

This is what my rant is about.

My revelation that people claiming to be writers but in fact are not writing books even though their names are on the cover, started at the beginning of the year. In a social setting over good food and good wine, the subject turned to how much work goes into a book. I pulled from my own experiences with the For Dummies crew, which really blew away those at the table. I told them the breakneck schedule of writing computer books was not uncommon. That was when I turned to another author, one I had just met that had written a book on Twitter. I asked the author “How long did it take you to write your book on Twitter?”

The author looked at me as if I had asked the question using the Lothlorien Elvish dialect. The (self-proclaimed) best-selling author scoffed and said, “I didn’t write the book.”

“But your name is on the title?” I asked.

“Yeah, it is, but I didn’t write the book.” The author then told me, with an alarming amount of pride, “I went to my network on Twitter and asked my followers what they wanted in the book. They wrote what they wanted, I took what they sent in, and put it together.”

Say what?!

Yes, I know, ghost writing is nothing new. Happens all the time. You have people helping others behind the scenes (as Wikipedia states with Alan Dean Foster writing the novelization of Star Wars, but handing credit to George Lucas), so I know that bylines may not always be as honest as they should be. Where I call “Shenanigans!” is when the books in question are “How To” books.

When you pick up a “How To” book and look at the title’s byline, you make a strong assumption if not conclusion that its author is an authority on the subject matter. How much confidence, then, would you have in an author if they were to tell you they farmed their work out to other experts, and then granted it a cursory eye once it came in? So let’s set the scenario: An author, based on their expertise and a proposal they have put together, is hired to write a book. Instead of researching their expertise further and actually writing the manuscript, these authors-under-contract have others write sections or chapters for them. They then shape the content in a fashion that fits their own needs, and then send off to the publisher the material under their name, not the individual who actually wrote the chapter.

Allright, that doesn’t make you a writer. That makes you an editor. An Acquisitions Editor. Barely. This was a similar process I followed as an Acquisitions Editor for Ben Bella Books’ So Say We All with one major difference: The individual chapters all carried the author’s bylines so you knew who wrote that particular essay.

When I agreed to write All a Twitter, Que Publishing sent me a list of guidelines and this is their standing on Citations:

Such use should be limited. Readers are paying for a book that shares your practical experience of the subject and they expect that the material in the book has not been published before.

“Readers are paying for a book that shares your practical experience…” Huh, what a concept!

The business behind “not-really-writing-a-book” I also have to wonder about. At Jeff Pulver’s Social Media Breakfast in Washington DC, I mentioned that I had just taken on All a Twitter. One of the attendees asked me “So you’re actually writing the book?” It turns out he was approached to write a chapter for another Twitter book being produced this year. His reply to the offer was “What’s in it for me?” A valid question, seeing as he wouldn’t have a byline in the final published work. The “author” of this Twitter guide didn’t reply to his query.

What. A. Shock.

These “smoke-and-mirror writers” take questionable business tactics one step further as, with byline under their belts, they bill themselves as experts and sell seminars to conventions, expos, and special events. Money – in some instances, big money – is now exchanging hands. I’m not sure who makes me angrier: the people claiming to be authors and taking credit for work that isn’t theirs, or the organizers of these events who don’t take a few minutes before planning their schedules to evaluate a speaker’s street cred. When you carry around on your blog, website, or resume a publishing credit, there is a measure of trust involved that a book carrying your name on it was written by you. I doubt if I could sleep soundly betraying that trust because I believe in the “Put Up or Shut Up” ethic. If a book is going to carry my name, I’m going to be the one held accountable for it so I’m going to make sure the words are truly my own.

Chances are, with this blogpost, I’ve effectively painted a bulls-eye on All a Twitter, and on anything else with my name on it. Critics, nay-sayers, and maybe a few guilty will hold my work under a magnifying glass. And you know something? I’m okay with that kind of attention because I can stand by what I write. Oh, I did ask for some help here and there, but you can be assured those who helped me out will be given salutations and citations.

You can also be assured that when a book says “by Tee Morris” on it, that is the truth. So keep an eye out for All a Twitter this summer. It’s written by Tee Morris.

Seriously. It is.

Why Adam Morey (and my Tribe) totally rocks…

Today, I got another job rejection, this one from Ford’s Theatre. I don’t know what is worse…losing out on the job opportunity, or losing out to a candidate who had written a screenplay about Lincoln’s assassination for his college thesis, had read every book about Lincoln that is available…oh yeah, and knows five different programming languages.

Seriously…how did I make the first cut?!

After a four mile walk, I got on Twitter and vented a bit. I asked “Why was I up for this job again?”

This was the reply from Adam Morey…

This desktop is available in the following dimensions:

1024 x 768
1600 x 1200

And this is why I remain positive. My fans are teh awesome. Thank you, Adam, for this (and other cool podcaster wallpapers) pick-me-up; and major thanks to my TwitterTribe for getting me through a very, very tough year…

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  • A New Adventure: Tee Morris on YouTube
  • 4 Lessons Learned in a 3-month Dummies Project
  • 4 Signs an Interview Has Gone South
  • Playing the Toughest Game on Twitch: The Numbers Game
  • Take Me to the River: The 2019 James River Writers Conference

What’s on Your Mind…

  • Cyberpunk 2077: No Patch Can Fix Bad Writing - Cyberpunk 2077 videos on Shop
  • 4 Lessons Learned in a 3-month Dummies Project on Playing the Toughest Game on Twitch: The Numbers Game
  • 4 Lessons Learned in a 3-month Dummies Project on Embracing the Dummie in Me
  • Indiana Jim on Embracing the Dummie in Me
  • 4 Signs an Interview Has Gone South on You Got This. And Other Things You Already Knew.

 

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